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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6512 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5576
22 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Miss Field. Receipts: #165 19s. (32/17/0; 15/17/6; 2/10/6; tickets: 114/14/0) (charge: #107 13s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Rosina

Song: End of mainpiece Awake, AEolean Lyre, a glee composed by Danby (which gained a Prize Medal), by Bannister, Suett, Staunton, Barrymore, Chapman, Williames, Dignum

5577
22 April 1785 @ Covent Garden

Event Comment: Benefit for Hull. Public Advertiser, 12 Apr.: Tickets to be had of Hull at his house in Duke's Court, near Dean's Yard, Westminster

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Song: As17850405

5578
23 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for the two Miss Kembles [who are named in the Account-Book, but not on the playbill]. Receipts: #199 10s. 6d. (180/7/0; 18/6/6; 0/17/0; tickets: none listed) (charge: #109 18s. 10d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Comus

5579
25 April 1785 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

5580
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

5581
28 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #88 0s. 6d. (50/4/0; 34/11/0; 1/13/0; tickets not come in: 1/12/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

5582
28 April 1785 @ King's Theatre

Event Comment: Benefit for Tasca and Sga Rachele Dorta. Tickets, half a guinea each, to be had of Tasca, No. 5, Great Pulteney-street, Golden-square; of Sga Dorta, No. 234, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

5583
04 May 1785 @ Drury Lane Theatre

Event Comment: Receipts: #228 16s. 6d. (198/4/0; 28/1/6; 2/1/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Humourist

5584
09 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deaf Lover

Dance: As17840918

5585
10 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

5586
11 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Spencer and Mrs Hedges. Mainpiece: Not acted these 2 years. Receipts: #173 16s. 6d.(17/3/0; 10/6/0; 0/11/6; tickets: 145/16/0) (charge: #105 11s. 4d.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Who's the Dupe

Song: End of mainpiece Stand to your gum by Bannister; Bright Phoebus has mounted the chariot of day by Dignum; Jack, thou art a toper and Toby's brown jug by Dignum, Suett, Williames, Barrymore

5587
11 May 1785 @ Covent Garden

Event Comment: Benefit for Wild [prompter]. Public Advertiser, 7 May: Tickets to be had of Wild, No. 17, Bow-street, Covent Garden. The unfortunate circumstance of breaking his leg . . . has prevented his attending the theatre the whole season [and see 18 Apr.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Afterpiece Title: Three Weeks after Marriage

5588
12 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Burton and Harwood, prompter. 2nd piece [1st time; INT 1, author unknown. MS: Larpent 702, not published]. Receipts: #180 15s. 6d. (21/4/0; 13/16/6; 1/0/0; tickets: 144/15/0) (charge: #105 17s. 1d.}

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: New Readings, by Johnny Bulcalf, With his Journey to London

Afterpiece Title: The Irish Widow

Dance: End of 2nd piece, as17850505

Song: End of Act IV of 1st piece Stand to your Guns by Bannister

5589
13 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Chaplin & Nix. Receipts: #251 7s. 6d. (19/14/0; 9/17/6; 0/13/0; tickets: 221/3/0) (charge: #107 3s. 6d.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: High Life below Stairs

Dance: As17841002

Song: End of mainpiece Bright Phoebus has mounted the chariot of Day by Dignum

5590
16 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and house-keeper. Receipts: #298 6s. (48/12; 11/13; 0/10; tickets: 237/11) (charge: #108 18s. 5d.)

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Confederacy

Afterpiece Title: The Deserter

5591
17 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett and Butler. Receipts: #266 16s. 6d. (30/7/0; 11/6/6; 0/3/6; tickets: 224/19/6) (charge: #110 18s. 7d.)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Caldron

Dance: End of Act III of mainpiece the Minuet de la Cour and Gavot by Master Butler and a Young Lady [unidentified] (both Scholars to Miller); End of mainpiece a Double Hornpipe by Master Butler and the same Young Lady

5592
19 May 1785 @ King's Theatre

Event Comment: Benefit for Tenducci. Tickets, half a guinea each, to be had of Tenducci, No. 63, Dean-street, Soho

Performances

Mainpiece Title: Orfeo

Dance: As17850512

5593
24 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Not acted these 3 years. "Mrs Bellamy was too much frightened to speak the address [written by Charles Stuart (European Magazine, May 1785, p. 354)], and Miss Farren spoke it--Mrs Bellamy herself added some few words in prose" (Genest, VI, 342). But Stuart's address was abandoned, and in its place Miss Farren spoke one written by Alexander Bicknell (Gentleman's Magazine, June 1785, pp. 449-50). This occurred at the end of the play; following the address the curtain rose, and Mrs Bellamy "succeeded in muttering a few words, expressive of her gratitude" (Reynolds, I, 282-83). [This was Mrs Yates's last appearance in London. In July of this year she was acting in Birmingham (Morning Chronicle, 18 July). Mrs Bellamy's last appearance on the stage was at CG, 1 June 1780.] Receipts: #306 4s. (188/1/0; 13/3/6; 0/14/6; tickets: 104/5/0) (charge: #113 8s. 10d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Comus

5594
25 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Afterpiece to conclude as 17 Jan. Receipts: #246 1s. (23/6/0; 9/16/6; 1/18/6; tickets: 211/0/0) (charge: #107 19s. 3d.)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Waterman

Dance: As17850505

Song: End of Act IV of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

5595
26 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Pcrcey & Cameron. Receipts: #235 19s. (14/14; 5/10; 0/15; tickets: 215/0) (charge: #106 15s.)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Author

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum

5596
27 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Carleton, Wilson, Newton & J. Shade. Receipts: #258 7s. (26/18/0; 6/1/6; 0/9/6; tickets: 224/18/0) (charge: #106 7s.)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Deuce is in Him

Dance: As17840918

5597
09 June 1785 @ King's Theatre

Event Comment: Benefit for Sga Ferrarese. Sga Ferrarese, whose long and grievous Indispositions have been an Obstacle to the Success she ardently wished to obtain, cannot plead any Merit of her own, and only depends for Patronage on that well-known Liberality of a Public, equally disposed to allow for involuntary Deficiencies as to reward even an Attempt to captivate their Benevolence. Tickets, half a guinea each, to be had of Sga Ferrarese, No. 19, Oxendon Street, Hay-market

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

5598
02 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Stead. Tickets to be had of Stead, at the Angel. [Afterpiece: Prologue by David Garrick.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Apprentice

Performance Comment: Dick, the Apprentice (with the original Prologue)-Benson; Wingate-Wellman; Gargle-Wright; Simon-Waldron; Irishman-Glassington; Scotchman-Newbold; Watchman-Stevenson; Bailiff-Banister; Porter-Mast. Payne; President-Oldmeadow; Principal Spouter (with Variety of Tbeatt ical Imitations')-Payne; Charlotte-Mrs Wellman. vaudeville. End of mainpiece a song by Miss Cranford, with a Hornpipe by Wright, and a Duett by Miss Cranford and Mrs Benson .
Cast
Role: Principal Spouter Actor: Payne

5599
15 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Mr and Mrs Wellman. Tickets to be had of Mr and Mrs Wellman, No. 20, and of Williams, Hair-Dresser, Dorville's Row

Performances

Mainpiece Title: The Spanish Fryar; Or, The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton; or, Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

5600
19 July 1785 @ Haymarket Theatre

Event Comment: Benefit for Brett. Public Advertiser, 18 July: Tickets to be had of Brett, No. 73, Long-acre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: As17850617

Song: End of Act III of mainpiece The Tobacco Box by Mr and Miss Brett