SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cook Jr"/1) | (@(roleclean,performerclean) "Cook Jr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1207 matches on Performance Comments, 730 matches on Performance Title, 170 matches on Event Comments, 11 matches on Roles/Actors, and 7 matches on Author.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Flora; or, Hob in the Well

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Rape of Proserpine, with the Birth and Adventures of Harlequin

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Florizel and Perdita

Dance: LLes Charboniers, as17601216

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: Lethe

Ballet: Grand Comic Ballet call'dThe Hungarian Gambols , or a Provincial Rendevous. Crosaques-Sg Sodi, 1st appearance in 10 years here, Mlle Capdeville; Croats-Maranesi, Desse, Miles, Desse Jr; Hussars-Leppie, Granier, Gosley, Dumai, Mrs Granier, Mlle Mariane, Mrs Leppie, Mrs Jansolin; Pandours-Rochford, Dufour, Balthazar, Hussey, Mrs Viviez,Mrs Crawford, Miss Welch, Miss Dawes. With Proper Habits and Decorations

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Chaplet

Dance: II: Les Charboniers, as17601215

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Cleone

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Mock Doctor

Dance: I: A Serious Dance, call'd Les Characters de la Dance-Miss Froment , a Child six years old, Scholar of Mr Froment, being the First time of her appearing upon the stage; II: The Cow Keepers, as17611215; III: A Comic Dance, Le Petit Savoyard-Miss Froment; End: Louvre and Minuet-Froment, Miss Froment

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Genii

Dance: II: A Comic Dance, call'd The Provancalle-Master Clinton, Miss Street , being their first appearance on this stage

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Citizen

Dance: AA Tambourine, as17641015

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Lovers Of Their Country; Or, Themistocles And Aristides

Afterpiece Title: The Country Farmer Deceiv'd; or, Harlequin Statue

Dance: After the Play: Louvre, Minuet-Lalauze, Miss Lalauze

Entertainment: new Interlude:% The Old Women Weather Wise

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: High Life below Stairs

Dance: End: Daigville, Sga Vidini

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Performances

Mainpiece Title: Concerto Spirituale

Performances

Mainpiece Title: A Concerto Spirituale

Performances

Mainpiece Title: A Concert

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: Cambro-Britons

Afterpiece Title: Blue Devils

Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: James Brydges, Diary: Toward seven...to ye Playhouse in Lincolns Inn fields; here I saw Mr Freeman, Mr Worsely, Sr Edwd Ernly &c.: from hence I went to ye Playhouse in Covent Garden, thinking to have met my Brother Frank, Sister Jacob &c.: there, but did not. I sat with Mr Cook of Darby, & spoke with Mr Winninton &c. (Huntington MS ST 26)

Performances

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim