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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6512 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5551
03 March 1785 @ King's Theatre

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

5552
05 March 1785 @ Drury Lane Theatre

Event Comment: Receipts: #257 18s. (233/10/0; 23/6/6; 0/11/6; tickets not come in: 0/10/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Who's the Dupe

5553
08 March 1785 @ Covent Garden

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Afterpiece Title: Rosina

Dance: As17841116

5554
10 March 1785 @ Drury Lane Theatre

Event Comment: Receipts: #145 14s. 6d. (101/10/0; 42/13/0; 0/11/6; tickets not come in: 1/0/0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Critic

Dance: As17850307athi

5555
12 March 1785 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Public Advertiser, 10 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden

Performances

Mainpiece Title: Robin Hood

Cast
Role: Outlaws Actor: Darley, Doyle, Baker, &c.

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .

5556
15 March 1785 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #287 17s. 6d. (131/4/0; 13/19/6; 0/4/0; tickets: 142/10/0) (charge: #71 8s. 4d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

5557
15 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

5558
17 March 1785 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 33, Pall-mall. 2nd ballet: With Grand Chorusses; the original Music by Matthew Locke is entirely preserved; the rest partly new [by Barthelemon], partly compiled from the most favourite Scotch Airs. "We cannot think last night's effort among the most successful . . . Lepicq and Rossi were the Macbeth and Lady--and considering the narrow boundaries of their art, which is tongue-tied, they discoursed 'with most miraculous organs.' Still, however, the whole of the material questions of the scene were agitated with all the disadvantages of contrast with comparative inefficience" (Public Advertiser, 18 Mar.)

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

5559
19 March 1785 @ Covent Garden

Event Comment: Benefit for Lewis. Public Advertiser, 18 Mar.: Tickets to be had of Lewis at his house in Broad Court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

5560
29 March 1785 @ Covent Garden

Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

5561
30 March 1785 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 12 years [acted 22 Mar. 1774]. Receipts: #291 3s. (112/10; 19/2; 0/5; tickets: 159/6) (charge: #106 11s. 4d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The School Boy

Song: End of mainpiece The Soldier Tir'd of War's Alarms by Miss Phillips

5562
30 March 1785 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 16 Mar.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: As17841001

5563
05 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Gentle Shepherd

5564
06 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Miss George. Receipts: #199 19s. (66/18/0; 25/15/6; 1/0/6; tickets: 106/5/0) (charge: #108 15s.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Rosina

Dance: As17850307athi

Song: Between the Acts, by Miss George

5565
07 April 1785 @ King's Theatre

Event Comment: Benefit for Mlle Dorival. Tickets, half a guinea each, to be had of Mlle Dorival, No. 127, Pall-mall

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

5566
08 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Miss Phillips. Receipts: #243 1s. (98/11/0; 22/0/6; 0/3/6; tickets: 122/6/0) (charge: #106 10s. 3d.)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Double Disguise

Dance: End of Act I of mainpiece Hornpipe by Mills; End of mainpiece The Sportsmen's Return, as17840916

Song: End of Act II of mainpiece The Lark, from The Spanish Rivals (composed by [Thomas] Linley [Sen.]) by Miss Phillips

5567
11 April 1785 @ Covent Garden

Event Comment: Benefit for Edwin. Public Advertiser, 29 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Altered from Beaumont and Fletcher [i.e. from Fletcher alone]. Afterpiece: Not acted these 6 years [acted 28 May 1782]

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

5568
13 April 1785 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Barataria

Dance: As17841116

5569
14 April 1785 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

5570
15 April 1785 @ Covent Garden

Event Comment: Benefit for Brett. Public Advertiser, 2 Apr.: Tickets to be had of Brett, No. 73, Longacre

Performances

Mainpiece Title: Robin Hood

Cast
Role: Outlaws Actor: Darley, Doyle, Baker, &c.

Afterpiece Title: Comus

Dance: As17850409

Song: As17850405

5571
16 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #139 17s. 6d. (124/3/0; 14/13/6; 0/8/6; tickets not come in: 1/12/6)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Who's the Dupe

Song: As17850414

5572
18 April 1785 @ Covent Garden

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

5573
19 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #158 10s. (141/8/0; 15/7/6; 0/19/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disguise

5574
21 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Too Civil by Half

Dance: As17850307athi

5575
21 April 1785 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese