SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Il Disertore

Dance: New Grand Ballet-Mlle Heinel, 2nd appearance

Event Comment: Mainpiece: Not acted for 14 years, altered from Shirley. [See 7 Feb. 1758.] Characters New Dress'd in the Habits of the Times. This Comedy is reviv'd with Alterations. It is well perform'd & had great Applause (Hopkins Diary). Paid Half year's paving &c. to Mich. last for Drury Lane & Russel St. #14. Mr Godfrey for women's cloaths, #15. Mr Clutterbuck's last summer's balance #57 15s. 2d.; Mrs Foster for men's cloaths, #25 (Treasurer's Book). Receipts: #121 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Performance Comment: Wilding-King; Hazard, with a song-Reddish; Barnacle-Parsons; Nephew-Dodd; Dwindle-Waldron; Acreless-Wheeler; Littlestock-Fawcett; Sellaway-Keen; Drawer-Griffith; Page-Miss Hopkins; Boxkeeper-Ackman; Penelope-Mrs Abington; Mrs Wilding-Miss Younge; Original Prologue-Reddish; New Epilogue-Mrs Abington.
Cast
Role: New Epilogue Actor: Mrs Abington.

Afterpiece Title: The Witches

Event Comment: Characters in Afterpiece New Dress'd. Paid Mr Weston per Mr G. G's note #4 11s. 7d. (Treasurer's Book). [King's costume in part of Wilding cost #8 12s. 3d. Payment made 4 March.] Receipts: #174 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Performance Comment: As17721030, but Original Prologue-_; New Epilogue-_.

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for Miss Twist and Miss Wewitzer. Tomorrow (Eleventh Night) the New Comedy of She Stoops to Conquor. Charges #69 6s. 6d. Profit to each beneficiary #13, plus income from tickets: Miss Wewitzer #41 4s. (Boxes 45; Pit 123; Gallery 115); Miss Twist #42 6s. (Boxes 77; Pit 83; Gallery 106). Paid Whitefield for cloaths bought #53 17s. 6d. (Account Book). Receipts: #96 4s. 6d

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin Sorcerer

Song: I: A Song-Miss Twist

Dance: I: A Minuet-Aldridge, Miss Twist; II: The Old Ground Young, as17720928; Epilogue. End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes

Performance Comment: End Opera: The New Occasional Epilogue written by Dr Goldsmith, will be spoken-Lewes.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Damon and Phillida

Dance: New Tambourine Dance-Giorgi's scholars

Event Comment: Miss Robins made her first appearance upon the Stage in the part of the Country Girl an agreeable figure as a Woman & also in Breeches-she has a particular Cuddenish wa with her wch is not amiss in this Character, but I am afraid it will be a disadvantage to her in any other. Mr G. took great pains with her, & a long time in Training her before he brought her out he wrote & introduc'd a Song in the part and a New Prologue to introduce her & alter'd the Epilogue. all which & the Lady were very well receiv'd (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] The Songs introduced in the Comedy [mainpiece] will be printed, and given at the doors of the Theatre. [The Westminster Magazine for December remarked of Miss Robbins' performance and reception, "The first was spirited and characteristic; the latter very favorable, and in our opinion deservedly so. She is no beauty but has strong expression. Her voice is pleasing, and her articulation was extremely distinct and proper."] Receipts: #149 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Belville-Cautherly; Harcourt-Palmer; Sparkish (With song)-Dodd; Alithea-Mrs Greville; Lucy-Miss Pope; Country Girl (with a song, and an Address to the Audience)-a Young Gentlewoman (who never appeared up on any stage before); A New Occasional Prologue-Palmer.

Afterpiece Title: The Deserter

Dance: III: The Sailors Revels, as17740920

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Old Groveby-King; Oldworth-Aickin; Sir Harry-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Dupeley-Dodd; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; in the course of the Piece will be introduced A Fete Champetre-; the music-Barthelemon; the Vocal Parts-Davies, Fawcett, Legg, Kear, Cubitt, Carpenter, Mas. Blanchard, Mrs Scott, Mrs Jewell, Mrs Wrighten; the Dances-Slingsby, Fontaine, Como, Giorgi, Blurton, Sga Crespi, Mrs Sutton, Sga Paccini; with a New Epilogue-Mrs Abington.

Afterpiece Title: The Lyar

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Performance Comment: Parts by: King, Bensley, Palmer, Parsons, Brereton, Baddeley, Davies, Yates, Mrs Hopkins, Miss Sherry, Mrs Davies, Miss Platt, Mrs Millidge, and Mrs Siddons. With a New Occasional Prologue-Palmer; Morose-Bensley; Truewit-Palmer; Sir Amorous-King; Capt. Otter-Yates; Sir John Daw-Parsons; Cutbeard-Baddeley; Dauphine-Brereton; Clerimont-Davies; Mrs Otter-Mrs Hopkins; Lady Haughty-Miss Sherry; Centaur-Mrs Davies; Mavis-Miss Platt; Trusty-Mrs Millidge; Epicoene-Mrs Siddons (Genest, V, 484).

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Recruiting Officer

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Jane Shore

Afterpiece Title: May Day; or, The Little Gipsy

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: She Stoops to Conquer

Afterpiece Title: The Padlock

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Love in a Village

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Dance: I: a Country Dance- incident to the main piece; End II: The Sailors Revels-Blurton

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Miss in her Teens

Performances

Mainpiece Title: New Brooms

Afterpiece Title: The Runaway

Afterpiece Title: The Elopement

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Venice Preserv'd

Afterpiece Title: The Elopement

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Loveless-Smith; Lord Foppington-Dodd; Sir Tunbelly Clumsey-Moody; Col. Townly-Brereton; Probe-Parsons; Lory-Baddeley; Young Fashion-Reddish; Miss Hoyden-Mrs Abington; Amanda-Mrs Robinson; Berinthia-Mrs Yates; The other parts-Burton, Lamash, Carpenter, Wrighten, Norris, Nash, Everard, Mrs Bradshaw, Mrs Booth, Miss Platt, Mrs Smith; Edition of 1781 (G. Wilkie) specifies: La Varole-Burton; +Jewelle-Lamash; +Shoemaker-Carpenter; +Hosier-Norris; +Taylor-Baker (see17770225); +Nurse-Mrs Bradshaw; +Mrs Coupler-Mrs Booth; New +Prologue-King.

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107:

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: One of the [new Scenes] will conclude the Entertainment, and the Intervals between the three Acts being found tedious, alterations have been made in order to make it practicable to comprize the whole in two Acts

Performances

Mainpiece Title: Cato

Afterpiece Title: The Touchstone

Performance Comment: As17790111, but added: Two entire new Scenes (1st time).

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Critic

Dance: New Dance-

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Il Riposo del Campo, as17830313End of Act III Le Tuteur Trompe, as17830128

Song: New set of Airs, as17830306athi

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi