SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With a Grand Procession of the different Orders of Knights of Chivalry. Receipts: #121 5s. 6d. (82/5/0; 36/4/6; 1/18/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Romp

Dance: In Act I of mainpiece a Dance of Cupids [performers not listed]; In Act IV a Dance of Daemons by Hamoir, &c

Event Comment: Receipts: #150 (101/19; 47/2; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Arthur and Emmeline

Event Comment: "So much has been curtailed of [The Heiress] that the time of the representation is now three quarters of an hour less than it was on Saturday" (Morning Chronicle, 17 Jan.). Receipts: #250 4s. (227/6/0; 21/6/6; 1/1/6; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece The Minuet de la Cour by Hamoir and Miss Stageldoir

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #216 1s. (186/18/0; 27/6/6; 1/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: All the World's a Stage

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #307 or. 6d. (283/12/0; 21/16/6; 1/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Romp

Event Comment: Receipts: #252 16s. (250/10; 0/16; tickets not come in: 1/10)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Hurly-Burly

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #269 10s. 6d. (232/0/0; 36/1/6; 1/9/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Receipts: #266 4s. (260/10; 2/19; tickets not come in: 2/15)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Hurly-Burly

Event Comment: Receipts: #221 13s. 6d. (199/2/0; 20/16/6; 0/15/0; tickets not come in: 1/0/0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Romp

Event Comment: Receipts: #277 4s. (256/4/0; 19/11/6; 0/16/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

Event Comment: "Mrs Siddons' 'O Jaffier'--'Remember twelve'--'Aye, but that husband trusted her'--and, above all, the narrative of the night with Renault--were given with the most miraculous organs of varied emphasis, modulation, delicacy and propriety . . . Kemble's Jaffier was a perfect performance" (Public Advertiser, 14 Feb.). Receipts: #251 15s. (226/15; 23/6; 1/4; tickets not come in: 0/10)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Englishman in Paris

Dance: As17860116

Event Comment: Receipts: #270 3s. 6d. (244/15/0; 23/7/0; 1/14/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Romp

Event Comment: Receipts: #243 17s. 6d. (211/18/0; 30/2/0; 1/12/6; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Receipts: #224 9s. 6d. (198/17/0; 23/5/6; 1/19/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Humourist

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Event Comment: Receipts: #200 8s. 6d. (152/9/0; 43/1/6; 2/13/0; tickets not come in: 2/5/0)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Romp

Event Comment: Receipts: #238 14s. (216/2/0; 20/5/6; 1/4/0; tickets not come in: 1/2/6)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Mrs Sutton, the Miss Stageldoirs, &c

Song: In Act III of mainpiece an Epithalamium. Vocal Parts by Mrs Forster and Miss Stageldoir

Event Comment: Receipts: #230 4s. (181/17/0; 47/3/6; 0/18/6; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Romp

Song: As17850920

Event Comment: Benefit for Delpini [who is named in the Account-Book, but not on the playbill]. Receipts: #185 13s. (134/16; 8/12; tickets: 42/5) (charge: #105)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Omai

Dance: End of mainpiece The Deserter. The Deserter-Byrn; Skirmish-Mrs Goodwin; Louisa-Mr Delpini

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Receipts: #135 (118/n/o; 13/17/6; 1/11/6; tickets not come in: 1/0/0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Event Comment: Receipts: #175 14s. (148/5/0; 25/7/6; 1/4/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Romp