SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles De la Faye Esq"/1) | (@(roleclean,performerclean) "Charles De la Faye Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3527 matches on Author, 2979 matches on Performance Title, 1849 matches on Performance Comments, 867 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Bella Pescatrice

Dance: As17920417

Ballet: La Foire de Smirne. As17920417

Performances

Mainpiece Title: La Bella Pescatrice

Dance: As17920417

Ballet: La Foire de Smirne. As17920417

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Taken from the French by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Country House

Music: A Comic Medley Overture composed by Charke

Dance: I: A new Maggot by Le Brun. In II: Polonese, as17340325 V: Pierrots by Poitier and Nivelon. End I of Afterpiece: English Maggot by Lally and Mrs Walter. End Afterpiece: Grand Dance in Momus, as17340316

Song: III: Was ever Nymph like Rosamond by Miss Arne. IV: Bella Sorge L'Esperanza (from Ariadne) by Miss Arne

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: Benefit for Edwin. Public Advertiser, 9 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Written by Ben Jonson, and altered by George Colman, Esq. Receipts: #349 15s. 6d. (250/15/6; tickets: 99/0/0) (charge: #105)

Performances

Mainpiece Title: Epicoene Or The Silent Woman

Afterpiece Title: M id as

Song: End of Act II of mainpiece A Description of the Curiosities of the Tower of London; End of mainpiece Four and Twenty Fiddlers all on a Row, both by Edwin

Event Comment: Benefit for Fawcett. 1st piece: Never [previously] acted here (by Permission of George Colman, Esq., for that night only). 2nd piece [1st time; M. INT 1]. Morning Chronicle, 30 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road. Receipts: #447 14s. (158.4.6; 10.10.0; tickets: 278.19.6)

Performances

Mainpiece Title: The Battle Of Hexham Or Days Of Old

Afterpiece Title: A Gallimaufry

Afterpiece Title: Crotchet Lodge

Entertainment: Monologue.End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett

Event Comment: Benefit for Johnstone. 1st piece: with Grand Naval Review, as 20 Aug. 3rd piece: By the permission of Thomas Harris, Esq.; never acted at this Theatre. [Mrs Fawcett was from CG.] Morning Chronicle, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Britains Glory

Afterpiece Title: THE MOUNTAINEERS

Cast
Role: Charles Actor: Waldron Jun

Afterpiece Title: THE IRISHMAN IN LONDON

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Sir Charles Sydly Actor:

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King (1st appearance this season); Orlando-Brereton; Amiens (with songs)-Vernon; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Corin-Waldron; Jaques de Bois-Lamash; Silvius-R. Palmer; Le Beau-Phillimore; Charles-Wrighten; Jaques-Palmer; Caelia (with the Cuckow song)-Mrs Baddeley; Phoebe-Miss Kirby; Audrey (1st time)-Mrs Wrighten; Rosalind-Mrs Crawford (1st appearance on this stage these 6 years).
Cast
Role: Charles Actor: Wrighten

Afterpiece Title: The Critic or A Tragedy Rehearsd

Dance: End I: The Butterfly, as17800921

Song: V: song-Miss Field

Performances

Mainpiece Title: At Kings The Beaux Stratagem

Performance Comment: Aimwell-Barrymore; Archer-Palmer; Sullen-Phillimore; Sir Charles Freeman-Benson; Foigard-Moody; Gibbet-Suett; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Dodd; Lady Bountiful-Mrs Booth [Public Advertiser: Mrs Hopkins]; Dorinda-Mrs Kemble; Mrs Sullen-Mrs Goodall; Gipsey-Miss Tidswell; Cherry-Miss Collins.
Cast
Role: Sir Charles Freeman Actor: Benson

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Venetian Gondolier by Denoyer and Mlle Roland. II: Les Rigadoons a la Provencale originaie by Roland, Father to the two Mlles Roland. III: Les Caracteres de la Dance by Denoyer and Mlle Anne Roland. IV: By Denoyer's Apprentice. V: By particular Desire, Minuet by Denoyer and Mlle Anne Roland

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmers Return from London

Afterpiece Title: Gallic Gratitude or The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Mock Lawyer

Dance: II: The Kilkenny by Glover and Mrs Laguerre. III: Les Charactres de l'Amour by Mlle Salle. IV: The Nassau, as17340117 V: Pigmalion by Malter, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde, with the Statue-Mlle Salle

Song: I: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Dance: I: English Maggot by S. Lally, De la Garde, Miss Baston. II: Grand Pastoral Dance by Lally, Mlle Salle, Miss Rogers, S. Lally, Le Sac, Delagarde, Duke, Mrs De l'Orme, Miss Baston, Miss Norsa. III: Glover's Scotch Dance. IV: Minuet by Lally and Mlle Salle. V: Pigmalion by Lally and Mlle Salle

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The School Boy

Dance: Flanderkim by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. s1Ng1NG. As17350422

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Performances

Mainpiece Title: Didone

Dance: I: Les Evenemens Imprevues, as17760109; II: Ballet Pastoral-S. Vallouis, Mme Vallouis, Helm, Mlle Sophie; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE PRIZE

Song: Mainpiece: Chorus of Witches and Spirits by Kelly, Master Welsh, Sedgwick, Dignum, Cooke//Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, &c. &c

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Event Comment: Written by $Osborne Sidney Wandesford, Esq.

Performances

Mainpiece Title: Fatal Love Or The Degenerate Brother

Performance Comment: Principal parts by Wells, Mullart, Lacy, Fielding, Jones, Mrs Mullart, Mrs Martin, Mrs Lindsey, Mrs Nokes, Miss Wood; but edition of 1730 lists: Don Manuel-Wells Sr; Alonzo-Stopler; Pizarro-Wells Jr; Pedro-Fielding; Alvarez-Mullart; Rinaldo-Lacy; Diego-Dove; Hermit-Reynolds; Page-Achurch; Servants-Hicks, Richards; Ismena-Mrs Mullart; Lucina-Mrs Martin; Cleone-Mrs Lindsey; Julia-Mrs Newman; Florella-Mrs Nokes; Prologue, Epilogue-Charles Coffey.
Cast
Role: Epilogue Actor: Charles Coffey.
Event Comment: At the particular Desire of several Persons of Quality.Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Afterpiece: Taken from Moliere and Intermingled with Songs. At Common Prices. 6 p.m

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Lady Betty-Mrs Horton; Sir Charles-Ryan; Morelove-Hale; Lady Easy-Mrs Stevens; Lady Graveairs-Mrs Bellamy; Edging-Mrs Vincent.
Cast
Role: Sir Charles Actor: Ryan

Afterpiece Title: The Mock Doctor

Dance: I: Hornpipe-Phillips; III: Drunken Peasant-Phillips; V: Comic Dance-Villeneuve, Miss Oates