SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "City of London"/1) | (@(roleclean,performerclean) "City of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 892 matches on Event Comments, 695 matches on Performance Title, 403 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: At the particular Desire of several Persons of Distinction, and eminent Merchants of the City of London. Tickets for The Devil to Pay and The Triumphs of Love and Honour, whatever Date they may bear, will be taken on the Authors Nights, and both the Play and Opera will be perform'd with all convenient Expedition

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Bayes's Opera

Music: In mainpiece: By Desire, a Piece of Musick by Signior Vivaldi, call'd The Cuckow-Charke, others

Event Comment: At the particular Desire of several Persons of Quality, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Jovial Crew

Music: As17310727

Event Comment: At the particular Desire of several Persons of Quality and Distinction, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The What D'ye Call It

Music: TThe Cuckow-Charke, others

Song: Miss Raftor

Event Comment: At the particular Desire of several Persons of Distinction, and eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Cephalus and Procris

Song: Miss Raftor

Music: Select Pieces-

Event Comment: At the particular Desire of several Persons of Distinction and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: TThe Tambourin-Miss Robinson; English Maggot-Rainton, Mrs Walter; The Lorrain-Essex, Mrs Booth

Music: Between the Acts: Select Pieces-

Song: Miss Raftor

Event Comment: Benefit the Author. At the particular Desire of several Persons of Quality and Distinction, and Eminent Merchants of the City of London

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Perseus and Andromeda

Event Comment: At the particular Desire of several Eminent Merchants in the City of London. Benefit a Family under Misfortunes. [The last performance of the season.

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Virgin Unmask'd

Song: I: If Love be a Fault-Lowe; IV: Blow Blow thou Winter Wind-Lowe

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride; Or, The Merry Cuckold

Performance Comment: Edition of 1696: Prologue-Mr Thurmond; Bonvile-Boman; Friendly-Thurmond; Justice Merryman-Bright; Summerfield-Scudemore; Mr Ventre-Arnold; Mr Spruce-Bayly; Compasse-Freeman; A Councellor-Davis; Pettifog-Trefusis; Dodge-Eldred; Arabella-Mrs Boman; Clara-Mrs Boutell; Mrs Ventre-Mrs Lacy; Peg-Mrs Perin; Nurse-Mrs Lawson; Lucy-Miss Prince; Epilogue-the City-Bride.
Cast
Role: Epilogue Actor: the City-Bride.
Role: the City Actor: Bride.
Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: London's Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.

Performances

Mainpiece Title: Amurath The Great, Emperor Of The Turks: Containing The Distress'd Loves Of achmet And selima; Or, The london Prentice's Glory: With The Comical Humours And Surprizing Adventures Of The London 'prentice And Want Brains His Man

Performance Comment: London Prentice-Penkethman; Want Brains-Reynolds; Amurath-Huddy; Achmet-Mullart; Haly-Jones; Selim-Achurch; Aelima-Mrs Newsted; Zara-Mrs Dutton.
Cast
Role: London Prentice Actor: Penkethman

Afterpiece Title: Harlequin's Contrivance; or The Plague of a Wanton Wife

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: London Prentice-Penkethman; Wantbrains-Miller.
Cast
Role: London Prentice Actor: Penkethman

Dance: Dutch Dance between a Dutch Boor and his Frow-Newhouse, Mrs Willis; French Peasant-Newhouse, Miss Francis; Drunken Man-Harper

Song: The Dame of Honour, Mimick Song in Praise of a Country Life-Mrs Willis; Mrs Boman

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: London Prentice-Penkethman; Wantbrains-Miller; Achmet-Oates; Haly-Parler; Selima-Mrs Parler; Zara-Mrs Middleton; Amurath-Boheme.
Cast
Role: London Prentice Actor: Penkethman

Dance: Newhouse, Mrs Willis, Mrs Middleton, Miss Francis

Song: Mrs Boman, Mrs Willis; particularly a Mimick Song in Praise of a Country Life between a Court Lady and a Country Nymph-

Performances

Mainpiece Title: The London Merchant

Performance Comment: London Merchant-Cross; Millwood-Mrs Cross; Thorogood-Turbutt; Maria-Miss Brunette; Barnwell Sr-Jones; Lucy-Mrs Pritchard; Truman-Este; Blunt-Cole .
Cast
Role: London Merchant Actor: Cross

Afterpiece Title: The Honest Yorkshireman

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's

Event Comment: London. By Elkanah Settle. The Lord Mayor's Show

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: London in 1710, p. 38: When this play is give, there are always prodigious crowds

Performances

Mainpiece Title: The London Cuckolds

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Scotch Dance-Young Weeks, Scholar to Dupre; III: Masquerade Dance-; IV: Shepherd's Dance-Young Weeks

Song: a G Gentleman for his Diversion; A song, called Goodman's Fields Theatre address'd to the Merchants of the City of London-Excell , written by the Author of Bacchus one day gaily striding

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Debauchees

Dance: II: Mechel; IV: Mlle Mechel

Song: V: a Chorus song- [set by Handel, for the Gentlemen Volunteers of the City of London, Stand around, my brave boys written by John Lockman (Deutsch, Handel, p. 624)]

Event Comment: London Gazette, No 2581, 4-7 Aug. 1690: These are to give Notice, That by Order of the Lord-Mayor and Court of Alderman of the City of London, the Fair, commonly called Lady-Fair, in the Borough of Southwark, will from henceforth be held on the 7th, 8th, and 9th of September only in every Year (according to the Grant thereof of the City) and that the Booths or Shedds will be permitted to stand in the streets there any longer than the said three days

Performances

Performances

Mainpiece Title: Londinium Triumphans

Performance Comment: [London's Celebration in Honour of the truely Deserving Sir Anthony Bateman, Knight, Lord Mayor of the Honourable City of London. And Done at the Costs and Charges of the Right Worshipful the Company of Skinners. The 29th of October, 1663. By John Tatham.].
Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Anatomist

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: Paid James Amson for a set of China for Love in the City, #11 2s. 11d. (Account Book). Receipts: #115 13s. 6d. (Account Book). [On 5 March appeared in the Public Advertiser the following squib]: To the Author of Love in the City. @If e'er again thy Muse engage@To laugh at Folly on the Stage,@Let Cockneys 'scape the stroke@Since 'tis with Men of Sense a Rule@That of all Fools, the Bo-Bell Fool@Can least endure a Joke. A.

Performances

Mainpiece Title: Love In The City