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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6516 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6320 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5451
17 February 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #112 14s. (85/8/0; 26/17/6; 0/8/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Quaker

5452
18 February 1784 @ Drury Lane Theatre

Event Comment: Receipts: #273 14s. 6d. (258/5/0; 13/19/6; 1/0/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Englishman in Paris

Dance: As17831004

5453
20 February 1784 @ Drury Lane Theatre

Event Comment: Receipts: #102 11s. (100/6; 2/0; tickets not come in: 0/5)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Harlequin Junior

5454
21 February 1784 @ Drury Lane Theatre

Event Comment: Receipts: #223 4s. 6d. (206/12/0; 15/17/6; 0/8/0; tickets not come in: 0/7/0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lyar

5455
23 February 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #164 13s. 6d. (162/11/0; 2/2/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Harlequin Junior

5456
24 February 1784 @ Drury Lane Theatre

Event Comment: Receipts: #241 4s. 6d. (219/7/0; 19/15/0; 1/2/6; tickets not come in : 1/0/0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Padlock

5457
26 February 1784 @ Drury Lane Theatre

Event Comment: Receipts: #179 3s. (176/18; 1/5; tickets not come in: 1/0)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Harlequin Junior

5458
26 February 1784 @ King's Theatre

Event Comment: Benefit for Vestris [Jun.]. Tickets, half a guinea each, to be had of Vestris, No. 37, Great Pulteney-street, Golden-square

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

5459
27 February 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook, at the Stage Door, for Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Lallegro Il Penseroso

Afterpiece Title: The Coronation Anthems

5460
02 March 1784 @ Drury Lane Theatre

Event Comment: Receipts: #281 14s. (254/11/0; 26/3/6; 0/12/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Padlock

5461
03 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Oratorio: Composed by the late Dr Arne. At Playhouse Prices [see 10 Mar.]. The Doors to be opened at 5:30. To begin at 6:30. Tickets for the Boxes to be had at Messrs Longman and Broderip's, in Cheapside and the Haymarket; and at the Stage Door of the Theatre, in Suffolk-street, where Places may be taken

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

5462
04 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #180 12s. 6d. (179/5/0; 1/7/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Harlequin Junior

5463
06 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Deserter

5464
08 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Mans Bewitchd Or The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

5465
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

5466
11 March 1784 @ Drury Lane Theatre

Event Comment: Receipts: #185 2s. 6d. (150/13/0; 32/12/0; 0/2/6; tickets not come in: 1/15/0)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: End of mainpiece The Sportsmen's Return, as17840308i.e. this was originally entitled The Return of the Hunters]

5467
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

5468
13 March 1784 @ Drury Lane Theatre

Event Comment: Receipts: #149 1s. 6d. (113/19/0; 31/19/6; 0/10/6; tickets not come in: 2/12/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: As17840311athi

5469
16 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Farce [who is named in the Account-Book, but not on the playbill]. Receipts: #106 11s. 6d. (77/2/0; 28/15/6; 0/14/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Double Disguise

Dance: End of Act IV of mainpiece, as17840311athi

5470
18 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

5471
18 March 1784 @ King's Theatre

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .
Cast
Role: Youth Actor: Slingsby and Mme Theodore

5472
22 March 1784 @ Drury Lane Theatre

Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

5473
22 March 1784 @ Covent Garden

Event Comment: Benefit for Miss Younge. Mainpiece: Never acted here. In Act V a Grand Procession. Receipts: #275 12s. (161/4; tickets: 114/8) (charge: #105)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

5474
25 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Deserter

Dance: As17840320athi

5475
25 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 31, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi