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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6512 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5526
08 December 1784 @ Drury Lane Theatre

Event Comment: Receipts: #112 15s. (84/10; 27/5; 0/10; tickets not come in: 0/10)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Arthur and Emmeline

Dance: As17841203

5527
11 December 1784 @ Drury Lane Theatre

Event Comment: Receipts: #201 15s. 6d. (179/1/0; 22/4/6; 0/0/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Deuce is in Him

5528
14 December 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #171 5s. (150/7/0; 20/0/6; 0/17/6; tickets: none listed) (charge: #105, with "author's allowance deducted")

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: All the World's a Stage

5529
16 December 1784 @ Drury Lane Theatre

Event Comment: Receipts: #103 11s. 6d. (72/3/0; 29/11/0; 0/0/0; tickets not come in: 1/17/6)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Arthur and Emmeline

Dance: As17841203

5530
18 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Chaplet

5531
21 December 1784 @ Drury Lane Theatre

Event Comment: Receipts: #173 14s. 6d. (153/18/0; 19/4/0; 0/2/6; tickets not come in: 0/10/0)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Chaplet

5532
23 December 1784 @ King's Theatre

Event Comment: This Night, the last of performing before the Holidays, will not be counted a Subscription Night, but the Tickets admitted as usual

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: As17841218 throughout

5533
29 December 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpicce, who is named in the Account-Book, but not on the playbill]. Receipts: #147 15s. (116/0/0; 31/7/6; 0/7/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Deserter

5534
30 December 1784 @ Drury Lane Theatre

Event Comment: Receipts: #105 6s. 6d. (80/6/0; 24/4/0; 0/9/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Harlequin Junior

5535
01 January 1785 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #61 15s. (42/13; 17/12; 1/10; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Harlequin Junior

5536
07 January 1785 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #277 5s. (247/18; 28/0; 1/7; tickets: none listed) (charge: #105, with "author's allowance deducted")

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Gentle Shepherd

5537
24 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

5538
02 February 1785 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

5539
03 February 1785 @ Drury Lane Theatre

Event Comment: The Natural Son [announced on playbill of 2 Feb.] is obliged to be deferred on Account of the Indisposition of Bensley. Receipts: #135 0s. 6d. (102/9/0; 31/18/0; 0/6/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Caldron

Dance: As17841002

5540
07 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. Subscription tickets [for 5 nights] to be had of Weltje, confectioner, St. James's-street, and of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

5541
08 February 1785 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin. Text (G. Kearsley, 1785) lists cast as above, but omits La Fleur (see 10 Feb.)]: The Music entirely new, composed by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #154 5s. 6d. (105/19/0; 47/14/6; 0/4/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Liberty Hall; or, The Test of Good Fellowship

5542
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

5543
11 February 1785 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit 51. 1st Gallery 3;. 6d. 2nd Gallery is. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

5544
17 February 1785 @ Drury Lane Theatre

Event Comment: Receipts: #182 5s. 6d. (142/10/0; 37/10/6; 0/10/0; tickets not come in: 1/15/0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Liberty Hall

5545
19 February 1785 @ Drury Lane Theatre

Event Comment: "What a 'monstrous marring' ... is made amongst the wierd sisters! Mrs Wrighten laughing and talking the whole time, [and Miss] George who cannot help joining in a laugh . . . Mrs Siddons's sleeping scene [is] we think the greatest act that has in our memory adorned the stage" (Public Advertiser, 24 Feb.). Receipts: #279 6s. 6d. (250/0/0; 28/9/0; 0/10/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Too Civil by Half

5546
22 February 1785 @ Drury Lane Theatre

Event Comment: Receipts: #206 18s. 6d. (190/2/0; 16/6/6; 0/2/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Apprentice

Cast
Role: Spouters Actor: R. Palmer, Phillimore, Fawcett, Wilson, Spencer, Williames, &c.

5547
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

5548
28 February 1785 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of the mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #162 10s. (115/9; 45/11; 1/10; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Liberty Hall

5549
01 March 1785 @ Drury Lane Theatre

Event Comment: Receipts: #216 1s. (195/11/0; 19/12/0; 0/10/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Caldron

5550
03 March 1785 @ Drury Lane Theatre

Event Comment: Benefit for the Author and Composer of the After-Piece. Receipts: #154 17s. (112/14; 41/0; 1/3; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Liberty Hall