SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Children"/1) | (@(roleclean,performerclean) "Company of Children")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1972 matches on Event Comments, 440 matches on Performance Title, 253 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Betterton's Company. The date of this revival is not certain, but Luttrell's copy (Huntington Library) bears his date of 27 Oct. 1696 for his acquisition of a copy; hence, the revival must have occurred not later than October 1696. When this play was revived at the Queen's Theatre in the Haymarket, 8 June 1705, the bill bore the heading: Not Acted by that Company these Nine Years

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: Rich's Company. Lady Morley attended this performance. Hotson, Commonwealth and Restoration Stage, p. 377: Lady Morley and one in the Box at Plott and noe Plott 8s. [There is no certainty that this performance is the premiere; since the play was advertised in the Post Man, 25-27 May 1697, the first performance may have been late April or very early May.] Preface, Edition of 1697: As for the Spectators, tho, by reason of the advanc'd Season, and the extremity of the heat, which when the Play was first acted was intolerable, we have not had such numerous assemblies as might have been expected in Winter; yet as long as I have known the Play-house I never saw the Company there in better humour. A Comparison Between the Two Stages (1702), pp. 18-19: Ramble: Oh, that's Dennis's; and a very regular Farce, tho' he calls it a Comedy. Sullen: I think it did pretty well; 'tis laboriously Writ, as everything of his is: There's an Air of Formality in the Play agreeable to the slovenly Air in his Behaviour

Performances

Mainpiece Title: A Plot And No Plot

Event Comment: Betterton's Company. The date of the first performance is not known. For a discussion of the dating, see Baldwin Maxwell, Notes on Charles Hopkins' Boadicea, Review of English Studies, IV (1928), 79-83. Downes, Roscius Anglicanus, p. 44: Boadicea, the Brittish Queen, wrote by Mr Hopkins: 'twas a well Writ Play in an Ovidean Stile in Verse; it was lik'd and got the Company Money. A Comparison Between the Two Stages (1702), p. 20: This is Cha. Hopkins's and did very well

Performances

Mainpiece Title: Boadicea Queen Of Britain

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 18-21 Dec. 1697, suggests that the premiere occurred not later than late November. This play was originally given to the company in Drury Lane, but withdrawn. See G. Thorn-Drury, An Unrecorded Play Title, Review of English Studies, VI (1930), 316-18. Edition of 1698: A Dialogue in the fourth Act, between Mr Bowman and Mrs Bracegirdle; The words by Mr Durfey and set by Mr Eccles: When will Stella kind and tendre. A Dialogue in the fifth Act, between a Boy and a Girl, and an Old Man, Written by Mr Motteux, set to the Musick by Mr J. Eccles. Preface: I look upon those that endeavour'd to discountenance this Play as Enemys to me

Performances

Mainpiece Title: The Deceiver Deceived

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 3-5 March 1697@8, suggests that the first performance occurred probably not later than early February 1697@8. The Preface is signed by George Powell, who refers to the author of the play as unknown. In addition, Powell mentions that his company has recently revived some of Dryden's plays: Don Sebastian, Secret Love; or, The Maiden Queen, Marriage a la Mode, King Arthur, and adds: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun...could not prop

Performances

Mainpiece Title: The Fatal Discovery; Or, Love In Ruines

Event Comment: Betterton's Company. The fee of #20 was paid to John Miles, an officer of Betterton's Company. See Calendar of the Inner Temple Records, III, 342

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Event Comment: Rich's Company. Post Boy, 31 May-2 June 1698: London, June 2nd. This Day, at the Theatre in Drury-Lane, will be Acted a Play, called, The Plain-Dealer, upon a very charitable Account, the Profits of the Play being given for the Release of a distressed Gentleman from Prison: And the chief Part is acted by Capt. Griffin, formerly a famous Actor, and lately Captain of a Company of Foot in His Majesty's Service, through the Wars in Ireland

Performances

Mainpiece Title: The Plain Dealer

Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

Event Comment: Betterton's Company. If this play had its premiere on 5 March and if the company acted on Wednesday in Lent, this play probably was acted daily (except perhaps Friday) during this week

Performances

Mainpiece Title: The Way Of The World

Event Comment: Rich's Company. Post Boy, 30 May-1 June 1700: The Opera of the Prophetess, being this day Commanded to be Acted, for the Entertainment of the two Alcaids, the Envoys from the Emperor of Morocco. [When this play was revived at lif on 3 Dec. 1715, but Rich's Company, the bill was headed: Not Acted these Sixteen Years.

Performances

Mainpiece Title: The Prophetess

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: [The transfer of the company from the queen's to dl was made without fanfare. On 6 Nov. Swiny, Wilks, Cibber, and Dogget had been granted a license to established a company; see Nicoll, pp. 275-76.

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: At the Desire of several Persons of Quality. By the same Company who acted there last Summer. Note, the Company will continue acting every Monday, Wednesday, and Saturday during the Summer Season. At 6 p.m. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: Benefit J. and Ch. Rich. This Company will perform every Wednesday and Friday during the short stay they shall continue in England. Receipts: #147 14s. 6d

Performances

Entertainment: All the Entertainments on Friday last-

Performances

Mainpiece Title: Chit Chat

Afterpiece Title: The Island Princess (the Comedy in the last Act)

Performance Comment: Original Parts-Penkethman, Norris; Likewise a Prologue-Penkethman in Company of an Ass, Ground Landlord of the Place, upon a Writ of Ejectment.

Dance: Salle, Mlle Salle; Shepherdess-; Turkey Cock-; Mimic Song of an Old Woman-; The Irish Trot-Mrs Willis

Event Comment: By His Majesty's Command. By the Italian Company of Comedians newly arriv'd. Pit and Boxes together by tickets only at 4s. Gallery 2s. N.B. Whereas the Number of Subscribers for this Company that are in Town, is very little, some of the first Representations will not be on thair Account. Weekly Journal or British Gazetteer, 1 Oct.: Last Wednesday Night his Majesty and their Royal Highnesses the Prince and Princess of Wales, together with great Numbers of the Nobility and Persons of Distinction...saw the Comedy...The Faithful Wife

Performances

Mainpiece Title: The Faithful Wife; Or, Arlequin Strip'd, Sentry, Brave, Coward, Terrour Of The Turks, And Judge Of His Own Cause

Dance: Monsieur Poictier, others

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Performance Comment: Parts-a private company of Gentlemen and Ladies.
Event Comment: The Company of Comedians have determined to play [it] notwithstanding the Opposition made by some of the Company to prevent the Performance. 7 p.m

Performances

Mainpiece Title: The Fall Of Mortimer

Event Comment: DDaily Post, 29 May: We are assur'd that there will be no more Plays acted this Season at [dl], and we hear that there was Yesterday no Play acted...as had been advertiz'd for that Day; the Occasion we are inform'd was, that at Midnight on Saturday last several persons arm'd took Possession of the same, by Direction from some of the Patentees, and lock'd up and barricado'd all the Doors and Entrances thereunto, against the whole Company of his Majesty's Comedians, as also against Mr Cibber, Jun. notwithstanding he had paid to one of the Patentees several hundred Pounds for one third Part of the Patent, Cloaths, Scenes, &c. and all Rights and Privileges thereunto annexed, for a certain Term not yet expired. Mr Cibber, Jun. and the rest of the Company of Comedians, and this Morning to wait upon his Grace the Duke of Grafton, Lord Chamberlain of his Majesty's Houshold, with their humble Petition, and the Representation of their Cast, and to beg his Grace's Favour and Protection

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Harlot's Progress

Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances