SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Chevalier"/1) | (@(roleclean,performerclean) "Chevalier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 31 matches on Author, 19 matches on Roles/Actors, 16 matches on Performance Title, 5 matches on Performance Comments, and 5 matches on Event Comments.

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Performances

Mainpiece Title: Le Legatoire Universal

Afterpiece Title: L'Arlequin Chevalier Errant; ou, La Baguette de Vulcan

Dance:

Performances

Mainpiece Title: Le Chevalier A La Mode

Afterpiece Title: Le Retour Impreuevu

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors; A Tragedy for Warm Weather

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: The Tailors

Dance: As17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End II: The Merry Lasses, as17780529; End II afterpiece: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: The Merry Lasses, as17780529; End II: Provencalle Dance, as17780518

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: The Gardeners-Master and Miss Byrn; End II afterpiece: As17780529

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Man and Wife

Dance: End I: As17780624 End II: Provencalle Dance, as17780518

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour, as17880417; End Opera: Adela de Ponthieu-Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough
Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: New Grand EntertainmentThe Chinese Festival

Event Comment: Mainpiece: By Desire. A great Noise, the whole House against us-When Garrick appear'd one from the Slips cry'd out Monsieur, & great Numbers Hiss'd-the play went on-wch done, the Mutiny began, amazing noise-no plating, except one Apple; ye pit to ye Boxes cry'd-now draw yr Swords, wch makes us think, the Riot was occasion'd by the Box people being so busy & turning some out of the pit & Gall: before. Some benches were pull'd up, & Mr Lacy gave up the Dance to appease 'em-being Sat: our friends were at ye Opera, & the common people had leisure to do Mischief (Cross). [Lynham in The Chevalier Noverre, quotes from the Journal Etranger of 25 Nov. 1775: 'The blackguards...tore up the benches and threw them into the Pit on the opposing party; they broke all the mirrors, the chandeliers, &c., and tried to climb onto the stage to masacre everybody; but, as there is a magnificent organization in this theatre, in three minutes all the decor had been removed, all the traps were ready to come into play to swallow up those who might venture up, all the wings were filled with men armed with sticks, swords, halberds, &c., and behind the scenes the great reservoir was ready to be opened to drown those who might fall on the stage itself."Cross lists no Receipts.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chinese Festival

Event Comment: Benefit for Lee, at the Particular Desire of His Excellency Chevalier Morosini, the Venetian Ambassador. Tickets deliver'd for Oroonoko will be taken. Mainpiece for the last time this season. Afterpiece: By Desire, not acted these 3 years. [See 23 Nov. 1761.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: End: A Duet-Vernon, Miss Young

Event Comment: An Historical Account of the Ballet to be sold at the Theatre. [Lynham, 166: Armida danced by Mlle Theodore. Scenario (Milan, 1775) lists the parts: Renaud, Le Chevalier Danois, Ubalde, Armide, Lucinde; Esprits: Plaisir, Nymphc, Nayades, L'Amour, Les Graces, La Haine, La Vengeance, La Fureur. Public Advertiser, 25 Feb.: The music by Le Brun. Ibid., 27 Feb.: The duration of [the ballet] is about 55 minutes; and during that whole period the performance appeared perfect in all its parts; nothing was too much, nothing was wanting.]

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

Event Comment: Benefit for Zuchelli, Delpini & the Miss Stageldoirs. Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Afterpiece [1st time; P 2, author unknown]: The whole under the direction of Delpini and Zuchelli. The Music by the celebrated Chevalier Clough. An Historical Account of the Pantomime, with the Songs, may be had at the Theatre. Morning Herald, 27 Apr.: Tickets to be had of Zuchelli, No. 81, Hay-market; Ibid, 30 Apr.: of the Miss Stageldoirs at their house, No. 26, Crown-street, Little Russel-street, Covent-garden [Delpini not listed]. Receipts: #226 13s. (67/7; 28/12; 0/3; tickets: 130/11) (charge: #120 16s. 9d.)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Related Works
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Performance Comment: Characters by Barrymore, Fawcett, C. Kemble, Suett, Trueman, Atkins, Klanert, Chippendale, Abbot, Miss Chapman, Miss DeCamp. [Cast from text (A. Strahan, 1800): Chevalier de St. Franc-Barrymore; Valcour-Fawcett; Durimel-C. Kemble; Steinberg-Suett; Officers-Trueman, Atkins; Zenger-Klanert; Steibel-Chippendale; Keeper of the Prison-Abbot; Mrs Melfort-Miss Chapman; Bertha-Miss DeCamp; Prologue-Barrymore; Epilogue-Miss DeCamp. [These were spoken, as here assigned, at the 1st 9 performances only (see18000804).]These were spoken, as here assigned, at the 1st 9 performances only (see18000804).]

Afterpiece Title: The Flitch of Bacon