SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cautherly"/1) | (@(roleclean,performerclean) "Cautherly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 861 matches on Roles/Actors, 213 matches on Performance Comments, 15 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Genii

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Witches

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: End: A Duet-Vernon, Miss Young

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deuce is in Him

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: A Fairy Tale

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: I: The Vintage, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A Pamtomime Dance The Italian Bakers, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Daphne and Amintor

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Cunning Man

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: The Vintage, as17661011

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Music: II: A Concerto on the Harpsichord-Mr Burney Jr

Performances

Mainpiece Title: Theodosius

Afterpiece Title: Like Master Like Man

Music: II: By Desire, Concert on Harpsichord-Master Love

Dance: III: The Medley, as17680416

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Like Master Like Man

Dance: II: By Desire A Minuet, as17680504; End: The Medley, as17680505

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly</a>--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Event Comment: Benefit for Clough, Cautherly</a>, &c. Tomlinson? and Watkins had tickets. Tickets deliver'd for This Night will be taken

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life Below Stairs

Song: The Mimic Comic Opera Song-Mrs Clive By Particular Desire, and for the last time this season

Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: False Delicacy

Performance Comment: Parts by Holland, King, Reddish, Cautherly, J. Palmer, Wright, Watkins, Mrs Abington, Mrs Baddeley, Mrs Jeffries, Miss Reynolds, Mrs Dancer. With Prologue, Epilogue. Cecil-King; Lord Winworth-Reddish; Col. Rivers-Holland; Sir Harry Newburgh-J. Palmer; Sidney-Cautherley; Lady Betty Lambton-Mrs Abington; Mrs Harley-Mrs Dancer; Miss Marchmont-Mrs Baddeley; Miss Rivers-Mrs Jeffries; Sally-Miss Reynolds; Footmen-Wright, Watkins; Prologue-King; Epilogue (writ. by Garrick)-Mrs Barry (Genest, V, 163, and Edn. 1768).

Afterpiece Title: Flora