SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Colly Cibber Esq"/1) | (@(roleclean,performerclean) "Colly Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2731 matches on Author, 2014 matches on Performance Comments, 672 matches on Event Comments, 11 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: MMist's, 19 Feb.: Yesterday, as young Mr Cibber was performing the Part of Harlequin in Apollo and Daphne, his Foot slipp'd, and he fell down the Stage and broke his Nose

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Apollo and Daphne; or, Harlequin's Metamorphoses

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit Hallam, Rob. William, and Miss Tynte. Written by Shakespear. Th. Cibber (Lives and Characters, pp. 49-49): I remember, some Years ago, on Mr Giffard's coming from Ireland (then a young Actor) Mr Booth performed the Character of Hotspur one Night, when Mr Giffard played the Part of the Prince of Wales ; Mr Booth knowing Mr Giffard must be naturally prejudiced in favour of Mr Thomas Elrington, to whose Performance in Hotspur he had many times attended with no small Admiration-Mr Booth, piqued on this Occasion, exerted himself in a particular Manner, and played the whole Part with such Fire, and Engergy of Spirit, as rouzed his Auditors to an Extravagance of Applause, and made Mr Giffard confess (as he has often done in my Hearing) that, notwithstanding his Prepossession in favour of Mr Elrington,-Mr Booth, in Power, Spirit, and Judgment, went far beyond him in this Part; as he afterwards, with Admiration confessed,-he did in every other

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood; Or, The Distrest Lovers

Event Comment: For an essay on this play and on Cibber, see Mist's, 20 Jan

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber
Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 5s. [For an account of this performance, see Lord Hervey and his Friends, pp. 156-57. Mrs Theophilus Cibber died on this day.

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Essex, Haughton, Mrs Walter, Miss Robinson

Related Works
Related Work: The Earl of Essex Author(s): Colley Cibber
Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: edition of 1733: Compos'd by Mr Theophilus Cibber, Comedian. The Songs made (to Old Ballad Tunes) by a Friend

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Stage Coach

Performance Comment: Both by Mills, Cibber, W. Mills, Miller, Harper, Milward .

Performances

Mainpiece Title: The Relapse

Cast
Role: Foppington Actor: Cibber

Afterpiece Title: An Old Man Taught Wisdom

Performance Comment: As17350423 An Epilogue (written by Jo. Haines, Comedian, of facetious Memory) to be spoken by Cibber, riding on an Ass .

Music: Select Pieces between the Acts composed by Handel, Geminiani, and others. First Musick: A Concerto for two Hautboys composed by Dr Pepusch. Second Musick: The third Concerto of the first Opera of Geminiani. Third Musick: Handel's Overture composed for the Opera of Ariadne

Dance: I: Drunken Peasant by Le Brun. II: English Maggot by Villeneuve and Mrs Walter. III: Black Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: rv: Mock Italian-English Ballad by Roberts

Event Comment: Benefit Carey. Afterpiece: Written by Mr Carey. Being the last of that kind he intends ever to compose. At Common Prices. 6:30 P.M. No one admitted into the Boxes but by Silver Tickets or printed Tickets from the Office. [Preface points out that DL had the copy nine months, promising to perform it and returning it at the end of the season. Then Cibber Jr requested it for his summer company; it was rehearsed and then the company forced to close.] The Airs by Porpora

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

Event Comment: At the Desire of several Persons of Quality and Distinction. Mainpiece: Written by Sir John Vanbrugh and Mr Cibber. Afterpiece: Written by Mr Carey

Performances

Mainpiece Title: The Provok'd Husband

Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Afterpiece Title: The Honest Yorkshireman

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Trueman Actor: Cibber

Afterpiece Title: The Livery Rake and Country Lass

Performance Comment: Livery Rake-Este; Phillis (Country Lass)-Mrs Clive; Landlord Toby-Salway; Phillis (Chambermaid)-Mrs Pritchard; Harry-Turbutt; James-Raftor; Lucy-Mrs Villeneuve; Dorcas-Mrs Cross. With an Epilogue (wrote by Jo. Haines, Comedian, of facetious Memory), to be spoke by Mr Cibber, riding on an Ass .

Music: Select Pieces between the Acts, composed by Arne, particularly the March in Zara

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Scot's Dance by Mr and Mrs Davenport. III: Drunken Peasant by Phillips. IV: Minuet by Villeneuve and Mrs Anderson. V: Grand Ballet by Essex, Mrs Walter, &c

Song:

Event Comment: For Occasional Prompter XXI (on Cibber and King John), see Daily Journal, 11 Feb

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit the Author. At the particular Desire of several Ladies of Quality. Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. [For an Epilogue designed to be spoken to King John, as amended by Colley Cibber, see Grub St. Journal, 3 March.

Performances

Mainpiece Title: The Universal Passion

Dance: Muilment

Event Comment: EEgerton 2320: Receipts: #80. Mr Cibber ill at Kingston, Tom read by Mr Machlin hiss'd when he first came on; but was applauded at last having read it tolerably well

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Mainpiece: Taken from Plautus, Moliere. Egerton 2320: Receipts: #82. Hamlet Posted for a week but put off upon Mrs Cibber's refusing to do Ophelia for which she was forfeited five pounds--the Miser play'd instead of it

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Rylands MS.: Cibber sick, I did Bayes. Bayes-I .

Afterpiece Title: Orpheus and Eurydice

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Cibber">Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: MMrs Tame (see 15 April hay) had announced for her benefit this night The Old Batchelor, with Cibber as Fondlewife, Giffard as the Old Batchelor, and Mrs Giffard as Laetitia, to be followed by Tom Thumb, with Mrs Tame playing Tom Thumb, but a notice of 11 April states that Mrs Tame was ill and the performance had to be deferr'd

Performances

Event Comment: On Tuesday next will be presented The Relapse, or Virtue in Danger, the part of Lord Foppington to be perform'd by Mrs. Cibber. [This day appeared in the papers an account of the salaries of present-day actors compared with those in the time of Wilkes and Betterton, suggesting great overpayment of Garrick, Macklin, &c. This, according to Mrs Clive (Case, p. 8) was a false account.

Performances

Mainpiece Title: The Mourning Bride

Song: II: Song-Sullivan

Dance: III: Dance, as17431013; V: a New Dance-Muilment, Desse, Liviez, Mrs Walter

Event Comment: The Relapse is deferr'd on account of the sudden indisposition of Cibber

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lying Valet

Song: II, IV: Sullivan

Dance: As17431015