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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare"/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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19831 results for: Keyword - Castle</i>. <i>Horatio-$Mr Packer</i>. Several parts of ye play, as it is in $Shakespeare
We found 10816 matches on Event Comments, 6058 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.

17676
21 March 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Englishman in Paris

Dance: IV: A New Comic Dance-. [Dancers unspecified.

17677
22 March 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Apprentice

Dance: A Grand Masquerade Dance-; in which Minuet-Miss Pritchard (by Desire)

17678
22 February 1758 @ Covent Garden

Performances

Mainpiece Title: Belshazzar

Performance Comment: Larpent MS lists parts: Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (a Babylonian Lord), Chorus of Babylonians , Jews , Medes , and Persians . [Deutsch, Handel, p. 794, lists: Belshazzar-Beard; Nitocris-Signora Frasi; Cyrus-Miss Young [Mrs Scott]; Daniel-Miss Frederick; Gobrias-Champness.

17679
10 April 1758 @ Covent Garden

Performances

Mainpiece Title: Anna Bullen Or Virtue Betrayed

Afterpiece Title: The Englishman Returned from Paris

Ballet: JJudgment of Paris. As17580407

Dance: JJovial Coopers, as17571107

Music: By Desire, a piece onthe Welch Harp-Roberts

17680
14 April 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Apprentice

Dance: II: The Italian Peasants, as17571004; End: By Desire, a Minuet-Noverre, Miss Pritchard

17681
29 July 1758 @ Mary-le-Bone Gardens

Event Comment: The Entertainment...continues to be performed every Night with the usual Applause; and though the Weather has been bad, generally to a numerous and polite Company. Sga Seratina and Reinhold, greatly excel in performing their Parts, and notwithstanding it is translated from the Italian...it is so well adapted to the Musick that is it by the best judges reckoned to be extremely soft and harmonious. [It is not listed in the Public Advertiser for Monday 31 or Tuesday 1 Aug.

Performances

Mainpiece Title: La Serva Padrona

17682
19 March 1759 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: Sg Giorgi, Sga Lucchi

17683
26 March 1759 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Upholsterer

17684
03 September 1759 @ Bartholomew Fair

Performances

Mainpiece Title: The Shipwrecked Lovers Or Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

17685
09 November 1759 @ Haymarket Theatre

Performances

Mainpiece Title: Comic Lectures

17686
18 December 1759 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Mock Doctor

17687
09 April 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Guardian

Dance: By Particular Desire, a Minuet-Noverre, Miss Pritchard

17688
15 April 1760 @ King's Theatre

Performances

Mainpiece Title: The Messiah

Music: CConcerto on Organ-Stanley; Solo on Violin-Giardini

17689
19 May 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Miss in Her Teens

Song: IV: Miss Spencer

Dance: HHornpipe-a sailor from the Royal Sovereign

17690
25 August 1760 @ King's Theatre

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

17691
28 January 1761 @ Haymarket Theatre

Event Comment: An Oratorio in two Parts never perform'd before. 7 p.m. By Charles Barbandt. Boxes 10s. 6d. Pit 3s. Gallery 2s. By Subscription. N.B. Ladies are desired to send servants to take places

Performances

Mainpiece Title: David And Jonathan

Music: Solo on Violin-Jackson; Solo on German Flute-Kolowiky; Solo Violincello-Paxton; Solo Hautboy-Barbandt

17692
05 February 1761 @ Haymarket Theatre

Event Comment: A sacred oratorio in two parts by Charles Barbandt. Tickets delivered for 28 Jan. will be admitted

Performances

Mainpiece Title: Paradise Regained

Music: Solos on violin-Jackson; German Flute-Kolowiky; Violincello-Paxton; Hautboy and on Organ-Barbant [sic]

17693
27 February 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

17694
06 March 1761 @ Covent Garden

Event Comment: This day Publish'd Price 1s. Samson an Oratorio, as it is performed at the Theatre Royal in Covent Garden. Altered and adapted to the stage from the Samson Agonistes of Milton. @171 tickets at 10s. 6d. #89 15s. 6d.@232 tickets at 5s. #58@320 tickets at 3s. 6d. #56@723 present.@Receipts: #203 15s. 6d.@ Paid renters #10. Paid Younger a Bill for writing parts #2 12s. 11d. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17610206

17695
25 March 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: John Actor: Castle

Afterpiece Title: Polly Honeycombe

17696
01 April 1761 @ Covent Garden

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Love a la Mode

Performance Comment: See17601219, but cast first listed: Sir Archy McSarcasm-Macklin; Sir Theodore-Dunstall; Sir Callaghan-Barrington; Mordecai-Cresswick; Squire Groom-Shuter; Charlotte (by desire)-Miss Macklin (Public Advertiser); Attorney-Weller (playbill).

Dance: III: A Comic Dance-Poitier Jr, Mlle Capdeville; End: Minuet-Poitier Jr, Miss Macklin

17697
15 April 1761 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: The Inchanted Forest

Performance Comment: Whole performance conducted by Worgan. Instrumental parts by the very best performers in London.

17698
10 November 1761 @ Covent Garden

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Contrivances

Dance: LLes Charboniers, as17611012

17699
22 April 1762 @ Haymarket Theatre

Performances

Mainpiece Title: Songs From Artaxerxes

17700
01 November 1762 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Fortunatus

Dance: II: The Bavarian Shoemakers, as17621009