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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5326
21 December 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Middlesex Hospital. Receipts: #184 14s. (67/10; 25/14; 0/0; tickets: 91/10) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: THE ALCHYMIST

5327
03 February 1783 @ Drury Lane Theatre

Event Comment: Benefit for King [who is named in the Account-Book, but not on the playbill]. Receipts: #152 19s. (148/19; 4/0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Triumph of Mirth

5328
08 February 1783 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece: Frederick Pilon]. The 9th Night [i.e., the 1st 7 nights had occurred in the preceding season]. Receipts: #147 3s. 6d. (121/4/0; 25/19/6; 0/0/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: All the Worlds a Stage

5329
12 February 1783 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #246 15s. (234/5/6; 12/9/6) (tickets and charge not listed)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Sultan

5330
13 February 1783 @ King's Theatre

Event Comment: Benefit for Slingsby (The last Season of his appearing on the Stage [but he did not retire until the end of season 1784-85]). Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

5331
18 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

5332
19 February 1783 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of All the World's a Stage, announced on playbill of 18 Feb.] Receipts: #284 10s. 6d. (274/15/0; 7/13/0; 0/15/0; tickets not come in 1/7/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Cast
Role: Spouters Actor: Fawcett in place of Alfred, and added: Spencer

5333
20 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #128 15s. (127/10/0; 1/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Triumph of Mirth

Song: As17820919

5334
21 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #269 15s. 6d. (253/13/0; 10/12/0; 0/16/0; tickets not come in: 4/12/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Too Civil by Half

5335
22 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

5336
24 February 1783 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Isabella, announced on playbill of 22 Feb.] Receipts: #300 8s. 6d. (284/0/0; 9/15/6; 0/8/0; tickets not come in: 6/5/0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Englishman in Paris

Dance: As17821206

5337
25 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #74 8s. (72/13; 1/0; tickets not come in: 0/15)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Triumph of Mirth

Song: As17830218

5338
26 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #293 14s. 6d. (280/7/0; 8/15/0; 0/5/0; tickets not come in: 4/7/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Too CIVIL BY HALF

5339
27 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #91 11s. (69/15; 21/6; 0/0; tickets not come in: 0/10)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Divorce

Dance: End of Act I of mainpiece, as17821005

5340
28 February 1783 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of Catherine and Petruchio, announced on playbill of 27 Feb.] Receipts: #240 13s. (227/5/0; 10/8/0; 0/7/6; tickets not come in: 2/12/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lyar

5341
01 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #113 5s. 6d. (75/17/0; 35/6/0; 0/7/6; tickets not come in: 1/15/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Bon Ton

Dance: End of Act III of mainpiece The Devonshire Minuet, as17821003; End of Act iv, as17821016

5342
03 March 1783 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. Receipts: #97 16s. (89/6; 2/15; tickets not come in: 5/15)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Triumph of Mirth

Dance: In Act II of mainpiece a Masquerade and Dance proper to the Play

5343
04 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #304 1s. 6d. (289/7/0; 6/16/6; 0/13/0; tickets not come in: 7/5/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: All the Worlds a Stage

5344
06 March 1783 @ Drury Lane Theatre

Event Comment: The Clandestine Marriage [announced on playbill of 4 Mar.] is obliged to be deferred on account of the Indisposition of Parsons. Afterpiece: To conclude with a perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #145 4s. (99/7/0; 45/4/6; 0/0/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Camp

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

5345
06 March 1783 @ King's Theatre

Event Comment: Benefit for Pacchierotti. Opera: Not acted these 3 years. Tickets, half a guinea each, to be had of Pacchierotti, No. 8, Great Marybone-street

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

5346
08 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #296 19s. 6d. (282/13/0; 7/11/0; 0/15/6; tickets not come in: 6/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: THE Lyar

5347
10 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #148 16s. (145/11/0; 2/17/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

5348
11 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #295 13s. (282/14/0; 9/5/6; 0/5/6; tickets not come in: 3/8/0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Too Civil by Half

5349
13 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #146 6s. (106/16/0; 38/7/6; 0/5/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Camp

5350
13 March 1783 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets to be had of Lepicq, No. 9, facing the Opera-house, Hay-market. [Public Advertiser, 14 Mar.: La Bigueule composed by Lepicq; music by Borghi.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet