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276
28 April 1740 @ Covent Garden

Event Comment: Benefit Salway. For the Entertainment of the Grand Master and the Rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. Afterpiece: With several Additions by the Author

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

277
23 October 1741 @ New Wells, Goodman's Fields

Event Comment: [For a performance of a pantomime this day at New Wells, Lemon St., gf]: At the Desire of the Society of Free and Accepted Masons, 10 rows in the Pit will be rail'd in for them.--Daily Advertiser

Performances

278
04 May 1742 @ Covent Garden

Event Comment: Mainpiece: Written by Sir John VanBrugh. For the Entertainment of the Grand Master, and the brethren of the Honourable and Antient Society of Free and Accepted Masons, for the Benefit of a Brother, who has had great misfortunes. None to be admitted Without printed Tickets (Daily Advertiser). The Brethren are desired to meet the Right Honourable the Grand Master, at Mr Filkes, at the Bedford Arms in the Piazza in Covent Garden, at Four o'clock in the afternoon, in order to accompany him to the play. Stage form'd into an amphitheatre. Servants allowed to keep places

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Honest Yorkshireman

Song: Songs in Masonry-Salway, Bencraft; Arra my Judy (by desire)-Stoppelaer

Entertainment: CCries of London-Salway

Dance: PPantaloon and Enamorata, as17420420

279
03 May 1745 @ Covent Garden

Event Comment: Benefit Stoppelaer, for the Entertainment of the Grand Master, and the rest of the Brethren of the Ancient and Honourable Society of Free and Accepted Masons. The Brethren are desired to meet at the Shakespeare's Head Tavern next the theatre, at Five o'clock, in order to attend the Grand Master

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

280
21 January 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

281
22 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Event Comment: Benefit for Brother Wright. By Particular Desire of the Caveac Lodge of Free and Accepted Masons

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

282
21 December 1795 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.

Cast

283
28 December 1795 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood

Performance Comment: As17951226, but in Part I, Scene X: The Entree in place of The Defeat of the Two Giants; in Part II, Scene V: Song-Gray; Principal Vocal Characters-_Incledon; in Part I, Scene VIII: Song-; in Triumphs of Archery: synopsis of "Modern Archery.". in Triumphs of Archery: synopsis of "Modern Archery.".

Cast

284
02 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet: The Mad Lovers; Or, The Beauties Of The Poets

285
22 February 1735 @ Covent Garden

Performances

Mainpiece Title: The Rival Widows; Or, The Fair Libertine

Performance Comment: Parts by Hippisley, Bridgwater, Ryan, Chapman, Mrs Horton, Mrs Hallam, Mrs Stevens; but edition of 1735 lists: Sir William Freelove-Hippisley; Modern-Bridgwater; Freelove-Ryan; Young Modern-Chapman; Lady Bellair-Mrs Horton; Lady Lurcher-Mrs Hallam; Double-Mrs Stephens .

Cast

Role: : Sir William Freelove Actor: Hippisley
Role: Modern Actor: Bridgwater
Role: Freelove Actor: Ryan
Role: Young Modern Actor: Chapman

Dance: The Faithful Shepherd (composed by Glover) by Glover, Le Sac, Duke, Dupre, Delagarde, Mrs Ogden, Miss Rogers, Miss Baston, Mlle de l'Orme, Mlle Villepierre

286
23 July 1735 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Squire Basinghall; Or, The Cheapside Beau

Performance Comment: Squire Basinghall-Mullart; Archer-Mrs Charke; Lord Belmont-Walker; Captain Modely-Lacy; Modern Wit-Boothby; Classic-Aston; Lady Charlot-Mrs Freeman; Lucella-Miss Brett; Darneit-Mrs Mullart; Mrs Basinghall-Mrs Bennet .

Cast

Role: Modern Wit Actor: Boothby

Afterpiece Title: The Stage Mutineers

Performance Comment: Pistol-Aston; Truncheon-Mullart; Jack Comic-Walker; 1st Manager-Lacy; 2d-Machen; Wardrobe Keeper-Littleton; Mons Coupee-Lowder; Housekeeper-Williams; Mr Crotchet-Mullart; Mrs Squeamish-Mrs Freeman; Mrs Haughty-Mrs Charke; Miss Lovemode-Miss Brett .

287
10 March 1746 @ Goodman's Fields

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Tom-Cushing; Phyllis-Mrs Cushing; Witha Prologue on Modern Tragedy-Mr Cushing in the character of a Jew; an Epilogue-No/body.

Cast

Role: Witha Prologue on Modern Tragedy Actor: Mr Cushing in the character of a Jew

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

288
10 October 1753 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

289
17 August 1757 @ Haymarket Theatre

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: As17570813, but Blind Man's Buff-_; English song-Miss Gaudry. In Miss Dorothy Midnight's Oration will be introduced several Specimens of Modern Oratory.

Cast

Role: English song Actor: Miss Gaudry. In Miss Dorothy Midnight's Oration will be introduced several Specimens of Modern Oratory.

Afterpiece Title: Harlequin's Frolic

290
19 June 1795 @ White-Lion Inn, Wych Street (the former south continuation of Drury Lane)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

Performance Comment: An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent.

Cast

Role: 's Picture of a modern Fine Lady Actor: Miss Kent

291
11 April 1798 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performance Comment: End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.], descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.]

292
13 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: Amelia

293
17 May 1732 @ Haymarket Theatre

Performances

Mainpiece Title: Acis And Galatea

294
16 November 1732 @ Haymarket Theatre

Performances

Mainpiece Title: Britannia

295
04 June 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public

296
07 November 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Opera Of Operas

Dance:

297
03 January 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Cornish Squire

Afterpiece Title: The Sham Pilgrims

298
04 February 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: Cupid and Psyche; or, Colombine Courtezan

Entertainment: [Author unknown.] With new Habits, Scenes, Machines, and other Decorations

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Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; End Afterpiece: Grand Ballet-Glover, Mlle Roland

Song: The Songs in Masonry as usual-

Performances

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Honest Yorkshireman

Song: Songs in Masonry-Salway, Bencraft; Arra my Judy (by desire)-Stoppelaer

Entertainment: CCries of London-Salway

Dance: PPantaloon and Enamorata, as17420420

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: The Songs in Masonry-Leveridge, Stoppelaer, Bencraft

Dance: Cooke, Sga Campioni

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Cast

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood

Cast

Performances

Mainpiece Title: The Blazing Comet: The Mad Lovers; Or, The Beauties Of The Poets

Performances

Mainpiece Title: The Rival Widows; Or, The Fair Libertine

Cast

Dance: The Faithful Shepherd (composed by Glover) by Glover, Le Sac, Duke, Dupre, Delagarde, Mrs Ogden, Miss Rogers, Miss Baston, Mlle de l'Orme, Mlle Villepierre

Performances

Mainpiece Title: Squire Basinghall; Or, The Cheapside Beau

Cast

Afterpiece Title: The Stage Mutineers

Performances

Mainpiece Title: The Conscious Lovers

Cast

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: A Medley Concert And Auction

Cast

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Oracle

Song: Between the parts: singing-two Young Ladies; The Midshipman-a Young Lady; Jack Rattling (in character)-a Young Lady

Entertainment: Monologues.An Address to the Ladies-Miss C?. Kent (a Child of 6 years of Age); Collins' Ode on the Passions, Garrick's Picture of a modern Fine Lady-Miss Kent; conclude: an Address of Thanks-Kent

Cast

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Performances

Mainpiece Title: Amelia

Performances

Mainpiece Title: Acis And Galatea

Performances

Mainpiece Title: Britannia

Performances

Mainpiece Title: Opera Of Operas

Entertainment: TThe Crowing of the Cock-a Gentleman for his Diversion

Dance: new dance (by Dew dance (by Desire)-Jones to the 5th Concerto of Vivaldi, which he accompanies himself upon the Violin, the first time of his performing it in public