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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles De la Faye Esq"/1) | (@(roleclean,performerclean) "Charles De la Faye Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8042 results for: Keyword - Charles De la Faye, Esq
We found 3527 matches on Author, 2979 matches on Performance Title, 1849 matches on Performance Comments, 867 matches on Event Comments, and 0 matches on Roles/Actors.

6276
26 November 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performance Comment: Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara.

6277
29 April 1794 @ Covent Garden

Event Comment: Benefit for Johnstone. 1st piece [1st time; M. INT 1, by John Cartwright Cross. Text Q. Roach, 1794). For music see 1 May]. 2nd piece: For that night only, by Permission of George Colman, Esq. Jun.; Never (previously] performed here. 3rd piece: For this night only, by Permission of George Colman, Esq. Jun. [holder of copyright of both pieces]. Morning Chronicle, 7 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #333 8s. 6d. (146/2/0; 5/17/6; tickets: 181/9/0)

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship Or An Escape From France

Afterpiece Title: THE LONDON HERMIT or Rambles in Dorsetshire

Afterpiece Title: THE SON IN LAW

6278
09 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hartford Bridge

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: LOVE AND HONOR or Britannia in Full Glory at Spithead

Performance Comment: William-Incledon; Dick-Blanchard; Grapple-Townsend; Lieutenant Capstem-Johnstone//Mary-Mrs Martyr. [European Magazine, May 1794, p. 388, adds: Farmer Ploughfield-Thompson; Clodpole-Rees; Hobnail-Abbot.] In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead . In which: The Wand'ring Tar, the Words taken from the Epilogue to THE RIVALS, by R. B. Sheridan, Esq., new composed by Shield, sung by Incledon. A Sea Storm by Incledon, for the 1st Time in Public. The British Salute, new composed by Reeve, by Johnstone. The Sailor's Lullaby, the Words new, adapted to the original Lullaby composed by Storace. A Doun at the Gangway, new composed by W. Parke, by Blanchard. The Pride of the Sea, new composed by W. Parke, by Townsend. I'll bless my King and cheerly sing, new composed by Shield, by Mrs Martyr in the character of a Sailor Boy. Maidens listen, new composed by W. Parke, by Mrs Martyr. Rule Britannia by Incledon, Johnstone, Mrs Martyr. To conclude with a beautiful representation of a Grand Naval Review, with a display of the Firing and Manoeuvring of the Spanish and English Fleets at Spithead .

Afterpiece Title: THE PRISONER AT LARGE

Dance: In 1st piece The Lucky Escape, as17930916, but omitted: Mrs Watts; In 3rd piece, by Byrn, Holland, Mme Rossi, &c

Song: In the course of the Evening Water parted from the Sea by Incledon, after the manner of a celebrated Italian Opera Singer; End of Act I of 4th piece Sally in our Alley by Incledon

6279
12 June 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: An Evenings Love Or the Mock Astrologer

6280
25 July 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Wrangling Lovers Or The Invisible Mistress

6281
24 October 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Afterpiece Title: The Harlots Progress or The Ridotto Al Fresco

6282
09 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: George Dandin Or The Wanton Wife

Afterpiece Title: Le Cocu Imaginaire

Dance:

6283
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

6284
20 December 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Alchymist

Music: Select Pieces composed by Corelli, Vivaldi, Geminiani, Handel

Dance: I: Le Watteau by Miss Robinson alone. II: La Follette s'cest ravisee by Nivelon and Miss Mann. III: La Bagatell by Essex and Miss La Tour. IV: Mock Minuet, as17331027 V: Les Bergeries, as17331108

6285
29 December 1733 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Ariadne

6286
14 March 1738 @ King's Theatre

Performances

Mainpiece Title: Partenio

6287
10 March 1739 @ Covent Garden

Performances

Mainpiece Title: Angelica And Medoro

6288
07 October 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Little French Lawyer

6289
26 February 1750 @ Haymarket Theatre

Performances

Mainpiece Title: Lavare

Dance: III: As17500221

6290
23 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

6291
24 January 1786 @ King's Theatre

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

6292
05 April 1800 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Performance Comment: Pave-Lewis; Warford-Pope; Sir ThomasRoundhead-Munden; Latitat-Fawcett; Smalltrade-Emery; Sir Charles Dazzle-Betterton; Hippy-Townsend; Nab-Farley; Plainly-Claremont; Servants-Curties, Blurton, Platt, Wilde, Rees; Robert-Simmons; Formal-Thompson; Miss Dazzle-Miss Chapman; Rosa-Miss Murray; Betty-Miss Leserve; Visitors-Ms Watts, Ms Follett, Ms Norton, Ms Gilbert; Lady Henrietta-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].
Cast
Role: Sir Charles Dazzle Actor: Betterton

Afterpiece Title: A Peep behind the Curtain or An Opera Rehearsal

Afterpiece Title: The Hermione or Valours Triumph

6293
14 December 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mangora King Of The Timbusians

6294
23 August 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane The Great With The Fall Of Bajazet Emperor Of The Turks

Afterpiece Title: The Miser

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Afterpiece Title: The Ridotto Al Fresco

6295
04 September 1733 @ Bartholomew Fair

Performances

Mainpiece Title: Tamerlane

Related Works
Related Work: Tamerlane the Great Author(s): Charles Saunders

Afterpiece Title: The Comical Humours of Sir John Falstaff Justice Shallow Ancient Pistol and Others

Afterpiece Title: The Ridotto Al Fresco

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

6296
17 October 1735 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Apollo and Daphne or The Burgo Master Trickd

6297
01 January 1736 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Apollo and Daphne

Dance: French Peasant by Lalauze and Mlle D'Hervigni

6298
28 October 1741 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Contrivances

6299
05 May 1743 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: The School Boy

Dance: LLes Boufons du Cour, as17430305 Characters of Dancing, as17421025; Dutch Skipper, as17421025

6300
03 February 1747 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Miss in Her Teens