Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5301
13 May 1782 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Comus

5302
14 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Spencer, Mrs Pulley & Miss Armstrong. Mainpiece: Not acted these 3 years. Receipts: #298 19s. (34/8; 8/10; 0/11; tickets: 255/10) (charge: #115 10s.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Lincos Travels

Afterpiece Title: Robinson Crusoe

Dance: End of Act III of mainpiece a Hornpipe (for that night only) by Miss Watkins

5303
16 May 1782 @ King's Theatre

Event Comment: Benefit for Nivelon. Tickets to be had of Nivelon, No. 7, Great Marlborough-street

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Mirsa, as17820509, but omitted: Minuet and Gavot; End of Opera Medea and Jason, as17820411, but Mlle Simonet in place of Mme Simonet; omitted: Mlle Theodore

5304
17 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #152 8s. (93/6; 26/17; 0/5; tickets: 32/0) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece Minuet and Gavot, as17820508; End of Act I of afterpiece New Dance, as17820121, but Duprez in place of Lemercier

5305
17 May 1782 @ Covent Garden

Event Comment: Benefit for Booth, Egan, Stevens & Branson. Afterpiece: Never performed here. Receipts: #259 3s. (72/13; tickets: 186/10) (charge: #105)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: All the Worlds a Stage

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

5306
21 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #121 3s. (97/16; 23/2; 0/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: The Divorce

Dance: As17820302athi

5307
23 May 1782 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish-square. Opera: Reduced to 2 acts

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820411 throughout

Song: In Act II Sento ch' in Seno by Sga Sestini, and composed for her by Giordani

5308
24 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #68 4s. 6d. (55/1/0; 12/16/0; 0/7/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: Catherine and Petruchio

Dance: As17820302athi

5309
24 May 1782 @ Covent Garden

Event Comment: Benefit for Curteen, Condell & Colborne, box-keepers. Receipts: #181 16s. 6d. (32/8/6; tickets: 149/8/0) (charge: #105)

Performances

Mainpiece Title: The Wifes Relief

Afterpiece Title: Comus

5310
25 May 1782 @ Covent Garden

Event Comment: Benefit for Dumay, Harris & Holloway. Receipts: #238 0s. 6d. (35/18/6; tickets: 202/2/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Three Weeks after Marriage

Dance: End of Act III of mainpiece a New Quadrille, also The Belle of the Village, as17811101; End of Act IV The Devonshire Minuet and a New Rondeau by Holloway and Miss Besford; End of mainpiece, as17811219

5311
27 May 1782 @ King's Theatre

Event Comment: Benefit for Mrs Bach (Widow of the late [J. C] Bach). Tickets, half a guinea each, to be had of Mrs Bach, at Zoffany's, Albemarle-street, near Piccadilly

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

5312
29 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Wilson, Carleton Jun., Hicks & Palmer [Sen.]. Receipts: #246 6s. (27/11/0; 11/7/6; 0/13/6; tickets: 206/14/0) (charge: none listed)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17820223; In afterpiece the Minuet de la Cour by Zuchelli and Miss Collett

Song: In Act I of mainpiece a song by Williames

5313
30 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Portal, Carleton Sen., Shade & Enoe. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 29 May.] Receipts: #204 6s. C35/5/0; 24/17/6; 0/6/6; tickets: 143/17/0) (charge: none listed)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: All the Worlds a Stage

Dance: End of mainpiece The Irish Fair, as17820406

5314
31 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Percey, Cameron & Morris. [Palmer's 1st appearance as Archer was at the HAY, 17 Aug. 1779. Afterpiece in place of The Alchymist, announced on playbill of 30 May.] Receipts: #254 17s. (36/2; 19/6; 0/0; tickets: 199/9) (charge: none listed)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Irish Widow

5315
05 June 1782 @ King's Theatre

Event Comment: Benefit for Le Picq. [Opera in place of La Contadina in Corte, announced in Morning Herald, 4 June.] Tickets to be had of Le Picq, No. 40, Great Marlborough-street

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

5316
16 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Afterpiece [1st time; MF 2, by George Colman, the younger. It has also been ascribed to Sarah Gardner, but for Colman's authorship see Peake, 11, 99. Composer of music unknown. MS: Larpent 589; not published]: The Words of the Songs are inserted in the Public Papers of this Day. Public Advertiser, 12 Aug.: Tickets to be had of Jewell, in Suffolk Street

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

5317
27 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

5318
28 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Tickets to be had of Edwin, No. 2, Piazza, Russel Street

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Son in Law

Dance: As17820606

Song: End of mainpiece Four-and-twenty Fidlers all on a Row, by Edwin

Monologue: 1782 08 28 End of Act I of afterpiece A Description of the Tombs in Westminster-Abbey, by Edwin

5319
03 September 1782 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Public Advertiser, 31 Aug.: Tickets to be had of Palmer, No. 39, Goodge Street, Rathbone Place

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son in Law

Monologue: 1782 09 03 End of 2nd piece A Description of the Tombs in Westminster Abbey by Edwin

5320
16 October 1782 @ Drury Lane Theatre

Event Comment: Afterpiece: Altered from Allen Ramsay. Paid Carleton's expense in stopping the sale of Tickets last season near the Box Office 13s. 6d. Receipts: #96 7s. 6d. (66/1/0; 30/4/0; 0/2/6)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, at all subsequent performances.]

5321
02 November 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

5322
15 November 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Farce. Receipts: #121 4s. 6d. (84/13/0; 36/9/0; 0/2/6; tickets: none listed) (charge: none listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Too Civil by Half

5323
19 November 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #100 13s (79/18/0; 20/8/6; 0/6/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: Too Civil by Half

5324
19 November 1782 @ King's Theatre

Event Comment: It having been discovered that many Persons going in upon Subscription Tickets, have returned and taken Money from the Receivers, No Money will in future be returned at the doors of this Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821114, but added: Pas Seul by Mlle Theodore; End of Opera Apelles and Campaspe, as17821102

5325
19 December 1782 @ Drury Lane Theatre

Event Comment: Benefit for the City of London Lying-in Hospital [in Old-Street, City Road. Author of Epilogue unknown]. Receipts: #270 8s. 6d. (62/14/0; 13/4/6; 0/14/0; tickets: 193/16/0) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Too Civil by Half

Song: In Act II of mainpiece song by Miss Phillips