SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wild, prompter. Mainpiece: Not acted these 7 years [acted 6 Jan. 1773]. End of mainpiece: The Procession from Westminster Abbey Coronation. Public Advertiser, 8 May: Tickets to be had of Wild at his house, No. 20, Crown-court, Bow-street. Receipts: #224 18s. (146.1; tickets: 78.17) [charge: #72 6s.)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Afterpiece Title: Poor Vulcan

Song: End I: new song, The Cottage on the lawn (composed by Michael? Arne)-Mrs Farrell

Ballet: End Procession: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Whitfield and Mrs Pitt. [2nd piece in place of The Ephesian Matron, announced on playbill of 12 May.] Public Advertiser, 2 May: Tickets to be had of Whitfield, No. 14, Crown-court, Bow-street, Covent Garden. Receipts: #144 15s. [51.14; tickets: 93.1) [charge: #74 7s.)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: True Blue

Afterpiece Title: The Commissary

Dance: End 2nd piece: The Poney Races, as17780421

Song: As17780511

Event Comment: Benefit for Dickinson, pit office-keeper. Public Advertiser, 16 May: Tickets to be had of Dickinson, No. 5, Wild-court, Wild-street, Lincoln's Inn Fields. Receipts: #276 13s. (48.16; 9.0; 0.14; tickets: 218.3) (charge: #105)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Waterman

Dance: End: Hornpipe, as17780518

Song: In I: song-Miss Abrams

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequins Invasion

Dance: End III: Minuet de la Cour, as17780508

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter

Event Comment: Benefit for Smith. Mainpiece: Not acted these 4 years [acted 31 Mar. 1777]. Public Advertiser, 2 Mar.: Tickets to be had of Smith at his house, Beaufort Buildings, Strand. Receipts: #243 17s. 6d. (129.3.0; 18.17.6; 2.9.0; tickets: 93.8.0) (charge: #74 15s. 6d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Camp

Event Comment: Benefit for Miss Younge. Mainpiece: Not acted these 7 years [acted 23 Apr. 1773]. Public Advertiser, 13 Mar.: Tickets to be had of Miss Younge at Thelwall's, King-street, Covent Garden. Receipts: #217 16s. 6d. (83.16.0; 17.14.6; 9.1.0; tickets: 107.5.0) (charge: #64 15s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Author

Dance: End: Minuet de la Cour, as17780919; Allemande, as17780919

Event Comment: Benefit for Henderson. Mainpiece: Not acted these 4 years [acted 8 June 1776]. Public Advertiser, 6 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. [Henderson's 1st appearance as King Lear was at Bath, 20 Feb. 1773.] Receipts: #259 9s. (162.9.0; 16.12.6; 0.13.6; tickets: 79.14.0) (charge: #105)

Performances

Mainpiece Title: King Lear

Afterpiece Title: High Life below Stairs

Event Comment: Benefit for Vernon. Mainpiece: With a Grand Procession, as 23 Dec. 1778. [Miss Pinto was from the Smock Alley Theatre, Dublin.] Public Advertiser, 15 Mar.: Tickets to be had of Vernon at Mahon's, the corner of Bow-street, Covent Garden. Receipts: #217 1s. 6d. (121.8.0; 21.11.0; 0.19.6; tickets: 73.3.0) (charge: #73 3s. 6d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: A Peep behind the Curtain

Dance: Dance of Cupids, as17781223; Dance of Daemons, as17781223

Event Comment: Benefit for Dodd. Afterpiece: With Alterations. Not acted these 50 years [acted 31 Dec. 1739]. Public Advertiser, 6 Mar.: Tickets to be had of Dodd at his house, New Ormond-street. Receipts: #272 4s. 6d. (117.4.0; 13.19.0; 2.1.6; tickets: 139.0.0) (charge: #66 15s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Britons Strike Home

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract or The Female Captain

Event Comment: Benefit for Webster. Public Advertiser, 9 Mar.: Tickets to be had of Webster, No. 35, Upper Charlotte-street, Rathbone-place. Receipts: #203 7s. (73.12; 15.13; 1.15; tickets: 112.7) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Comus

Dance: III: Hornpipe, as17790129

Song: Sweet Echo-Mrs Kennedy, Leoni [i.e. formerly Mrs Farrell]

Event Comment: Benefit for Brereton. Public Advertiser, 27 Mar.: Tickets to be had of Brereton, No. 11, Tavistock-street. Receipts: #188 10s. 6d. (84.2.0; 19.16.0; 2.6.6; tickets: 82.6.0) (charge: #71 18s. 4d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: A Peep behind the Curtain

Song: original Music , as17780924, but _Legg, _Carpenter

Event Comment: Benefit for Bensley. Mainpiece: With the grand Triumphal Entryv. Public Advertiser, 27 Mar.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #215 2s. 6d. (135.6.0; 21.4.0; 5.13.6; tickets: 52.19.0) (charge: #82 5s. 3d.)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: The Camp

Event Comment: Benefit for Mrs Wrighten. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wrighten, No. 56, Drury-Lane. Receipts: #273 11s. 6d. (64.13.0; 7.9.6; 1.1.0; tickets: 200.8.0) (charge: #68 18s. 6d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

Song: Between the acts: Tally ho!-Mrs Wrighten; In afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke

Event Comment: Benefit for Mrs Robinson. Public Advertiser, 10 Apr.: Tickets to be had of Mrs Robinson, Great Piazza, the corner of Russel Street, Covent Garden. Receipts: #210 14s. (75.0.0: 21.2.6; 0.17.6; tickets: 113.14.0) (charge: #105)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Camp

Event Comment: Benefit for Miss Walpole. Mainpiece: Not acted these 3 years. Public Advertiser, 26 Mar.: Tickets to be had of Miss Walpole, No. 15, Henrietta-street, Covent Garden. Receipts: #203 19s. 6d. (100.2.0; 15.10.0; 3.15.6; tickets: 84.12.0) (charge: #105)

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: A Peep behind the Curtain

Dance: End: a Dance-Miss Walpole

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Mainpiece: Not acted these 7 years [acted 18 Feb. 1773]. Afterpiece: A Dramatic Entertainment (in 2 parts) of Singing, Dancing and Dialogue. In Honour of Shakespeare. In which will be introduced a Pageant. The Music by Dibdin. Public Advertiser, 27 Mar.: Tickets to be had of Hopkins, No. 7, Little Russel-street, Covent Garden. Receipts: #229 9s. (129.14; 30.18; 2.10; tickets: 66.7) (charge: #64 4s.)

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: The Jubilee

Event Comment: Benefit for Mrs Sharp and Mrs Brereton. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Sharp, No. 10, Bow-street; of Mrs Brereton, No. 11, Tavistock-street. Receipts: #133 9s. 6d. (79.13.0; 25.0.0; 0.8.6; tickets: 28.8.0) (charge: #75 9s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Camp

Song: End IV: Tally ho!, as17790413

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 24 Apr.: Tickets to be had of Hurst, No. 368, opposite Norfolk-street, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #194 13s. (54.10.0; 16.5.6; 0.2.6; tickets: 123.15.0) (charge: #66 1s. 6d.)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Quaker

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Benefit for Waldron and Miss Abrams. Morning Chronicle, 6 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street. Receipts: #138 5s. (50.10; 22.17; 0.9; tickets: 64.9) (charge: #71 4s. 6d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Comus

Dance: In IV: Dance-Henry, Miss Armstrong

Song: As17790413

Event Comment: Benefit for Wright and Butler, carpenter. Afterpiece: To conclude with the Scene of the Waterfallv, as it was originally performed. Public Advertiser, 5 May: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Receipts: #267 9s. 6d. (37.11.0; 13.8.6; 0.4.0; tickets: 216.6.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Elopement

Dance: End II: Hornpipe-Wright

Song: As17790503

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois