SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles De la Faye Esq"/1) | (@(roleclean,performerclean) "Charles De la Faye Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2979 matches on Performance Title, 2565 matches on Author, 1849 matches on Performance Comments, 867 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: At King's The Beaux Stratagem

Performance Comment: Aimwell-Barrymore; Archer-Palmer; Sullen-Phillimore; Sir Charles Freeman-Benson; Foigard-Moody; Gibbet-Suett; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Dodd; Lady Bountiful-Mrs Booth [Public Advertiser: Mrs Hopkins]; Dorinda-Mrs Kemble; Mrs Sullen-Mrs Goodall; Gipsey-Miss Tidswell; Cherry-Miss Collins.
Cast
Role: Sir Charles Freeman Actor: Benson

Afterpiece Title: The Prisoner

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Venetian Gondolier by Denoyer and Mlle Roland. II: Les Rigadoons a la Provencale originaie by Roland, Father to the two Mlles Roland. III: Les Caracteres de la Dance by Denoyer and Mlle Anne Roland. IV: By Denoyer's Apprentice. V: By particular Desire, Minuet by Denoyer and Mlle Anne Roland

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Mock Lawyer

Dance: II: The Kilkenny by Glover and Mrs Laguerre. III: Les Charactres de l'Amour by Mlle Salle. IV: The Nassau, as17340117 V: Pigmalion by Malter, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde, with the Statue-Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The School Boy

Dance: Flanderkim by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. s1Ng1NG. As17350422

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Didone

Dance: I: Les Evenemens Imprevues, as17760109; II: Ballet Pastoral-S. Vallouis, Mme Vallouis, Helm, Mlle Sophie; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): Charles Bonnor
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Event Comment: Written by $Osborne Sidney Wandesford, Esq.

Performances

Mainpiece Title: Fatal Love; Or, The Degenerate Brother

Performance Comment: Principal parts by Wells, Mullart, Lacy, Fielding, Jones, Mrs Mullart, Mrs Martin, Mrs Lindsey, Mrs Nokes, Miss Wood; but edition of 1730 lists: Don Manuel-Wells Sr; Alonzo-Stopler; Pizarro-Wells Jr; Pedro-Fielding; Alvarez-Mullart; Rinaldo-Lacy; Diego-Dove; Hermit-Reynolds; Page-Achurch; Servants-Hicks, Richards; Ismena-Mrs Mullart; Lucina-Mrs Martin; Cleone-Mrs Lindsey; Julia-Mrs Newman; Florella-Mrs Nokes; Prologue, Epilogue-Charles Coffey.
Cast
Role: Epilogue Actor: Charles Coffey.
Event Comment: Benefit a Family in Distress. For the Entertainment of Che-sazan Outsim, Hindy-Gylesangbier, Charadab-sina, Gulgulachem-Chemaunim, and Tichucbactey Ormophan, Sacheoutzim-Sinadab Caocormin, the Chineze Mandarines, lately arrived in England, on a Tour through Europe, being the only People of that Nation, who have been in England since the Reign of King James I. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Mrs Charke; Morelove-Benson; Sir Charles-Cross; Lady Easy-Mrs Cross; Lady Betty-Miss Binks; Lady Graveairs-Mrs Egerton; Edging-Miss Brett. A New Epilogue addressed to the Town to be spoken by Mrs Charke in the Character of Lord Foppington .
Cast
Role: Sir Charles Actor: Cross

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Music: Select Pieces. I: A Minuet in Ariadne. III: Minuet by Geminiani

Dance: V: Minuet by Mrs Charke and Miss Brett. End of Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: II: Was ever Nymph like Rosamond. IV: Scacciato dal suo nido

Event Comment: At the particular Desire of several Persons of Quality.Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Afterpiece: Taken from Moliere and Intermingled with Songs. At Common Prices. 6 p.m

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Lady Betty-Mrs Horton; Sir Charles-Ryan; Morelove-Hale; Lady Easy-Mrs Stevens; Lady Graveairs-Mrs Bellamy; Edging-Mrs Vincent.
Cast
Role: Sir Charles Actor: Ryan

Afterpiece Title: The Mock Doctor

Dance: I: Hornpipe-Phillips; III: Drunken Peasant-Phillips; V: Comic Dance-Villeneuve, Miss Oates

Event Comment: Benefit a Gentlewoman in Distress. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Lady Betty-Mrs Horton; Sir Charles-Ryan; Morelove-Hale; Lady Easy-Mrs Stevens; Lady Graveairs-Mrs Bellamy; Edging-Mrs Vincent.
Cast
Role: Sir Charles Actor: Ryan

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: I: Comic Dance-Richardson, Miss Rogers; II: Ballet-Desse, Miss Oates; III: By Desire, Tambourine-Mlle Villeneuve; V: Grecian Sailors-Glover

Event Comment: Benefit Mrs Stevens and Mrs Vincent. At the Desire of several Persons of Quality. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17391002, but Sir Charles-Hallam.
Cast
Role: Sir Charles Actor: Hallam.

Afterpiece Title: The Mock Doctor

Dance: II: Minuet-Master Gillier, Miss Morrison; IV: Swiss Dance-the French Boy and Girl; V: Scotch Dance-Glover, Mlle Roland

Event Comment: Benefit Penkethman. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Afterpiece: Written by the Author of Pasquin

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17400415 but Sir Charles-Mills.
Cast
Role: Sir Charles Actor: Mills.

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Two Pierots-Lalauze, Liviez; II: L'Allemande-Mlle Chateauneuf alone; III: Punch-Master Ferg

Event Comment: Written by Colly Cibber Esq. Benefit Theophilus Cibber. No persons to be admitted into the Boxes, or behind the scenes, but by Box ticket, which will be deliver'd at White's Chocolate House in St. James' St.; Tom's Coffee House in Covent Garden, and of Mr Bradshaw, &c. Places for the stage (which will be form'd into Boxes and carefully enclos'd) may be taken at Mrs Moor's in the Playhouse passage. Tickets for the Boxes and the stage will also be deliver'd at the proper offices of the theatre. Receipts: #150

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles-Mills; Foppington-Cibber Jun.; Morelove-Delane; Lady Betty-Mrs Woffington; Lady Easy-Mrs Butler.
Cast
Role: Sir Charles Actor: Mills

Afterpiece Title: The Mock Doctor

Song: I: Sweet Bird, from Milton,-Mrs Arne; II: A Cantata by Stanley-Beard; IV: Was ever Nymph like Rosamond-Lowe; V: War he sung was Toil and Trouble-Mrs Clive

Dance: III: A Concerto, as17420105; V: The Italian Peasants, as17411205

Event Comment: Not acted these 25 years. At the Particular Desire of several Ladies of Quality for the Benefit of Mrs Giffard. Mainpiece: Written by Colley Cibber Esq., Poet-Laureat. Boxes 5s. Pit 3s. Gallery 2s. 6d. And the Company will continue to act every Day, Wednesdays and Fridays in Lent excepted

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Maria-Mrs Giffard; the Nonjuror-Cibber; Sir John-Peterson; Heartly-Giffard; Woodvil-W. Giffard; Charles-Mozeen; Lady Woodvil-Mrs Butler.
Cast
Role: Charles Actor: Mozeen

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey
Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet Laureate. Receipts: #46 19s

Performances

Mainpiece Title: The Nonjuror

Performance Comment: Dr Wolf (the Nonjuror)-Chapman; Sir John Woodvil-Ridout; Col Woodvil-Cashell; Heartly-Havard; Charles-Woodward; Lady Woodvil-Mrs Horton; Maria-Mrs Pritchard.
Cast
Role: Charles Actor: Woodward

Afterpiece Title: The Rape of Proserpine

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 11 years. 2nd piece: An Interlude, written by the late D. Garrick, Esq. Receipts: #246 13s. 6d. (110/11/0; 21/16/6; 0/18/0; tickets: 113/8/0) (charge: #105 4s. 11d.)

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Palmer; Sir Roger Belmont-Parsons; Sir Charles Raymond-Aickin; Colonel Raymond-Brereton (Their 1st appearance in those characters); Villiard-Wrighten; Faddle (with a song)-Dodd; Fidelia-Mrs Brereton; Rosetta-Miss Farren (Their 1st appearance in those characters) .
Cast
Role: Sir Charles Raymond Actor: Aickin

Afterpiece Title: Linco's Travels

Afterpiece Title: The Alchymist

Event Comment: Benefit for Mrs Jordan. [In mainpiece the playbill retains King as Sir Peter Teazle, but "Murray, on account of the indisposition of King, was the Sir Peter to Mrs Jordan's Lady Teazle" (Monthly Mirror, May 1797, p. 311).] Tickets delivered for the 15th [for which day the benefit was first announced] will be admitted. "On the whole, Mrs Jordan's Lady Teazle, if not excellent, was respectable; and at a time when it was thought that it would be impossible to personify her Ladyship [i.e. after the retirement of Miss Farren], Mrs Jordan is commendable in having endeavoured it...[Sir Peter] was a part well suited to Murray, who excels in the still and the pathetic...In the screen scene his mirth in revealing to Charles the story of the French milliner, and his amazement the moment after when Charles, throwing down the screen, presented that milliner in the shape of Lady Teazle, must confirm the reputation of Murray. 'Lady Teazle!' (exclaimed he, turning from her towards the door, and in an accent alarmingly impressive), 'Lady Teazle, by all that is damnable!" (Monthly Visitor, June 1797, pp. 531-32). True Briton, 6 May: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #550 3s. (232.4.0; 72.2.0; 7.10.6; tickets: 238.6.6) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Charles Surface Actor: Wroughton

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: As17960927

Entertainment: Monologue. End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan

Performance Comment: End Address, (Written by R. Cumberland, Esq.) in which she will introduce the Original Ballad from which In the dead of the Night, from The Wedding Day, was taken-Mrs Jordan.