SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6317 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dodd. Afterpiece: Not acted these 12 years. Receipts: #207 12s. 6d. (60/2/0; 20/10/6; 0/17/0; tickets: 126/3/0) (charge: #106 10s. 10d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Absent Man

Dance: As17840311athi

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #320 11s. 6d. (143/9/0; 13/5/6; 2/7/0; tickets: 161/10/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Rival Candidates

Dance: As17840311athi

Event Comment: Benefit for Lewis. Receipts: #292 1s. 6d. (222/1/6; tickets: 70/0/0) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

Event Comment: Benefit for Mrs Bulkley [who is named in the Account-Book, but not on the playbill]. Paid Richards, Laceman, #91 11s. 6d. Receipts: #97 19s. 6d. (54/3/0; 25/14/0; 0/1/6; tickets: 18/1/0) (charge: #105 15s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: A Fete

Afterpiece Title: Too Civil by Half

Song: End of Act II of mainpiece A Soldier for Me, as17840412

Event Comment: [Afterpiece in place of The Quaker, announced on playbill of 21 Apr.] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #197 14s. 6d. (180/16/0; 14/11/6; 0/14/6; tickets not come in: 1/12/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Rival Candidates

Event Comment: Receipts: #258 10s. 6d. (236/10/0; 19/17/0; 1/6/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Comus

Event Comment: Benefit for Barthelemon. Tickets to be had of Barthelemon at his house at Vauxhall

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

Event Comment: Receipts: #208 8s. 6d. (195/0/0; 12/2/0; 1/1/6; tickets not come in: 0/5/0)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Who's The Dupe

Event Comment: Receipts: #218 12s. (199/6; 18/6; 0/10; tickets not come in: 0/10)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Ladies' Frolick

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi

Event Comment: Benefit for Miss Wheeler. Mainpiece: Not acted these 2 years. Receipts: #139 14s. 6d. (31/9/0; 20/13/6; 1/5/0; tickets: 86/7/0) (charge: #106 17s. 6d.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: A Pasticcio

Afterpiece Title: High Life below Stairs

Event Comment: Receipts: #210 (193/16; 13/15; 1/4; tickets not come in: 1/5)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: All the World's a Stage

Event Comment: [As mainpiece the playbill announces Tancred and Sigismunda, but "[Mrs Siddons] again appeared in Lady Randolph, for on the sudden illness of Kemble, Tancred was thus forced to be changed" (Public Advertiser, 10 May).] Receipts: #225 18s. (207/18/0; 16/10/0; 0/12/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Mr and Mrs Ward. Receipts: #135 2s. (23/6; 13/18; 0/5; tickets: 97/13) (charge: #107 12s. 11d.)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #279 14s. 6d. (169/19/0; 10/15/0; 1/5/6; tickets: 97/15/0) (charge: free)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Lyar

Dance: As17840311athi

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Double Disguise

Event Comment: Benefit for Mme Theodore. Tickets made out and delivered for the 1st of April will be admitted, and may be had of Mme Theodore, No. 5, Great Pultney-street, Golden-square. Public Advertiser, 15 May: The Ballet was founded on the French piece of Le Deserteur, of which there was retained a good deal of the

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel
Event Comment: Benefit for Phillimore, Thompson & Nix. Receipts: #222 13s. (22/14; 14/5; 2/3; tickets: 183/11) (charge: #107 2s.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Duke and No Duke

Dance: End of mainpiece The Minuet de la Cour by the Miss Stageldoirs

Song: Between the Acts of mainpiece Gramacbree Molly, as17840503

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Mainpiece: Not acted these 10 years. Receipts: #185 19s. 6d. (17/19/0; 5/12/6; 0/6/0; tickets: 162/2/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Event Comment: Benefit for Fawcett and Butler. [As mainpiece the playbill announces Edward the Black Prince, but it was not acted. The Account-Book lists the substitute play.] Receipts: #280 7s. (37/9; 4/6; tickets: 238/12) (charge: #115 10s.)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece Hornpipe, as17840517; End of Act hi, as17840311athi

Song: End of mainpiece Gramacbree Molly, as17840503

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 31, Pall-mall

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

Event Comment: Benefit for Chaplin, Wilson, Walker & Mrs Booth. Receipts: #176 6s. (19/2/0; 6/12/6; 0/14/6; tickets: 149/17/0) (charge: #106 16s. 10d.)

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Watson, Carleton, Wilson & Hicks. Receipts: #216 16s. (12/15/0; 6/5/6; 1/9/6; tickets: 196/6/0) (charge: #106 15s. 3d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Deaf Lover

Dance: As17840320athi

Event Comment: Benefit for Booth, Guard & Stevens. 3rd piece: Not acted these 12 years [not acted since 25 Apr. 1770]. Receipts: #233 1s. (73/10; tickets: 159/11) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: Hob in the Well

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)