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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6512 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5751
13 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #304 2s. (110.18.0; 11.6.6; 2.2.6; tickets: 179.15.0) (charge: #107 14s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Sultan

Dance: End: As17870113; End I: The Minuet de la Cour, as17861125

Song: V: song-Miss Romanzini

5752
13 April 1787 @ Covent Garden

Event Comment: Benefit for the Author [of afterpiece, who is named in the Account-Book, but not on the playbill]. Receipts; #120 1s. 6d. (113.18.6; 6.3.0; tickets; none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Love and War

5753
17 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. The Romp [announced on playbill of 16 Apr.] cannot be performed on Account of the Indisposition of Mrs Jordan. Public Advertiser, 31 Mar.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #285 12s. (126.18.0; 13.17.6; 2.16.6; ticket2: 140.0.0;) (charge: #107 8s.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

5754
20 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

5755
24 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Harlequin's Invasion

5756
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

5757
26 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Who's the Dupe

5758
26 April 1787 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets, half a guinea each, to be had of Sga Sestini, No. 36, Mount-street, Grosvenor-square. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

5759
27 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Receipts: #281 14s. (67.0.0; 20.6.6; 2.13.6; tickets: 191.14.0) (charge: #109 1s.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Padlock

5760
28 April 1787 @ Drury Lane Theatre

Event Comment: Receipts: #152 7s. 6d. (126.7.0; 22.4.6; 2.8.6; tickets not come in: 1.7.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Double Disguise

5761
02 May 1787 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #218 2s. (213.5; 4.17; tickets: none listed)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Bonds without Judgement

5762
05 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #153 3s. 6d. [120.18.0; 28.15.6; 3.10.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Seduction

Afterpiece Title: Who's the Dupe

5763
11 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Distress'd Baronet

Dance: End II: As17870113; I: a Country Dance (incident to the [main]piece)-

Song: [Kelly introduced a song, Love thou maddening power, and a duet, Each joy in thee possessing, neither one listed on playbill. Both were composed by Gluck, and both had English words by Elizabeth Sheridan (Kelly, I, 301-2)]

5764
12 May 1787 @ Covent Garden

Event Comment: Benefit for Darley. Receipts: #186 7s. 6d. (108.5.0; 3.9.6; tickets: 74.13.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Barataria

Dance: End: The Indian's Ransom-[see17870217

5765
14 May 1787 @ Covent Garden

Event Comment: Benefit for Booth. Mainpiece: Banquetv, Processionv, Christeningv as 26 Mar. [Afterpiece: Epilogue by Arthur Murphy.] Receipts: #262 10s. (140.14.6; 2.3.6; tickets: 119.12.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Citizen

Song: As17870326

5766
16 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer and Staunton. 2nd piece [1st time; INT 1, by Charles Stuart. Larpent MS 777; not published]. Receipts: #283 3s. 6d. (44.4.0; 16.6.6; 1.11.0; tickets: 221.2.0) (charge: #109 13s. 9d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Box-Lobby Loungers

Afterpiece Title: Too Civil by Half

5767
16 May 1787 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and housekeeper. [Afterpiece in place of Love in a Camp, announced on playbill of 15 May]. Receipts: #321 3s. 6d. (45.7.0; 2.17.6; tickets: 272.19.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Hob in the Well

Dance: End: The Drunken Sailor Reclaim'd- [see17861212]

5768
17 May 1787 @ Drury Lane Theatre

Event Comment: Seduction [announced on playbill of 16 May] is obliged to be deferred, on Account of the Indisposition of a principal Performer. Receipts: #63 2s. (42.10; 18.15; 1.2; tickets not come in: 0.15)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Distress'd Baronet

Dance: As17870126

5769
17 May 1787 @ King's Theatre

Event Comment: Benefit for Hus, ballet-master. Tickets to be had of Hus, No. 80 Haymarket. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: an entirely new ballet (composed by Hus), Le Cossac Jaloux- [see17870519]; End Opera: [will be revived, with alterations and improvements, Zemira and Azor- [see17870213]

5770
18 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. Receipts: #293 13s. 6d. (40.13.0; 11.2.0; 2.12.6; tickets: 239.6.0) (charge: #107 15s.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Bon Ton

Dance: III: a Hornpipe-Johnston

Song: End I: Primroses deck the Banks' green side (composed by Linley? Sen)-Dignum; End I afterpiece: Bright Phoebus has mounted the Chariot of Day (composed by Hook)-Dignum

5771
21 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Farce [i.e. 3rd piece]. Receipts: #98 6s. (82.4.0; 15.18.6; 0.3.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Box-Lobby Loungers

Afterpiece Title: The Distress'd Baronet

5772
21 May 1787 @ Covent Garden

Event Comment: Benefit for Wild. 2nd piece: In 3 Acts. 3rd piece [1st time; MF 2, by Leonard Macnally. Larpent MS 778; not published; composer of music unknown]. Morning Herald, 22 May: "[The Cantabs] was not heard out by the audience, nor can we differ from the verdict, as it possessed little to entertain, and less to interest." Receipts: #222 16s. 6d. (113.8.0; 7.6.6; tickets: 102.2.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

5773
23 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #302 1s. (29.1; 11.6; 1.0; tickets: 260.14) (charge: #105 2s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Humourist

Dance: End: A Highland Reel, as17860928, but _Mills, Ferrere

5774
24 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #263 7s. (145.17; 14.1; 0.14; tickets: 102.15) (charge: free)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: End III: As17870113

Song: As17870201

5775
24 May 1787 @ King's Theatre

Event Comment: Benefit for Sga Storace. Tickets to be had of Sga Storace, No. 23, Howland-street, Rathbone Place. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329