Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. The same cast is listed in the Yale MS. See Davenant's Macbeth from the Yale Manuscript, ed. Christopher Spencer (New Haven, 1961), p. 78. Downes, Roscius Anglicanus, p. 34: Mr Nat. Lee, had the same Fate [as Otway in undertaking the King in Behn's The Jealous Bridgeroom] in Acting Duncan in Macbeth, ruin'd him for an Actor too

Event Comment: The program was published in 1684: A Musical Entertainment Perform'd on November XXII. 1683, It Being the Festival of St Cecilia, a great Patroness of Music; Whose Memory is Annually Honour'd by a public Feast made on that Day by the Masters and Lovers of Music, as well in England as in Foreign Parts. [Henry Purcell signed the Preface: To the Gentlemen of the Musical Society, and particularly the Stewards.] An advertisement in Vinculum Societatis, 1691, states that Christopher Fishburn composed the verse

Event Comment: At the Desire of several Persons of Quality. Newly Corrected. Katherine Tofts, in Daily Courant, 8 Feb.: I was very much surpriz'd when I was inform'd that Ann Barwick, who was lately my Servant, had committed a Rudeness last Night [5 Feb.] at the Playhouse, by throwing of Oranges, and hissing when Mrs l'Epine, the Italian Gentlewoman Sung. I hope no one can think that it was in the least with my Privity, as I assure you it was not. [The statement, addressed to Christopher Rich, was dated 6 Feb.

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear, and since revis'd with several Alterations. Admission: 5s., 3s., 2s. Benefit John and Christopher Rich. Receipts. #61 8s

Event Comment: Benefit John Rich, Christopher M. Rich, and Hamilton. By Subscription. Pit and Boxes together at 7s. Gallery Box 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: money #56 1s.; tickets #102

Event Comment: Benefit Christopher Smith Jr (the composer). The Habits and the Scenes proper to the Subject. Words by Mr Humphrey. Pit and Boxes 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d

Event Comment: A new Musical Drama. [By John Lockman. Set to Music by Mr John Christopher Smith.] 5s. To continue for twenty consecutive Fridays

Event Comment: Benefit Christopher Smith, who at his own Expence, hath provided for, and brought up the Children of the late Mr Dahuron. 7 p.m. 5s

Event Comment: Benefit Christopher Perry. Mainpiece: By Particular Desire of several Persons of Quality. Written by Shakespear. Tickets delivered for 18 Nov. will be taken on this day (Theatrical Clippings, Folger Library)

Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]