SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #210 7s. 6d. (177/14/0; 31/11/0; 0/5/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Fortunatus

Event Comment: Receipts: #218 9s. 6d. (195/7/0; 20/6/0; 0/1/6; tickets not come in: 2/15/0)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Whos the Dupe

Dance: As17831020

Event Comment: [In mainpiece the playbill assigns Stockwell to Aickin, but on the Kemble playbill his name is deleted, and a MS annotation substitutes Thompson's.] Receipts: #132 12s. 6d. (92/2/0; 40/5/6; 0/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Fortunatus

Event Comment: Receipts: #116 3s. 6d. (89/8/0; 26/10/6; 0/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Fortunatus

Dance: End of Act IV of mainpiece, as17830918

Event Comment: Mainpiece: Not acted these 14 years. Receipts: #118 18s. 6d. (86/14/0; 28/19/6; 0/5/0; tickets not come in: 3/0/0)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Event Comment: Receipts: #149 11s.(113/15; 31/13:0/6; tickets not come in: 3/17)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Receipts: #134 14s. 6d. (98/8/0; 32/4/6; 0/12/0; tickets not come in: 3/10/0)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: Never performed here. Receipts: #100 10s. (76/9/0; 20/2/6; 0/1/0; tickets not come in: 3/17/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

Event Comment: By Command of Their Majesties. Receipts: #297 9s. (287/2; 8/12; 0/5; tickets not come in: 1/10)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Irish Widow

Dance: As17831031

Event Comment: [In afterpiece the playbill assigns Serjeant Drill to Staunton, but on the Kemble playbill a MS annotation substitutes Wilson.] Afterpiece: To conclude with a Perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778. This was included in both subsequent performances]. Receipts: #110 12s. (70/17; 37/0; 0/5; tickets not come in: 2/10)

Performances

Mainpiece Title: Wonder

Afterpiece Title: The Camp

Event Comment: Receipts: #88 6s. (66/10/0; 20/16/6; 0/2/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Gentle Shepherd

Event Comment: Mainpiece: Not acted these 4 years. Received Stopages [sic; of salaries] to the 15th Inclusive #35 17s. 4d. Receipts: #303 8s. 6d. (289/8/0; 12/15/6; 0/10/0; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

Event Comment: Love for Love [announced on playbill of 24 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #128 14s. (103/12/0; 22/19/6; 0/5/0; tickets not come in: 1/17/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus

Event Comment: Receipts: #270 2s. (250/11; 18/1; 0/15; tickets not come in: 0/15)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Quaker

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

Event Comment: Receipts: #96 2s. (71/10; 22/15; 0/10; tickets not come in: 1/7)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fortunatus

Event Comment: Receipts: #251 8s. (229/17/0; 20/6/0; 0/7/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17830918; In afterpiece, as17831004

Event Comment: Receipts: #114 8s. (85/8/0; 27/0/0; 1/7/6; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Fortunatus

Event Comment: Afterpiece: Acted but once [12 May 1783] these 8 years. Receipts: #108 4s. (71/18/0; 34/7/0; 0/11/6; tickets not come in: 1/7/6)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

Event Comment: Paid Window and House Tax 1/2 Yr. to Michaelmas #38 9s. 1d. Receipts: #184 9s. 6d. (146/14/0; 28/8/6; 1/2/0; tickets not come in: 8/5/0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: FORTUNATUS

Event Comment: Receipts: #102 13s. 6d. (75/4/0; 26/7/0; 0/0/0; tickets not come in: 1/2/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Event Comment: Mainpiece [1st time; CO 3, by William Jackson. MS: Larpent 638; not published; synopsis of plot in London Magazine, Dec. 1783, pp. 553-54]: With entire new Music composed by Jackson. Receipts: #146 1s. 6d. (121/6/0; 23/11/6; 0/1/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Performance Comment: As17831103, but Simon-Suett; added: Watchman-Kenny; Spouters-R. Palmer, Phillimore, Fawcett, Spencer, Williames, &c .

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Event Comment: "Palmer's Stukely was exactly infamous, his Scene with Mrs Beverley was just on both hands, each seemed to gain Spirit by the Nature and Exactness of the other-it was inimitable. Kemble's Beverley was all we could wish; his Manner, peculiar as it is, gave us home Sensations" (Public Advertiser, 9 Dec). Receipts: #226 13s. 6d. (202/6/0; 23/10/0; 0/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover