SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cecil Price"/1) | (@(roleclean,performerclean) "Cecil Price")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 765 matches on Event Comments, 148 matches on Performance Comments, 15 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: A Pantomime entertainment not performed these 20 years. The Scenes painted by Mr Lambert. Nothing under Full Prices will be taken during the performance. Ladies send servants by three o'clock. [The note about full prices is repeated throughout the run of this pantomime this season. A rather detailed description of the action in this pantomime appeared in the Drury Lane Journal, reprinted in the Gentleman's Magazine for Feb. 1752, pp. 52-53.

Performances

Mainpiece Title: Drummer

Afterpiece Title: Harlequin Sorcerer; with the Loves of Pluto and Proserpine With Alterations

Performances

Mainpiece Title: Epicaene; Or, The Silent Woman

Performance Comment: Truewit-Palmer; Morose-Yates; Sir Amorous la Foole-Shuter; Sir John Daw-Woodward; Otter-Berry; Cutbeard-Davies; Dauphine-Havard; Clerimont-Scrase; Silent Woman-Mrs Pritchard; Mrs Otter-Mrs Cross; Lady Haughty-Mrs Clive; Lady Centaure-Mrs Bennett; Mrs Mavis-Mrs Price.
Cast
Role: Mrs Mavis Actor: Mrs Price.

Dance: Devisse, Mlle Auretti, Ferrere, Piettro, Miss Rayner

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Tester-H. Vaughan; Jacintha-Mrs Price; Landlady-Mrs Yates; Milliner-Mrs Toogood; Mrs Strictland-Mrs Davies; Lucetta-Miss Minors; Frankly-Palmer; Buckle-Mozeen; Chairman-Winstone; Strictland-Berry; Meggot-Woodward; Bellamy-Blakes; Valet-Shuter; Simon-Marr; Clarinda-Mrs Pritchard; To Conclude with a Country Dance-the characters of the play.
Cast
Role: Jacintha Actor: Mrs Price

Afterpiece Title: The Intriguing Chambermaid

Dance: II: L'Entree de Flore, as17521116, but Mrs Preston, Miss _Raynor

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Mossop; Brothers-Dexter, Lacey; First Spirit-Ross; Bacchanal-Beard; Lady-Mrs Davies; Euphrosyne-Mrs Clive; Second Spirit-Mozeen; Second Bacchanal-Master Vernon; Nymph-Mrs Price; The Dances-Devisse, Mad Auretti, Ferrere, Mad Auguste, Piettro, Mad. Janeton Auretti, Mrs Preston, Miss Rayner; With Proper Decorations. With Proper Decorations.
Cast
Role: Nymph Actor: Mrs Price

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Genii

Performance Comment: As17521226, but other characters-Shuter, Blakes, Leviez, Ackman, the Little Swiss, Master Simson, Simson, Lewis, Miss Minors, Miss Price, Mrs Mathews, Miss Shawford, Mad Mariet; The Dances-Devisse, Ferrere, Mad Auguste, Mad Auretti.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverly-Garrick; Stukely-Davies; Lewson-Mossop; Jarvis-Berry; Mrs Beverly-Mrs Pritchard; Charlotte-Miss Haughton; Bates-Burton; Dawson-Blakes; Waiter-Ackman; Lucy-Mrs Price.
Cast
Role: Lucy Actor: Mrs Price.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Frankly-Palmer; Strictland-Berry; Bellamy-Blakes; Jack Maggot-Woodward; Jacintha-Mrs Price; Mrs Strictland-Mrs Davies; Lucetta-Miss Minors; Clarinda-Mrs Pritchard; To conclude with a Country Dance-the characters of the Play.
Cast
Role: Jacintha Actor: Mrs Price

Afterpiece Title: The Shepherd's Lottery [The Chaplet]

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Hacket first time on any stage; Cassio-Quelch; Brabantio-Marshall; Roderigo-Charles; Iago-Cibber first time in that part; Duke-Carr; Montano-Parker; Lodovico-Metteer; Emilia-Mrs Price; Desdemona-Miss Barton first time in a Tragedy.
Cast
Role: Emilia Actor: Mrs Price

Afterpiece Title: The Lying Valet

Dance: LLa Dance du Village-Settree, Sga Fiorentina, Walker

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Amith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physcian-Blakey; Thunder-Pinner; Lighting-Miss Carey; Amarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.
Cast
Role: Sun Actor: Mrs Price

Afterpiece Title: Lethe

Song: Tymms

Dance: PPierots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-small jolly Tar (seven years old); La Dance de Village-Settree, Sga Fiorentina

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Parker; Smith-Metteer; Kings of Brentford-Pleaseaway, Turner; Volscius-Mrs Charke; Prettyman-Miss Barton; Drawcansir-Carr; Cordelio-Venables; Tom-Pittard; Fisherman-Pinner; Usher-Quelch; Physician-Blakey; Thunder-Pinner; Lightening-Miss Carey; Armarillis-Miss Cowslade; Clovis-Mrs Quelch; Parthenope-Mrs Chetwood; Pallas-Mrs Midnight; Sun-Mrs Price; Moon-Miss Davies; World-Davies.
Cast
Role: Sun Actor: Mrs Price

Afterpiece Title: Lethe

Dance: PPierrots Dance-Settree, Walker, Sga Fiorentina; Hornpipe-a small jolly Tar, seven years old; La Dance de Village-Settree, Sga Fiorentina

Event Comment: This day is Publish'd: The Author, a Comedy of two Acts, by Foote. Price 1s. Printed for R. Francklin, Russell St., Drury Lane. Creusa Queen of Athens, a Tragedy, by Wm. Whitehead, Price 1s. 6d. Printed for R. and J. Dodsley in Pall Mall. Receipts: #180 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Author

Dance: II: The Italian Peasants, as17571004

Event Comment: For the Author (Cross). Box Tickets for the Benefit of the Author of Agis...are to be had of Mr Miller, in the Strand, Dodsley in Pall Mall, and Varney at the Stage Door. This Day at Noon will be publish'd, Price 1s. 6d. Agis, by the author of Douglas. Printed for A. Miller, where may be had the tragedy of Douglas as it was acted at Covent Garden. Price 1s. 6d. Receipts: #180 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Admittance 1s. [Price repeated in subsequent bills.] Books of the Burletta to be had at the Garden, Price 1s

Performances

Mainpiece Title: La Strattaggemma

Performances

Mainpiece Title: Cure Of The Spleen; Or, Shuter's Warehouse

Performance Comment: ["For the certain cure of the Spleen; Essence of Comicality prepared by Dr Shuter. There is no question but laughing will cure the most inveterate dulness: the ancients affirmed it, and the Cures Dr Shuter has lately performed in Ireland experience this truth. For the benefit of his own countrymen he once more has opened his Warehouse in the George Inn Yard, West Smithfield, where his friends may find a safe, easy and pleasant operation. For, as splenetic persons are apt to have bad distempers, and be miserably low-spirited at times, he, at once removes all obstructions, restores the muscles of the face to their usual tone of risbility, and gradually clears the countenance. The afflicted may depend on these effects. It is to be had as above, with printed directions, at the following prices, viz.: 2s. 6d.; 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] . 2s.; 18d.; 1s.; and 6d." This may be an advance notice. It is repeated on W., Th., F., S., and M., 2, 3, 4, 5, 7 Sept. in the Public Advertiser. The format parodies the advertisement, appearing frequently before, For the certain Cure of the Scurvy, Essence of Water Dock, Prepared by the Directions of Dr Hill. There is no question but this plant will cure the most inveterate Scurvy. The ancients will affirm it...It not only cures the skin of eruptions, but mends the whole constitution...The Afflicted may depend on these effects."] .
Event Comment: By Command of Their Majesties. This day publish'd Price 1s. Alexander's Feast; or, The Power of Music; written by Dryden. To which is added the Coronation Anthem as performed this evening at Covent Garden. Set by Mr Handel. This Day publish'd Price 5s. sewed. A Treatise on the Art of Dancing, by Giovanni Andrea Gallini, Director of the Dances at the Royal Theatre in the Haymarket

Performances

Mainpiece Title: Alexander's Feast

Music: As17620226; Handel's Coronation Anthem-

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Song: IV: Miss Young

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Event Comment: [This month the periodical, The Beauties of All Magazines Selected (London, 1763) quoted from the Theatrical Review Remarks on that Part of Dramatical Entertainments called Singing," A garrulous article concluding: The millions must be pleased-if audiences were only to be entertained with sensible exhibitions, or if only sensible people composed those audiences, whew! in what a sickly and consumptive state would be two thirds of the first rate salaries in every theatre!' (p. 76). This month publish'd An Appeal to the Publick in behalf of the Manager. Price 1s. Printed for Wilson. Hear all; and then let Justice hold the Scale. Shakespeare. A rather full description of the Fitzpatrick half-price riots, exonerating Garrick and the players. This month (probably) was published Theatrical Disquisitions; or, a Review of the late Riot at Drury Lane Theatre, 25, 26 January 1763, By a Lady (32 pp.). A calm defense of the acting profession, and a scourge of Fitzpatrick as a coward and a great nuisance. She prefers seeing plays to reading them. Holds Garrick blameless for reviving the Chances after failure of Eastward Ho. Comments at length on brilliance of contemporary stage costume in comparison with that earlier in the century.

Performances

Mainpiece Title: Elvira

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: The Discovery

Afterpiece Title: High Life below Stairs

Performance Comment: As17621110, but Kingston-Moody [1st appearance since the half-price Riots]..
Event Comment: [The following notice appeared in the Public Advertiser]: Whereas a very unjustifiable disturbance happened last night at this theatre; the managers think it incumbent upon them to acquaint the Publick that when the Opera of Artaxerxes was in rehearsal it was determined that no expence should be spared to render the performance as elegant as the nature of so peculiar an Entertainment would admit. This desire occasioned so considerable an increase of the nightly charge 'twas thought by many disinterested persons would justify additional prices; but to avoid giving the least umbrage, and in gratitude for the Public indulgence on other occasions, no such advance was attempted. When it is known that the extraordinary nightly expence attending this performance amounts to upwards of Fifty Pounds it is humbly apprehended no persons of justice and candour will think the Full Price an exorbitant gratification for such unusual disbursements. The Management therefore flatter themselves that a resolution to oppose the arbitrary and illegal demands of a particular set of persons, contrary to the general sense of audience, will not be deemed arrogant or unreasonable, especially when those demands are enforced by means subversive to Private Property, and in violation of that decorum which is due to all public assemblies

Performances

Mainpiece Title: Occasional Oratorio

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Performances

Mainpiece Title: The Patron

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Foote; Young Wilding-Davis; Old Philpot-Granger; Hazard-Palmer; Quildrive-Castle; Dapper-Brown; Beaufort-Death; Sir Jasper Wilding-Turner; Locust-Parsons; Servant-Price; Maria-Mrs Granger.
Cast
Role: Servant Actor: Price
Event Comment: Benefit for Mrs Pritchard, being her last time of appearing on the stage. [Prices first announced: Pit and Boxes 10s. 6d. Gallery 5s. Upper Gallery 2s. 6d. but acted to usual prices. Garrick wrote farewell adress.] N.B. As all the places are taken, there will be no admittance into the Pit and Boxes, but with tickets; Mrs Pritchard entreats the Ladies and Gentlemen to avoid confusion, and for their own convenience to be at the theatre a little earlier than usual, and to send their servants at 3 o'clock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Court of Alexander