SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charity School at Clerkenwell"/1) | (@(roleclean,performerclean) "Charity School at Clerkenwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 649 matches on Performance Title, 207 matches on Event Comments, 66 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mrs Abington having sprain'd her leg, the new Comedy Ye School for Wives oblig'd to be deferr'd (Winston MS 10). Paid properties 13s. 6d.; Housekeeper's Bill #9 8s. 6d. Receipts: #254 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The King and Miller of Mansfield

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Event Comment: Sunday 30 Jan-Saturday last died James Love, Comedian, Master of Edinburg Theatre, late of Drury Lane. Was educated at Westminster School and went from there to Cambridge (Winston MS 10). Rec'd stopages #19 19s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3. Receipts: #183 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Genii

Event Comment: By Particular Desire (Public Advertiser). The Eighth Lecture, The School of Shakespeare, in the Apollo, the Devil's Tavern, Temple Bar, this evening,--instructive and entertaining on the tragedy of Macbeth, in which several celebrated passages of that play will be shewn to have been totally mistaken by the best actors and commentators. Previously to which will be read observations, serious and comic, in answer to correspondents. After the lecture (By Desire) the first act of Falstaff's Wedding. To Begin at Seven o'clock. Admission 2s. [Wm Kenrick's lectures.

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17740218

Event Comment: The Ninth Night of the School of Shakespeare, as 9 March

Performances

Mainpiece Title: Lecture On Macbeth, And Measure For Measure

Afterpiece Title: Second act of Falstaff's Wedding

Event Comment: Oratorio: Written by the late Dr Hawksworth. Set to music by Stanley. Books of the Oratorio may be had of Mr Condell, in Cross St., Bow St., Covent Garden, and at the theatre the night of the performance. Price 1s. [This night Wm. Kenrick delivered his tenth, and apparently last, lecture on The School of Shakespeare. It was on King Lear, and very little could be said in favor of any of his remarks on the passages he selected...[he closed by] presenting the audience an act from Falstaff's Wedding." Monthly Miscellany (April 1774, p. 191), which had reviewed all of his lectures, had commented upon the increasing popularity of them as evidenced by the numbers attending, and presented an engraving of Kenrick in action before his audience.

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: House. This was to have been Mr Weston's Night but Miss Younge being ill he desired to have it deferr'd (Hopkins Diary). The School For Wives iS oblig'd to be deferr'd till Saturday, on acct of Mr Weston's indisposition (playbill). Receipts: #250 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Note of Hand

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv, Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Archer by Mr King. Cherry first time Miss Jarratt pretty well. Sga Pacini danc'd for the first time. She is a small figure, not much Elegance but was very well received (Hopkins Diary). Agreement with Sga Paccini, 20 June 1775: "I do agree for my partner, Mr Willoughby Lacy, and myself, to engage Signora Paccini as first dancer at our Theatre, the ensuing season, which commences the first week in September 1775, and finishes the end of May 1776; for which the said Signora shall receive from us, by weekly or monthly payments as she pleases, the sum of three hundred and twenty-five pounds sterling, and she is likewise to have a benefit in course of salary, and at the best time of the year, for which she is to dance whenever she is called upon, to the best of her power and abilities. This engagement the managers of the Theatre Royal in Drury Lane engage to fulfill on their part, under the penalty of five-hundred pounds sterling. Witness my hand this nineteenth day of June 1775." (Signed.) David Garrick for Willoughby Lacy and himself (Boaden, Private Correspondence of Garrick, II, 63). The Comedy of The School for Lovers oblig'd to be deferr'd. Receipts: #153 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: The School for Scandal [announced on playbill of 15 Dec.] is unavoidably deferred till To-morrow. Receipts: #96 12s. 6d. (63.11.0; 32.16.0; 0.5.6)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Comus

Event Comment: The School for Fathers [announced on playbill of 5 Jan.] is deferred till Thursday, on account of Mrs Wrighten's Hoarseness. Receipts: #108 18s. (86.0.0; 21.14.6; 1.3.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Queen Mab

Dance: IV: Rural Grace, as17771002

Event Comment: The School for Fathers [announced on playbill of 10 Jan.] is obliged to be deferred till Wednesday next on account of Mrs Wrighten's Illness. Receipts: #151 7s. 6d. (125.13.0; 25.11.0; 0.3.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Song: As17780105

Event Comment: The School for Scandal [announced on playbill of 2 Feb.] is obliged to be deferred on account of the sudden Indisposition of Mrs Abington. Receipts: #189 2s. (158.8.0; 30.11.6; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Queen Mab

Dance: In: As17780128

Event Comment: The School for Scandal [announced on playbill of 3 Feb.] is obliged to be deferred on account of the sudden Indisposition of Mrs Abington. Receipts: #160 14s. 6d. (137.10.0; 23.2.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Queen Mab

Dance: As17780203

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: The School for Scandal [announced on playbill of 8 Mar.] is unavoidably obliged to be deferred. Receipts: #117 16s. (113.15; 4.1)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Wonders of Derbyshire

Event Comment: The School For Scandal [announced on playbill of 17 Nov.] is obliged to be deferred on account of King's still continuing ill.Receipts: #111 17s. 6d. (82.5.0; 26.15.6; 2.17.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Quaker

Event Comment: Benefit for Baddeley. Mainpiece: With the Grand Triumphal Entry. 2nd piece [1st time; INT I, probably by Robert Baddeley]: Baddeley, in the character of Moses in The School For Scandal, will present the Audience with a specimen of Jewish Education in a series of Instructions to his son Shadrach. Public Advertiser, 13 Apr.: Tickets to be had of Baddeley, No. 4, Little Russel Street, Covent Garden. Receipts: #246 13s. (178.10; 30.11; 0.17; tickets: 36.15) (charge: #79 4s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Jewish Education

Afterpiece Title: The Critic

Event Comment: The School for Fathers [announced in Public Advertiser, 14 Sept.] is unavoidably obliged to be deferred. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the stage-door. No Money to be taken at the stage-door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #100 7s. (75/1; 25/6; 0/0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Who's the Dupe

Dance: In Act I of mainpiece a Country Dance incident to the Piece (performers not listed). [This was danced in both subsequent performances.] End of Act II a Dance by the Miss Stageldoirs. End of Act I of afterpiece The Devonshire Minuet by the Miss Stageldoirs

Event Comment: Benefit for Fearon, L'Estrange, Thompson & Guard. Tickets for a Comedy, and The School for Wives will be taken. [In mainpiece the playbill retains Fearon as Justice Shallow, but on the Kemble playbill a MS annotation substitutes Waldron.] Receipts: #251 2s. 6d. (75/6/6; tickets: 175/16/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Touchstone

Dance: As17820503

Event Comment: "With respect to Mrs Siddons, in [Act v of Douglas], there was no question about her superiority [to Mrs Crawford]; and her passions were displayed in the tones of harmony; her great rival seemed to me the first of a school, in latter periods much admired, which deemed discordance the natural ally of anguish, and tortured the ear to overpower the heart" (Boaden, Siddons, 11,76). Receipts: #289 9s. (284/0/6; 5/8/6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Performance Comment: End of Act II Baddeley in the Character of Moses [in The School for Scandal] will present the Audience with a Specimen of Jewish Education .

Afterpiece Title: The Quacks; or, The Credulous Man

Dance: End of mainpiece, as17840311athi

Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]