SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "City of London"/1) | (@(roleclean,performerclean) "City of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 892 matches on Event Comments, 695 matches on Performance Title, 403 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed, But See 5 March

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Event Comment: Benefit Ryan. At the Desire of several Persons of Quality. Afterpiece: A Farce, never performed before. Taken from Moliere. [Author unknown. Apparently not printed. See London Daily Post and General Advertiser, 19, 20, and 21 March, for expressions of good will to Ryan, including a gift often guineas from the Prince of Wales.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A School for Women

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance, as17350315

Song: By Leveridge and Mrs Wright

Event Comment: Benefit a Gentleman under Misfortunes. [In London Daily Post and General Advertiser, 24 March, Ryan thanks the public for assistance at his benefit and adds that Sir William Saunderson engaged for Ryan "near a fourth Part of his Audience."]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Toy Shop

Music: Solo on Violin by a Youth of 13 Years, who never performed in public before, a scholar of Signor Catanio

Dance: Scot's Dance, as17350311 By Lally, S. Lally, Mlle Salle

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17350103, but Oroonoko-a Gentleman (at the Request of several Friends), a Citizen of London, the first and only time of his appearance on any stage; Driver-Johnson; Widow-Mrs Cross; Stanmore, Jack, Hottman omitted . Stanmore, Jack, Hottman omitted .

Afterpiece Title: The Devil to Pay

Dance: I: A Clown by Nivelon. II: Drunken Peasant by Le Brun. V: Amorous Swain, as17350327

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The School Boy

Performance Comment: School Boy-Miss Oates; Lady Manlove-Mrs Cross (London Daily Post and General Advertiser, 9 June) .

Music: III: Preamble on Kettle Drums by Poitier. IV. The Cuckow (by VivaldI) by Master Oates

Dance: I: A new Peasant Dance by Master Oates, Miss Oates Jr. II: Serious Dance by Mlle Roland. V: Harlequin and Harlequine by Poitier and Mlle Roland

Song: End of Afterpiece: Mock Italian Song by Roberts

Event Comment: The extravagant Attempt of Sir F. Wronghead gives me painful Apprehensions; but as the Town has given me repeated Instances of their Indulgence. [Prologue is in London Daily Post and General Advertiser, 17 July.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: Black Joke by Mrs Charke and Miss Brett

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Caius Marius

Performance Comment: Advertised in London Daily Post and General Advertiser, 14 Aug., not later .
Event Comment: At the noted Yeates, Warner, and Hind's Booth in the London-Spaw Fields. Begins at Noon. The Fair runs 23, 25, 26, 28 Aug

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Mistake; or, The Lover's Quarrel

Event Comment: Robert Morris saw this play, but does not state where. It was later given, on 29 Sept., at HAY. See Beverly McAnear, "An American in London, 1735-1736," Pennsylvania Magazine of History and Biography, LXIV (1940), 376

Performances

Mainpiece Title: Love In A Bottle

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Performances

Mainpiece Title: The Alchymist

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351118.

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: King Arthur

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351217.

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351120.

Afterpiece Title: The Devil to Pay

Event Comment: Benefit a Gentleman in Distress. [Advertised in London DaIly Post and General Advertiser, 22 Dec, not later: With other Entertainments, as will be express'd in the Day's Bills.]

Performances

Mainpiece Title: The Stratagem

Event Comment: Mainpiece: Never Acted before. An Historical Play. [Apparently not published. Possibly by Mrs Haywood.] Afterpiece: A Ballad Farce of one Act. [Author unknown. Apparently not published.] With New Habits and all proper Decorations. London Daily Post and General Advertiser, 21 Jan.: We hear there had like to have been a Disturbance at the Rehearsal of. . . The Contract. . . . Some Persons suppos'd to be sent by the Governor of a certain Baronet, endeavour'd first to intimidate the Actors from the Representation of it; and finding that ineffectual, have since attempted to spirit-away some of the principal Performers

Performances

Mainpiece Title: Arden Of Feversham

Afterpiece Title: The Contract; or, The Biter Bit

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Harlequin Restor'd

Performance Comment: Cast not known (London Daily Post and General Advertiser, missing), but see17360112.
Event Comment: By Command of His Royal Highness the Duke, and their Highnesses the Princesses Caroline, Mary, and Louisa [who were present]. London Daily Post and General Advertiser, 28 Feb.: The Author perceiving from the Behaviour of some Persons, a determin'd Resolution, notwithstanding the Presence of part of the Royal Family, to breed a Disturbance, to the Prejudice of the Play, occasion'd, as 'tis supposed, from an invidious Letter inserted in Thursday's Grubstreet Journal, has chose to withdraw his Play, rather than give them an Opportunity of gratifying their Malice, by a Repetition of such Disturbances as must necessarily prevent the Audience from hearing the Performance in Peace. Receipts: #112 14s

Performances

Mainpiece Title: The Double Deceit

Dance: Tambourine by Glover and Miss Rogers. Comic Ballet by Lalauze, Mlle d'Hervigni, &c. French Peasant by Tench and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Desse, Mrs Ogden, Tench, Mlle Delorme

Event Comment: Advertised in London Daily Post and General Advertiser, 26 April, not later

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales. Pit and Boxes put together. London Daily Post and General Advertiser, 6 May: There was an exceeding great Audience, and great Numbers of Quality both in the Boxes and Pit. Their Highnesses' Box was handsomely ornamented with white Damask, adorn'd with Silver Laces and Fringes; over the Canopy was the Figure of Hymen, with a Label on which was this Motto: Concordia Cordium. Daily Journal, 6 May: The House was so full about Five o'Clock, that several Gentlemen and Ladies, unable to go to their Seats, was obliged to depart

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Fall of Phaeton

Dance: I: Tambourine by Mlle Roland. II: Russian Sailor by Denoyer, &c. IV: French Peasants by Poitier, Mlle Roland, &c

Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts