SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Weideman"/1) | (@(roleclean,performerclean) "Charles Weideman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2413 matches on Author, 1165 matches on Performance Comments, 306 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Dance: By Command Spanish Dance, as17581014

Performances

Mainpiece Title: Concert

Music: Solo on the Violin-M. C. Festing; a Solo on the German Flute-Weideman

Performance Comment: C. Festing; a Solo on the German Flute-Weideman.

Performances

Mainpiece Title: Concert

Performance Comment: Vocals-Andreoni, Mrs Arne; Flute-Weideman; First Violin-Festin; Violoncello-Caporale.
Cast
Role: Flute Actor: Weideman

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: By Mr Handel for her Royal Highness the Princess of Orange's Wedding. In which will be introduced A Concerto on the Hautboy-Signior St.Martini; A Concerto on the German Flute-Mr Weideman; a Solo on the Violin-Mr Clegg; a Solo on the Violoncello-Signior Caporale; And a Concerto on the Bassoon-Mr Miller.

Performances

Mainpiece Title: Music

Performance Comment: A Musical Entertainment. Vocal Parts-Monticelli, Amorevoli, Signora Visconti, Signora Frasi, Signora Galli; concerto on German Flute-Weideman; concerto on violincello-Caporale; concerto on Hautboy-Tho. Vincent jun.; concerto on the Basson-Miller.

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.
Cast
Role: Part II Concerto Actor: Weideman

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Musick

Performance Comment: Part I. Overture. Della Caduta de Giganti by Gluck-;Airs: Care Paiple in La Caduti de Giganti-Jozzi; San Prigioniero in Il Trionfo della Continenza-Signora Pompeati; Bella consola-Ciacchi; Men Tedela by Handel-Monticelli; La Sortemia Tiranna in Il Trionfo-Signora Imer; Part II. Concerto-Weideman; Airs:Return O God of Hosts, Samson-Signora Frasi; Il Cormeo by Handel-Monticelli; Pensa che il Cielo trema in La Caduta-Ciacchi; Mai l'Amorio verace (La Caduta)-Signora Imer; Concerto-Carbonell; Air:O da Pastor Lampugani-Monticelli; Part III. Concerto-Miller; Airs: Per Pieta in Il Trionfo-Jozzi; Volgo Dubbiosa in La Caduta-Signora Pompeati; The Prince unable to conceal his Pain, Alexander's Feast-Signora Frasi; Duetto in Il Trionfo-Mosticelli, Signora Imer; A Grand Concerto of Mr Handel's-.
Cast
Role: Concerto Actor: Weideman

Performances

Mainpiece Title: Concert

Music: Vocal Part by Miss Cecilia Young. The First Violin by Festin. German Flute by Weideman. The rest of the Instruments by the best Performers, accompanied with French Horns, Trumpets, Kettle Drums

Performance Comment: The First Violin by Festin. German Flute by Weideman. The rest of the Instruments by the best Performers, accompanied with French Horns, Trumpets, Kettle Drums .

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Charles; Sir Charles-Mills, first on this stage in twelve years; Lady Betty-Mrs Mills, never here before; Lady Easy-Mrs Bailey, from Dublin; Lady Graveairs-Mrs George; Edging-Mrs Chetwood; prologue-Mrs Mills.

Music:

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Mizen-King; Worthy-Reddish; Flip-Jefferson; Rovewell-a Young Gentleman; Cribbage-Keen; Easy-Ackman; Sir Charles-Palmer; Indent-Griffith; Drawer-Burton,[J.]; Cockswain (song)-Bannister; Sailors-Waldron, Jacobs, Fawcett, Wright, Hartry, W. Palmer; Dorcas Zeal-Miss Young; Belinda-Miss Rogers; Jenny Private-Miss Platt; Arabella Zeal-Mrs Abington; Sir Charles-Palmer; Jiltup-Mrs Bradshaw.
Cast
Role: Sir Charles Actor: Palmer
Role: Sir Charles Actor: Palmer
Related Works
Related Work: The Fair Quaker of Deal, or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Charles Shadwell
Related Work: The Deserter Author(s): Charles Dibdin

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Principal Characters by Palmer, Bensley, Aickin, Bannister Jun. Williamson, R. Palmer, Lyons, Ledger, Gaudry, Parsons; Mrs Bulkley, Mrs Bates, Mrs Riley, Miss Farrcn. [Cast from text (G. G. J. and J. Robinson, 1786): Major Cyprus-Palmer; Mr Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Bannister Jun.; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Servants-Lyons, Ledger, Gaudry; Mr Euston-Parsons; Lady Euston-Mrs Bulkley; Lady Harriet Cyprus-Mrs Bates; Bloom-Mrs Riley; A Young Lady [in review of the play in Public Advertiser, 5 Aug., called Mrs Charles Euston]-Miss Farren.] Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] . Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] .

Afterpiece Title: The Author

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17930927, but Boniface-Powel; Sullen-Davies; omitted: Sir Charles Freeman . omitted: Sir Charles Freeman .
Cast
Role: Sir Charles Freeman Actor: Evatt

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Surface Actor: Wroughton

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwell's Conspiracy

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maid's Tragedy