SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles De la Faye Esq"/1) | (@(roleclean,performerclean) "Charles De la Faye Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3527 matches on Author, 2979 matches on Performance Title, 1849 matches on Performance Comments, 867 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Little French Lawyer

Song: Ray and Mrs Willis

Dance: As17200610

Performances

Mainpiece Title: Henry IV Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Performances

Mainpiece Title: The Silent Woman

Music: Select Pieces

Dance: Clown by Nivelon. La Bagatell by Essex and Miss La Tour. A Dance by Miss Robinson alone

Performances

Mainpiece Title: The Double Gallant

Cast
Role: Sir Charles Actor: W. Mills

Afterpiece Title: Flora

Music: Second and Third Musick as17331201. Also Se mei Turbo (a Song in Porus) on the Flute Traverse. The Cuckoo composed by Vivaldi

Dance: Clown by Nivelon. La Bagatell by Essex and Miss La Tour. Tambourine by Miss Robinson

Performances

Mainpiece Title: I Viaggiatori Ridicoli

Music: I: Concerto (Cirri) for Violincello-; II: Concerto on Hautboy-Fisher; IV: Concerto on Violin-Sga Sirmen

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Walker; Antonio-Bullock Sr; Charino-Hall; Clodio-Egleton; Manuel-Boheme; Duart-Ryan; Louisa-Mrs Bullock; Angelina-Mrs Purden; Cholerick-Spiller.
Cast
Role: Charles Actor: Walker

Dance: Lally, Pelling, Newhouse, Mrs Rogier, Mrs Bullock

Performances

Mainpiece Title: The Busie Body

Performance Comment: Charles-Mills; Sir George-Wilks Jr; Marplot-Miller; Sir Francis Francis-Norris; Sir Jealous-Shepard; Miranda-Mrs Booth; Isabinda-Mrs Younger; A new Epilogue-Miss Lindar.
Cast
Role: Charles Actor: Mills

Song: Singing in Italian-Miss Lindar

Dance:

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Morgan; Dismallo-Bullock; Antonio-Norris; Charino-Collett; Governor-W. Giffard; Duart-Smith; Manuel-Havard; Sancho-Rosco; Monsieur-Bardin; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: FFrench Peasant-D'Valois, Mlle D'Valois; Scot's Dance-Mrs Bullock; Sailor's Dance-Jones

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Penkethman, from cg; Dismallo-Bullock; Antonio-Norris; Charino-Collet; Governor-Winstone; Duart-Bardin; Manuel-Havard; Sancho-Rosco; Monsieur-James; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: CChacone-Mrs Bullock; Sailor's Dance-Jones; Pierot and Pierate-de Vallois and Madam de Vallois; Harlequin by Master LeSac, the first time of his appearing on this stage

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Mrs Charke; Clodio-Bardin; Charino-Jones; Antonio-Dove; Duart-Lacy; Governor-Houghton; Manuel-Walker; Jacques-Whittaker; Lawyer-Machen; Sancho-Lowder; Monsieur-Simpson; Page-Master Littleton; Louisa-Mrs Mullart; Angelina-Mrs Bennet; Elvira-Mrs Morgan; Honoria-Mrs Brett; Lewis-Morgan .
Cast
Role: Charles Actor: Mrs Charke

Afterpiece Title: The Stage Mutineers

Dance: Tambourine by Miss Rogers

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Hale; Clodie-Chapman; Lewis-Hippisley; Duart-Ryan; Elvira-Mrs Stevens; Antonio-Mullart; Charino-James; Manuel-Gibson; Governor-Rosco; Sancho-Woodward; Monsieur-Salway; Jaques-Stevens; Angelina-Mrs Bellamy; Honoria-Miss Burgess; Louisa-Mrs Horton.
Cast
Role: Charles Actor: Hale

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Charles IX-Hale; Duke of Guise-Ryan; Queen Mother-Mrs James; Marguerite-Mrs Hale; Admiral of France-Cashell; Antramont-Mrs Pritchard; Cardinal of Lorraine-Gibson; Duke of Anjou-Anderson; Alberto Gondi-Carr; Ligneroles-Paddick; Cavagues-Ridout; Langorain-Arthur; Queen of Navarre-Mrs Havard; Prince of Navarre-Miss Ferguson; With the Original Prologue-.
Cast
Role: Charles IX Actor: Hale

Afterpiece Title: Pyramus and Thisbe

Performances

Mainpiece Title: The Fair Lunatick Or The Generous Sailor

Performance Comment: Charles-Holtham; Constant-Bridges; Mrs Constant-Mrs Greenwood; Peggy (the Fair Lunatick)-Miss Davies.
Cast
Role: Charles Actor: Holtham

Afterpiece Title: Modern Madness or A Touch of the Times

Afterpiece Title: The Jubilee Ball a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Performances

Mainpiece Title: The Busy Body

Performance Comment: Charles-Havard; Sir Jealous-Berry; Busy Body-Woodward; Miranda-Miss Macklin; Sir George-Palmer; Sir Francis-Yates; Isabinda-Mrs Davies; Patch-Mrs Cross.
Cast
Role: Charles Actor: Havard

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Necromancer

Dance: Tambourine by Mlle Salle. La Coquette Francoise, as17341214

Performances

Mainpiece Title: The Fond Husband

Afterpiece Title: The Chymical Counterfeits

Dance: Pierrots by Vallois and Delagarde. La Folette c'est Ravizee by Tench and Mrs Woodward

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Chymical Counterfeits

Dance: Whim by Mrs Woodward and Miss Sandham. La Follette c'est Ravizee by Tench and Mrs Woodward

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Chymical Counterfeits

Dance: Pierrots by Vallois and Delagarde. La Follette c'est Ravizee by Tench and Mrs Woodward

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Chymical Counterfeits

Dance: Pierrots by Vallois and Delagarde. La Follette c'est Ravizee by Tench and Mrs Woodward

Performances

Mainpiece Title: The Committee

Afterpiece Title: Flora

Dance: Scotch Dance by Mrs Bullock. La Follette c'est Ravizee by Tench and Mrs Woodward

Song: English Song by Miss Chambers

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

Event Comment: Charles II had rope-dancers perform in the Hall at Whitehall. (See Boswell, Restoration Court Stage, p. 25.

Performances

Event Comment: Charles II had begun negotiations for bringing Italian players to England again. See the correspondence in HMC, 7th Report, Appendix, pp. 285, 286, 331; and L. C. 5@144, p. 407, in Boswell, Restoration Court Stage, p. 61. See also HMC, 7th Report, p. 288 (1 May 168O) and Boswell, Restoration Court Stage, p. 125

Performances