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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of English"/1) | (@(roleclean,performerclean) "Company of English")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2869 results for: Keyword - Company of English
We found 2077 matches on Event Comments, 512 matches on Performance Title, 347 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1026
03 January 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The School of Folly

Performance Comment: Professor-Gautier , the first time of his appearing upon the English Stage.
Cast
Role: Professor Actor: Gautier , the first time of his appearing upon the English Stage.

Dance: Dances for the afterpiece composed by DuPre-DuPre, Boval, Cook, Pelling, Cook Jr, Newhouse, Mlle Gautier, Mrs Schoolding, Mlle Corail, Miss Schoolding Jr

1027
27 September 1721 @ Lincoln's Inn Fields

Event Comment: Written by Mr Cibber. Receipts: #25 1s. [Genest, English Stage, III, 74, thinks that Griffin probably did not act on this day, for he was at dl most of the season

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

1028
20 October 1722 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. London Journal, 20 Oct.: The Beginning of November will be acted Sir Richard Steel's new Play, which has been some Time in Rehearsal;...it is thought by some excellent Judges to be the best Comedy that ever appear'd on the English Stage

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Escapes of Harlequin

Music: Between the Acts: Select Piece-

1029
09 February 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. Daily Post, 11 Feb.: On Saturday Night last a Disturbance happen'd at the Opera House...occasion'd by a Difference that arose between a Scotch Nobleman and an English Baronet, who were going to decide the same with the Point of the Sword; but the General of the Forces, who was near at hand, being made acquainted with it, very reasonably interposed and put them both under an Arrest by his Majesty's Command

Performances

Mainpiece Title: Otho

1030
21 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. For the better Information of those who do not thoroughly understand the Italian Language, a Book with the Argument and Explanations in English, of what is transacted in every Scenes, may be had...at the usual Places in the Opera-House. Price 6d. [The King, Prince, and Princess present.

Performances

Mainpiece Title: The Enchanted Island Of Arcadia; Or, The Magician Doctor, With Harlequin King Of The Woods; Flights, Decorations And Transformations Of Harlequin, Cupid, Pantalon, Venus, And Brighella, Jupiter, And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

1031
01 November 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: As17260915, but Heartfree-W. Mills; With a New Epilogue address'd to the Ladies, in Favour of the English Stage-.
Cast
Role: in Favour of the English Stage Actor: .

1032
14 November 1726 @ Clare's Academy

Event Comment: cted sometime during this week.] Evening Post, 22 Nov.: We hear that last Week the Gentleman of Mr Clare's Academy in Soho Square acted the celebrated Tartuffe of Moliere, done into English by themselves, before many Persons of Distinction, with great Applause

Performances

Mainpiece Title: Tartuffe

1033
09 February 1727 @ King's Theatre

Performances

Mainpiece Title: [la Donna Piu Constante Dell' Humo: Viz

Performance Comment: Woman More Constant than Man; or, Diana and Harlequin Metamorphos'd into Armenians, Pilgrims, Bolognese, Spaniards, Neapolitans, Germans, Florentines, English, French, Gypsies, and Indians.

Song: [

Dance: [

1034
14 December 1727 @ Westminster School

Event Comment: His Royal Highness the Duke present. Mainpiece: By Terence. Afterpiece: Imitated from the Phormio by Moliere, and translated into English by Mr Otway, with some Alterations; acted by the younger King's Scholars

Performances

Mainpiece Title: Phormio

Afterpiece Title: The Cheats of Scapin

1035
29 May 1729 @ Haymarket Theatre

Event Comment: [By Charles Coffey.] Never Acted before. Consisting of Variety of English, Scotch, and Irish Ballads. To which will be acted several comic and diverting French Pieces, to be perform'd by Monsieur Morrell

Performances

Mainpiece Title: The Beggar's Wedding

1036
01 May 1730 @ Charterhouse School

Performances

Mainpiece Title: Phormio

Performance Comment: the Scholars; The Prologue, Epilogue- were spoken in English.
Cast
Role: Epilogue Actor: were spoken in English.

1037
12 January 1731 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Edition of 1731 gives no performers' names, but states: Done into English by Mr Humphreys.

Performances

Mainpiece Title: Wenceslaus

1038
02 February 1731 @ King's Theatre

Event Comment: A New Opera. [Text from Metastasio. Music by Handel.] Edition of 1731: Done into English by Mr Humphreys

Performances

Mainpiece Title: Porus

1039
08 March 1731 @ Leg Tavern

Event Comment: At the Desire of several Gentlemen and Ladies. Fairly demonstrated with Scots and English Songs. At 6 p.m. 1s

Performances

Mainpiece Title: Phiz Oratory

1040
10 March 1731 @ Crown Tavern

Event Comment: At the Desire of several Gentlemen and Ladies. With Comical Songs, Scots, English, and Italian. Also his inimitable Medley of Plays, and Drunken Man. At Crown Tavern in Smithfield. N.B. A private Audience on a Day's Notice

Performances

Mainpiece Title: Phiz Oratory

1041
06 April 1731 @ King's Theatre

Event Comment: Revised, with many Additions, by the Author and newly done into English by Mr Humphreys. [King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Rinaldo

1042
06 August 1731 @ Drury Lane Theatre

Event Comment: A new Ballad-Opera. Taken from The Devil of a Wife. Written by Mr Jevon. [For Coffey, Mottley, and Cibber Jr as authors, see Hughes and Scouten, Ten English Farces, pp. 173-74.

Performances

Mainpiece Title: The Devil To Pay; Or, The Wives Metamorphos'd

Dance: new dance %Bartholomew Fair-Fisher Tench, Miss Brett

1043
15 February 1732 @ King's Theatre

Event Comment: A New Opera. [Music by Handel. Done into English by Humphreys. Their Majesties, Prince, eldest Princesses present.

Performances

Mainpiece Title: Sosarmes

1044
13 March 1732 @ Haymarket Theatre

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

1045
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

1046
01 November 1732 @ Soho Square

Event Comment: Acted in English, according to the New Translation

Performances

Mainpiece Title: The Miser

1047
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

1048
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

1049
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

1050
25 November 1732 @ Lincoln's Inn Fields

Event Comment: Receipts: #68 13s;6d. Daily Advertiser, 25 Nov.: One of the Performers of the English Opera...having been taken very ill, the Opera is oblig'd to be suspended

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: Perseus and Andromeda

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