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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5076
12 December 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #204 18s. 6d. (197.18.6; tickets: 7.0.0) (charge: #105)

Performances

Mainpiece Title: Percy

Afterpiece Title: Comus

5077
17 December 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #185 13s. [179.3; tickets: 6.10) (charge: #105)

Performances

Mainpiece Title: Percy

Afterpiece Title: Comus

5078
19 December 1777 @ Covent Garden

Event Comment: Benefit for the Establishment for the Discharge of Persons imprisoned for small Debts. [The Society in charge of this charity was located at 7, Craven-street, Strand (Public Advertiser, 15 Dec.).] Receipts: #181 12s. (125.9; tickets: 56.3) (charge: #105)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

5079
20 December 1777 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #69 19s. (59.12; 9.11; 0.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Roman Sacrifice

Afterpiece Title: The Waterman

5080
22 December 1777 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #198 3s. (183.8; tickets: 14.15) (charge: #105)

Performances

Mainpiece Title: Percy

Afterpiece Title: Love a la Mode

Dance: End: The Humours of Leixlip-Aldridge, Miss Besford

5081
23 December 1777 @ Covent Garden

Event Comment: Benefit for the Establishment of a Fund for the Relief of Performers and Others retiring from the Stage. Receipts: #88 3s. (87.3; tickets: 1.0) (charge: #105)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Comus

5082
30 December 1777 @ Drury Lane Theatre

Event Comment: Benefit for the Dispensary for the Infant Poor, in Soho-Square. Receipts: #212 0s. 6d. (112.18.0; 22.9.6; 1.3.0; tickets: 75.10.0) (charge: #105)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Deserter

Dance: As17771111

Song: In afterpiece: by Desire, Oh what a charming thing's a battle-Bannister

5083
06 February 1778 @ Covent Garden

Event Comment: Benefit for Wilkinson. Mainpiece: Not acted these 3 years. [Afterpiece: Prologue by Samuel Foote. For an account of Tea see Tate Wilkinson, The Wandering Patentee, 1795, 1, 282-90.] Receipts: #221 0s. 6d. (217.5.6; tickets: 3.15.0) (charge: #70)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Author

Afterpiece Title: Tea or Tragedy a la Mode

Dance: As17780129

5084
09 February 1778 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mr and Mrs Massey. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Massey, No. 17, Portugal-street, Lincoln's inn fields. Care has been taken to have the House well aired

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

5085
05 March 1778 @ King's Theatre

Event Comment: Benefit for Roncaglia. Tickets to be had of Roncaglia at Fleureau's, No. 2, Hay-market

Performances

Mainpiece Title: Creso

Dance: As17780203 throughout

Song: II: a new song by Sacchini-Roncaglia; accompanied on the violin-Cramer

5086
06 March 1778 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. Mrs Farrell's cantata is identified in London Chronicle, 9 Mar.]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

5087
19 March 1778 @ King's Theatre

Event Comment: Benefit for Sga Danzi. Tickets to be had of Sga Danzi, No. 8, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Creso

Dance: As17780203

Song: II: new song, as17780305In II: a new song-Sga Danzi; accompanied on the hautboy-LeBrun

5088
24 March 1778 @ Drury Lane Theatre

Event Comment: Benefit for the Author of Belphegor. Receipts: #99 18s. 6d. (83.9.0; 15.17.0; 0.12.6; tickets: none listed) (charge: #84)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Belphegor

Dance: End II: will be revived Slingsby's grand ballet, The Savage Hunters-Slingsby, Henry, Miss Armstrong, Mlle Crespi

5089
24 March 1778 @ Haymarket Theatre

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for West. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of West, No. 4, Stanhope-street, Clare-market. [Authors of Prologue and Address unknown.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

5090
26 March 1778 @ King's Theatre

Event Comment: Benefit for Jermoli. A new Comic Opera; the Poetry by Goldoni; the Finales and Airs by Piccinni and Paisiello. [Performed on 24 Jan. 1786 as Il Marchese Tulipano.] Tickets to be had of Jermoli, No. 29, Cockspur-street, Charing-cross

Performances

Mainpiece Title: Il Marchese Villano

Dance: As17780203

5091
31 March 1778 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

5092
02 April 1778 @ King's Theatre

Event Comment: Benefit for Sga Todi. Opera: The Music by Piccinni. Tickets to be had of Sga Todi, No. 12, Haymarket

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17780203 throughout

5093
09 April 1778 @ King's Theatre

Event Comment: Benefit for Sga Pozzi. Tickets to be had of Sga Pozzi, No. 18, Sherrard-street, Golden-square

Performances

Mainpiece Title: La Vera Costanza

Dance: As17780203

Song: II: new song (composed by Sacchini)-Pozzi; accompanied on the flute-Florio; III: Che dirnen so-Jermoli

5094
09 April 1778 @ Haymarket Theatre

Event Comment: By Authority [of the Lord Chamberlain]. Benefit for Freeman [who, as Chamont, is identified in Public Advertiser, 7 Apr.]. Tickets to be had of Freeman, Vine-street, Piccadilly; of Massey, at Marshall's, Bedford-court, Covent Garden. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The Irish Widow

Entertainment: Monologue. End I afterpiece: an Epilogue-Master Benson

5095
11 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Baddeley. Receipts: #206 1s. (103.6; 26.11; 0.3; tickets: 76.1) (charge: #67 10s. 6d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Bon Ton

Dance: As17780409

5096
22 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece: Richard Brinsley Sheridan, who is named in the Account-Book, but not on the playbill]. Receipts: #259 9s. (250.7.0; 8.19.6; 0.2.6; tickets: none listed) (charge: #73 10s.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Dance: End: as17780409

5097
30 April 1778 @ King's Theatre

Event Comment: Benefit for Mlle Baccelli. Tickets to be had of Mlle Baccelli at Chanu's, No. 46, Rupert-street, Leicester-fields

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

5098
07 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Part of the Pit will be laid into the Boxes. Ladies and Gentlemen are requested to come early to prevent Confusion, and to send their Servants by Five o'Clock to keep the Places. Receipts: #278 12s. 6d. (157.10.0; 9.18.0; 0.4.6; tickets: 111.0.0) (charge: #60 7s. 4d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

5099
12 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book keeper. Receipts: #298 9s. 6d. (40.14.0; 10.2.6; 1.0.0; tickets: 246.13.0) (charge: #105)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: Minuet de la Cour, as17780508

5100
15 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Gaudry, Griffiths, Norris & Miss Armstrong. Receipts: #211 12s. (31.15; 11.11; 0.10; tickets: 167.16) (charge: #67 19s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: IV: New Dance, as17771125; End I afterpiece: The Minuet de la Cour, as17771111

Song: In: He's Aye Kissing Me, as17780428