SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "City of London"/1) | (@(roleclean,performerclean) "City of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 892 matches on Event Comments, 695 matches on Performance Title, 403 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

Event Comment: For a letter on opera, see London Journal, 23 March

Performances

Mainpiece Title: Siroe

Event Comment: LLa Staffetta Italian or The Italian Post, 30 Jan., has a letter, dated 26 Aug. 1728, concerning music in London

Performances

Event Comment: Receipts: #31 16s. London Evening Post, 9 Jan.: Mr Rich...having sprain'd his Foot, is so well recover'd, that its hoped he will be able to perform in a few Days

Performances

Mainpiece Title: Love Makes A Man

Dance: As17310104

Event Comment: Benefit Miss Robinson. Bt Command of His Royal Highness the Duke, [Duke present. The Epilogue is printed in London Evening Post, 24 April.

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: Phebe

Dance: Essex, Rainton, Miss Robinson; Tambourine, Les Characters de la Dance-Miss Robinson

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq. late Treasurer, from Italy to his Friends in London-

Performance Comment: late Treasurer, from Italy to his Friends in London-.
Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

Event Comment: We hear that the Lodgings at Hampstead are filling every Day; and that a Company of Comedians from London are repairing and beautifying the Playhouse near the Wells, to entertain that Town with a Set of good Plays, Singing, Dancing, and other Theatrical Performances, all the Summer, and have provided a good Band of Musick, and intend to perform...Mondays, Thursdays, and Saturdays.-Daily Post, 6 June

Performances

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: Loveless-Giffard; Elder Worthy-Huddy; Young Worthy-Bardin; Sir William-Morgan; Sir Novelty-R. Wetherilt; Snap-Penkethman; Sly-Collett; Amanda-Mrs Giffard; Narcissa-Mrs Thurmond; Hillaria-Mrs Purden; Flareit-Mrs Haughton; With a new Prologue addresses to the Merchants of London-Delane.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Busy Body

Performance Comment: See17320923, but (Daily Post missing), but advance notice in London Evening Post, 24 March, lists: Sir George-Wm. Mills; Miranda-Mrs Booth; Sir Jealous-Shepard; Charles-A. Hallam; Whisper-Jones; Isabinda-Miss Hollyday; Patch-Mrs Mullart; Scentwell-Mrs Grace; Sir Francis-Griffin; Marplot-Miller.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Miser

Performance Comment: Daily Post missing, but advance bill in Guildhall Library, London, lists: As17330217 (in edition), but James-Miller; Decoy-_; Furnish-_; Sparkle-_; Sattin-_; List-_; Cha. Bubbleboy-_; Lawyer-_.

Afterpiece Title: The Harlot's Progress

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The What D'ye Call It

Performance Comment: See17330424 but Timothy-Penkethman; A new Prologue addressed to the Merchants and Citizens of London-the Author; A Comic Epilogue-Penkethman on an Ass.

Dance: III: Tambourine-Miss Wherrit; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Differences of Nations-

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Poet-Laureat. With New Habits. Afterpiece: Set to Musick by Mr T. Arne Jr. [See Daily Post, 6 Nov., and London Evening Post, 6 Nov., for prosecution of actors at HAY by officials of DL, CG, and GF.]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Event Comment: Benefit Harper. Mainpiece: Written by the late J. Addison, Esq. [For further discussion of Harper's appearance in Court, see Universal Spectator, 1 Dec; London Evening Post, 29 Nov.; Grub St. Journal, 6 Dec]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Devil to Pay

Dance: Tambourine by Miss Robinson. La Bagatell by Essex and Miss La Tour. La Folette S'cest ravizee by Nivelon and Miss Mann

Event Comment: For a puff of the forthcoming Mother-in-Law, see London Evening Post, 9 Feb

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Perseus and Andromeda

Event Comment: By a Company of Comedians from the Theatres in London. At the Great Room at the Ship Tavern. Stage 2s. 6d. Pit 2s. First Gallery 1s. Second 6d. 6 P.M

Performances

Mainpiece Title: Tamerlane

Dance:

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 12 Dec: Whereas, on Saturday last, the Audience . . . was greatly incens'd at their Disappointment in Mr Poitier and Madem Roland's not Dancing, as their Names were in the Bills for the Day; and Mr Quin, seeing no way to appease the Resentment then shewn, but by relating the real Messages sent from the Theatre, to know the Reasons why they did not come to perform, and the Answers return'd: And whereas there were two Advertisements in the Daily Post of Tuesday last, insinuating that Mr Quin had with Malice falsely accus'd the said Mr Poitier and Madem Roland, I therefore think it (in Justice to Mr Quin) incumbent on me to assure the Publick, that Mr Quin has conducted himself in this Point towards the Abovemention'd with the strictest regard to Truth and Justice; and as Mr Quin has acted in this Affair in my Behalf, I think myself oblig'd to return him Thanks for so doing. Charles Fletewood

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Event Comment: By particular Desire. London Daily Post and General Advertiser, 4 Jan.: The kind Reception which Mr Poitier met with in his Performance on Wednesday last . . . lays him under the greatest Obligation to the Publick; and if he has lost the good Opinion of anyone, by the late unhappy Disturbance [see 7 Dec. 1734], he hopes his future constant Endeavours to oblige, will both be accepted, and regain their Favour

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Colombine Courtezan

Event Comment: GF had advertised The Mistake and Jupiter and Io, but advertises in London Daily Post and General Advertiser, 23 Jan.: Upon the Practice of the Entertainment last Night, by Accident the principal Machine was considerably Damag'd

Performances

Mainpiece Title:

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

Event Comment: Benefit Swiny. For the better Accommodation of the Ladies, Part of the Stage will be formed into Boxes; the Pit and Front Boxes to be put together (at the Desire of several Ladies of Quality). [For further discussion of the case of Poitier, see London Daily Post and General Advertiser, 26 Feb.]

Performances

Mainpiece Title: The Old Batchelor