SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Goring"/1) | (@(roleclean,performerclean) "Charles Goring")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2413 matches on Author, 1164 matches on Performance Comments, 306 matches on Event Comments, 86 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Wrote by Mr Pope. Mr Barbauld's First Subscription Oratioro,...and set to Musick by Mr Charles Barbault, in Two Parts. One ticket for all three oratorios--one Guinea; for one performance half a guinea; gallery 3s. 7 p.m

Performances

Mainpiece Title: The Universal Prayer

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: MMr Barbandt's Third and Last Subscription Oratorio. [Pope's poem set by Charles Barbandt in two parts, with solos interspersed: violin, flute, Lute, Frenchhorn, hautboy, and Organ.] Books of the Oratorio stitch'd in blue paper at 1s. each sold at Mrs Browne's in the Haymarket

Performances

Mainpiece Title: The Universal Prayer

Event Comment: Benefit for Ryan. Tickets to be had of Ryan in Crown Court, Charles St. and of Crudge at the Theatre. No building on stage

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Englishman Returned from Paris

Dance: IV: By Desire, a Minuet-Mrs Woffington, Miss Hilliard; End: The Fingalian Revels-Lucas, Miss Hilliard

Event Comment: Benefit for Mr Arne. In the Manner of an Oratorio. The Music composed by Arne. Boxes Half a Guinea. Pit 5s. First Gallery 3s. Upper Gallery 2s. To begin exactly at half an hour after Six. Tickets to be had and places to be taken of Varney at the Stage Door; and of Arne, next door to the Passage, in Charles St., Covent Garden. The Book is sold at R. Francklin's in Covent Garden, and at the Theatre the night of the performance. Price 1s. [Cross lists no receipts.

Performances

Mainpiece Title: Eliza

Music: I: By Particular Desire, a Concerto on the Violin-Mr Hay

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Knights

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Charles Sarjant, late of Uxbridge, under Misfortunes. Afterpiece not acted this season. Ladies send servants by half after three. Mr Sarjant hopes his friends will favor him with their company tonight, and excuse his not having paid his respects to them in person, having been unhappily confined by the gout

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Flora; or, Hob in the Well

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: BBenefit for Mr Arne and Mr Arne Jr. Boxes Half a Guinea. First Gallery 3s. Upper Gallery 2s. To begin exactly at Half an Hour after Six o'clock. Tickets to be had of Mr Arne Sr next door to the Passage in Charles St., Covent Garden; and of Mr Arne Jr at his Chambers, No 4. in Garden Court, Temple. [N.B. This Benefit had been advertised the Wednesday before; With the New Songs perform'd at the Charity for Decay'd Musicians, the Principal Parts by Lowe, Mattocks, Miss Brent, Miss Frederica, Miss Pliemess, Miss Carter, and the Gentlemen of the Choir.

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Hautboy-Vincent; II: Concerto on Organ-Arne Jr

Event Comment: A Sacred Oratorio by Pope, set by Charles Barbandt. Benefit for the Composer. Box 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock

Performances

Mainpiece Title: The Universal Prayer

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: An Oratorio in two Parts never perform'd before. 7 p.m. By Charles Barbandt. Boxes 10s. 6d. Pit 3s. Gallery 2s. By Subscription. N.B. Ladies are desired to send servants to take places

Performances

Mainpiece Title: David And Jonathan

Music: Solo on Violin-Jackson; Solo on German Flute-Kolowiky; Solo Violincello-Paxton; Solo Hautboy-Barbandt

Event Comment: A sacred oratorio in two parts by Charles Barbandt. Tickets delivered for 28 Jan. will be admitted

Performances

Mainpiece Title: Paradise Regained

Music: Solos on violin-Jackson; German Flute-Kolowiky; Violincello-Paxton; Hautboy and on Organ-Barbant [sic]

Event Comment: Benefit for Charles Sarjant, (house keeper). Tickets deliver'd for the Wonder will be taken. Receipts: #69 2s. 6d. plus #73 2s. from tickets (Box 125; Pit 223; Gallery 84) (Account Book). Charges:#80 (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: A Hornpipe-Mrs Vernon; a Country Dance-the Characters in the opera; End II: Les Charboniers, as17601215

Event Comment: Benefit for Charles Sarjant, housekeeper. Mainpiece: By Particular Desire. Being positively the last time of performing it this season

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Jealous Farmer Deceiv'd

Dance: By Desire a Hornpipe-Mlle Capdeville

Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: A new comic Opera...By Command of their Majesties. Music-Galuppi. Overture-J. S. Bach. Text-Goldoni. The first performance in England. Deferred from 30 Jan., because of Martyrdom of King Charles I. [A general Practice upon the Stage at noon 28 Jan.

Performances

Mainpiece Title: La Calamita Di Cuori

Event Comment: MMrs Love play'd Mrs Peachum very bad. Her fit seem'd a very Aukward Imitation of Mrs Pritchard in the Jealous Wife (Hopkins). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money received at the Stage Door. None returned after the curtain is up. Play to begin exactly at 6 o'clock. Places may be had of Mr Johnston at the Stage Door. Vivat Rex et Regina. [Customary notice, which will not be repeated here, Sept. 15 David Garrick & his Lady set out for Italy from his house in Southampton St. Covent Garden (Winston MS 9). Winston also refers to a Sept. 9 Letter from T. Davies, cg, to the poet Charles Churchill begging he would not introduce so unimportant a person as himself in his Smithfield Rosciad.] Receipts: #248 9s. (Cross Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Condell, box-keeper, and Charles Sarjant, book and house-keeper. Mr Ross having, by a fall from his horse, hurt himself so much as to be incapable of performing, the Play is oblig'd to be chang'd; and the Tickets deliver'd out for King Lear will be taken this night

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: III: A Hornpipe-Miss Pitt; End: Venus Reveng'd, as17631222

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Country Wife

Dance: End: New Tambourine, as17640929

Event Comment: Benefit for Tindal and Charles Sarjant (book and housekeeper). Not acted this season

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Apprentice

Dance: IV: A Tambourine, as17641015; End: (by Particular Desire) A New Hornpipe, as17650510

Event Comment: Benefit for Legg and Charles Sarjant (book-keeper)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Midas

Dance: II: Hornpipe-Miss Pitt; IV: Rural Love, as17651115

Event Comment: Benefit for Charles Sarjant (book-keeper) and his Son (box-keeper). Tickets sold at doors not admitted. Afterpiece: For last time this season. Charges #89 6d. [Deficit to the Sarjants #11 16s., covered by income from tickets of #142 8s. (Box 346; Pit 260; Gallery 169).] Paid the Billsetters for Black Bills #4 10s. (Account Book). Receipts: #77 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Dragon of Wantly

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Paid Charles Sarjant for the Like sum advanc'd towards the repairs of the Houses in Bow St... #11 (Account Book). Receipts: #170 10s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Oxonian in Town

Dance: III: Comic Dance, as17671106

Event Comment: long letter published in the Public Advertiser by Delectante specifying a six point program for eliminating the confusion and the "riots that regularly follow the breaking up of a full house at the Opera": I) exclude servants from the lobby; 2) all chairs to come down Market Lane from Charles Street to take up and go off by Pall Mall; 3) no chairs to be allowed at other doors and passages; 4) a pent house to be built to protect those waiting from the rain; 5) all carriages to come to the door in the Haymarket, with horses heads towards Cockspur street; 6) constables to attend and assert themselves in regulating the traffic.

Performances

Mainpiece Title: None

Related Works
Related Work: None Are So Blind as Those Who Won't See Author(s): Charles Dibdin
Event Comment: Mainpiece: A New English Burletta, never performed, by the Author of Midas [Kane O'Hara], in three parts. Books of the Burletta to be had at the Theatre. Receipts: #229 14s. [The mainpiece had been censored by Licenser 5 April 1772 (Larpent MS 330) but had been passed later. The MS indicates stage directions "Curtain rising discovers a splendid Pavilion in the Clouds, Juno, Pallas and Venus at card table." Reviewed in the Westminster Magazine. Rev. Charles Jenner wrote the following "Ode to Miss Catley in the character of Juno." (Harvard Library original MSS No. 65 [1930].)] @Hail vulgar Goddess of the foul mouth'd race!@If modest Bard may hail without offence)@In whose majestic, blush-disdaining face@The steady hand of Fate wrote Impudence;@Hail to thy dauntless front, and aspect bold;@Thrice hail, magnificent, immortal scold!@ @Thee, Goddess, from the upper gallery's height@With heedful look the jealous fish-wife eyes,@Tho early train'd to urge the mouthing flight,@She hears thy bellowing powers with surprize.@Returns instructed to the realms that bore her,@Adopts thy tones and carries all before her.@ @Proceed then, Catley, in thy great career@And nightly let our maidens hear and see@The sweetest voice disgust the listning ear@The fairest face assume deformity!@So shalt thou arm them with their best defense,@And teach them Modesty by Impudence.

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Commissary

Dance: I: A New Pantomime Dance call'd The Venetian Gardner-Mas. Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.