Event Comment: The Duke's Company. Pepys, Diary: I after dinner to the Duke of York's playhouse, and there saw Sir Martin Mar-all; which I have seen so often, and yet am mightily pleased with it, and think it mighty witty, and the fullest of proper matter for mirth that ever was writ; and I do clearly see that they do improve in their acting of it. Here a mighty company of citizens, prentices, and others; and it makes me observe, that when I begun first to be able to bestow a play on myself, I do not remember that I saw so many by half of the ordinary prentices and mean people in the pit at 2s. 6d. a-piece as now; I going for several years no higher than the 12d. and then the 18d. places, though I strained hard to go in them when I did: so much the vanity and prodigality of the age is to be observed in this particular

Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Event Comment: The King's Company. Pepys, Diary: All alone to the King's house, and there sat in an upper box, to hide myself, and saw The Black Prince, a very good play; but only the fancy, most of it, the same as in the rest of my Lord Orrery's plays; but the dance very stately; but it was pretty to see how coming after dinner and with no company with me to talk to, and at a play that I had seen, and went to now not for curiosity but only idleness, I did fall asleep the former part of the play, but afterward did mind it and like it very well

Event Comment: The Duke's Company. Pepys, Diary: Lord Brouncker and I to the Duke of York's playhouse, and there saw Love in a Tubb; and, after the play done, I stepped up to Harris's dressing-room, where I never was, and there I observe much company come to him, and the Witts, to talk, after the play is done

Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Event Comment: The Duke's Company. Pepys, Diary: With my wife and Deb. to the Duke of York's playhouse, and there saw The Slighted Maid, but a mean play; and thence home, there being little pleasure now in a play, the company being but little. Here we saw Gosnell, who is become very homely, and sings meanly, I think

Event Comment: The Duke's Company. Pepys, Diary: Thence carried Harris to his playhouse, where, though four o'clock, so few people there at The Impertinents, as I went out; and do believe they did not act, though there was my Lord Arlington and his company there. So I out

Event Comment: Evelyn does not name the theatre or company, but previous offerings of Horace were given by the King's Company. Evelyn, Diary: I saw Mrs Philips's Horace acted againe

Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Event Comment: On this day arrived in London the news of the death of the King's sister, the Duchess of Orleans, which occured on 20 June 1670. According to The Bulstrode Papers (I, 144), 25 June 1670: The players are silenced dureing this tyme of sadness. [Probably acting ceased for at least six weeks, the customary period for silencing the companies when the Court went into full mourning. Nevertheless, the Duke's Company may have been permitted to act at Oxford. See Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies XIX (1943), 366-67.

Event Comment: The King's Company. The date of the premiere is not known, but, as the companies were probably silenced to at least the end of July, and the play was entered in the Stationers' Register, 12 Sept. 1670, it was probably acted in August 1670. The Dedication tends to confirm this with the statement: in spight of a dead Vacation

Event Comment: The Duke's Company. The date of the first performance is not known, but the Preface suggests that it was given first in the summer; the fact that part of the Duke's Company was at Oxford in July makes June a probable time. Preface: It had the misfortune to be brought into the world in a time, when the Dog-star was near his Reign, and my Judges sat in a hot Bath, rather than a Theatre, and were doubly persecuted by the heat of the weather, and the Impertinence of the Poet; and which was the worst mishap, when the most candid, as well as the most Illustrious Judges (I mean the Court) were absent. A song, Lo behold a sea of tears, with music by John Bannister, for this play, is Choice Ayres and Songs, The First Book, 1673

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Event Comment: The Duke's Company. This date marks the opening of the new theatre in Dorset Garden. Downes (Roscius Anglicanus, p. 31): The new Theatre in Dorset-Garden being Finish'd, and our Company after Sir William's Death, being under the Rule and Dominion of his Widow the Lady Davenant, Mr Betterton and Mr Harris, (Mr Charles Davenant her Son Acting for her) they remov'd from Lincolns-Inn-Fields thither. And on the Ninth Day of November 1671, they open'd their new Theatre with Sir Martin Marral, which continu'd Acting 3 Days together, with a full Audience each Day; notwithstanding it had been Acted 30 Days before in Lincolns-Inn-Fields, and above 4 times at court. [This play is also on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: Sir Martin.

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Very probably this play was also acted on Friday 5 and Saturday 6 July 1672, but the company may not have acted daily in the summer

Event Comment: The Duke's Company. There is no certainty that this date represents the premiere. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. Downes (Roscius Anglicanus, pp. 33-34): Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain. Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets. Two songs, Ah Corydon in vain you boast and Some happy soul come down and tell, both set by Robert Smith, are in Choice Songs and Ayres, The First Book, 1673

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no indication that this is the premiere. A song, From friends all inspired, set by Robert Smith, is in Choice Songs and Ayres, The First Book, 1673. Downes, Roscius Anglicanus, pp. 33-34: Loves Jealousy, and The Morning Ramble. Written by Mr Nevil Pain: Both were very well Acted, but after their first run, were laid aside, to make Room for others; the Company having then plenty of new Poets

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Event Comment: The King's Company. The date of the premiere is not known, but this play belongs to a group which have been considered as "Lenten plays," ones in which the young actors of a company comprise a large portion of the cast. On this basis, as Easter fell on 30 March 1673, this play has been assigned to March 1673. See Philip B. Gray Jr, Lenten Casts and the Nursery: Evidence for the Dating of Certain Restoration Plays, PMLA, LIII (1938), 781-94; for this play particularly, pp. 791-92. A song, Down with this love, set for this play by Alphonso Marsh, is in Choice Ayres and Songs, 1676

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money