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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles Hart"/1) | (@(roleclean,performerclean) "Charles Hart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4734 results for: Keyword - Charles Hart
We found 3375 matches on Author, 1212 matches on Performance Comments, 371 matches on Event Comments, 86 matches on Performance Title, and 1 matches on Roles/Actors.

3476
13 September 1734 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Music: III: Concerto on the French Horn by Charles

Dance: II: La Follette s'est Ravisee by F. Tench and Mrs Woodward. V: Scot's Dance by Mrs Bullock

Song: I and IV: By Miss Jones

3477
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

3478
10 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3479
12 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

3480
14 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3481
17 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3482
19 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3483
22 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3484
28 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3485
11 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3486
13 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3487
15 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3488
19 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3489
25 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Mad House

Dance: IV: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

3490
10 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

3491
18 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

3492
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

3493
09 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: An Historical Play king Charles I

Afterpiece Title: The Virgin Unmaskd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

3494
21 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Miller of Mansfield

Dance: I: Pierots-Lalauze, Liviez; II: Mlle Chateauneuf; III: Muilment; A new Saraband-Miss Wright; IV: Le Tambourine-Mlle Chateauneuf; V: Le Gout Anglois-Master Matthews, Miss Wright; End Afterpiece: Larry Grogan-Master Matthews, Miss Wright

Music: I: Trumpet Piece-Adcock; IV: Concerto on French Horns-Charles; V: Preamble on Kettle Drums-Woodbridge; with Handel's Water Musick-

3495
20 February 1744 @ Haymarket Theatre

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

3496
08 November 1748 @ King's Theatre

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

3497
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

3498
05 March 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

3499
28 December 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: With my wife and girle to the King's house, and there saw The Mad Couple, which is but an ordinary play; but only Nell's and Hart's mad parts are most excellently done, but especially her's: which makes it a miracle to me to think how ill she do any serious part, as the other day [26 Dec.], just like a fool or changeling; and, in a mad part, do beyond all imitation almost. It pleased us mightily to see the natural affection of a poor woman, the mother of one of the children brought on the stage: the child crying, she by force got upon the stage, and took up her child and carried it away off of the stage from Hart. Many fine faces here today

Performances

Mainpiece Title: All Mistaken Or The Mad Couple

Cast
Role: refers to Philidor Actor: Hart

3500
April 1672 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Marriage A La Mode

Performance Comment: Edition of 1673: Prologue-Hart; Polydamas-Wintershall; Leonidas-Kynaston; Argaleon-Lydall; Hermogenes-Cartwright; Eubulus-Watson; Rhodophil-Mohun; Palamede-Hart; Palmyra-Mrs Coxe; Amalthea-Mrs James; Doralice-Mrs Marshall; Melantha-Mrs Bowtell; Philotis-Mrs Reeve; Belisa-Mrs Slade; Artemis-Mrs Uphill; Epilogue-Mohun.
Cast
Role: Prologue Actor: Hart
Role: Palamede Actor: Hart
Related Works
Related Work: The Modish Couple Author(s): Charles Boadens
Related Work: The Modish Couple Author(s): Charles Boden