SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare"/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 10820 matches on Event Comments, 6058 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the first production is not known, but as the play was licensed for printing on 27 March 1679, the premiere must have been no later than March 1679. It is possible that Midnight's Intrigue--see introductory note to the 1676-77 season-is an earlier version of this play. The Epilogue suggests that the players faced thin audiences during the spring and that Drury Lane had been closed for some time: So hard the Times are, and so thin the Town, @Though but one Playhouse, that must too lie down. It is possible that Mrs Behn's The Young King may have been acted at this time. See September 1679

Performances

Mainpiece Title: The Feignd Curtizans Or A Nights Intrigue

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia Son Of Pope Alexander The Sixth

Event Comment: The King's Company. This play was acted at Oxford on 19 March 1680@1 before Charles II (see True Protestant Mercury, 19-23 March 1680@1; Wilson, Theatre Notes from the Newdigate Newsletters, p. 80; and Smith's Protestant Intelligence, 24-28 March 1681). The play may have been given first in London; if not, it probably was not acted there until after Easter, 3 April 1681. The company also performed The Plain Dealer in Oxford on 21 March 1680@1 (Smith's Protestant Intelligence, 24-28 March 1681)

Performances

Mainpiece Title: Tamerlane The Great

Event Comment: The United Company. The date of the first performance is not known, but it followed The Gordian Knot Unty'd, which is mentioned in the Prologue. Edward III was advertised in the London Gazette, No. 2629, 19-22 Jan. 1690@1, and entered in the Term Catalogues, February 1690@1. The authorship is uncertain. The title page bears no author's name, but the Dedication is signed by Will. Mountfort. In addition, on 10 Oct. 1691 Mountfort received a grant of #10 when Edward III was played before the Queen (L. C. 5@150, p. 306, in Nicoll, Restoration Drama, p. 357). On tne other hand, the Gentleman's Journal, October 1692, stated that it was written by the author of Henry the Second, which has been attributed to John Bancroft. See Nicoll, Restoration Drama, pp. 388-89, for a summation of the evidence on this problem. Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 319, thinks that this is a revision of Robert Davenport's The Politic Queen

Performances

Mainpiece Title: King Edward The Third With The Fall Of Mortimer Earl Of March

Performance Comment: [The author is not certain, but possibly the play was written by John Bancroft and William Mountfort.] Edition of 1691: Prologue-Mr Powell; Epilogue-Mrs Bracegirdle; King Edward the Third-Powell; Mortimer Earl of March-Williams; Lord Mountacute-Mountfort; Sir Tho. Delamore-Kynaston; Sir Robert Holland-Hodgson; Tarleton, Bishop of Hereford-Lee; Serjeant Eitherside-Nokes; Turrington-Bridges; Nevill-Freeman; Sly-Bright; Secret-Trafuse; Earl of Leicester-Bowman; Earl of Exeter-Sandford; Isabella-Mrs Barry; Maria-Mrs Bracegirdle.
Event Comment: Rich's Company. The date of the first performance of this revision is uncertain. Although the play was not entered in the Term Catalogues until June 1696, the edition is date 1695. The production was certainly before May 1696, when Horden died, but the only fact which suggests a performance as early as December is the date on the title page. When the play was revived at Drury Lane on 13 Oct. 1711, the bill bore the heading: Not Acted these Fifteen Years

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lovers Luck

Event Comment: Rich's Company. The date of the first performance is not known, but it cannot be later than December 1698, for the play was advertised in the Post Man, 27-29 Dec. 1698. The play may have been produced earlier in the season, but it apparently followed the two operatic works (The Island Princess and Rinaldo and Armida), as the Epilogue alludes to the "late Singers." It also refers to Sigismondo Fideli, as being lately arrived, and he is known to have given a concert on 22 Dec. 1698

Performances

Mainpiece Title: Love And A Bottle

Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication is dated 20 April 1699, and the play was advertised in the Post Boy, 25-27 April 1699; hence, it is likely that the play was first given between mid-February and mid-March, certainly before Easter, which fell on 9 April 1699

Performances

Mainpiece Title: Xerxes

Event Comment: By His Royal Highness's Command. The Weekly Journal or British Gazetteer, 8 Dec.: Last Thursday Night his Royal Highness the Prince of Wales was at the Theatre in Drury-Lane, when one Mr Freeman, a mad Gentleman of 2000l. per Ann. offering to go into the Boxes, and being stopt by one of the Centries in the Passage, he shot him above the Shoulder; however the Centry knockt him down, and securing him, 2 or 3 more loaded Pistols were found in his Pockets....The sudden Discharge of Mr Freeman's Pistol put the Ladies and others withinside the Playhouse into some Consternation at first....The Gentlemen about the Prince, and almost throughout the House, drew their Swords upon the Occasion of this Disorder, which was soon over

Performances

Mainpiece Title: Tamerlane

Performance Comment: See17161107, but With a Prologue by the Author of the Play-.
Event Comment: Mainpiece by Desire. Benefit Cashell. [Receipts: #34 1s., plus #103 2s. from tickets. Charges #60.] Paid Marshall, Timber Merchant, a Bill for Goods deliver'd for Lincoln's Inn Fields Theatre #23 4s. (Account Books, Egerton 2268). Benefit Lalauze, who is oblig'd to change the play advertised for his Benefit on account of the Indisposition of a principal performer. The Tickets deliver'd out for Don Sebastian will be taken for this play (General Advertiser)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17461231

Performances

Mainpiece Title: Hamlet

Performance Comment: As17731018, but Hamlet-the Young Gentleman who played Cyrus [Brunton; see17740411; Ghost-Kniveton; Ostrick-Lewes; Ophelia-Mrs Mattocks.
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Dragon of Wantly

Monologue: Interlude.End: True Blue. As 30 April, but Principal Parts-_Owenson, Reinhold; Dance-Aldridge

Performance Comment: End: True Blue. As 30 April, but Principal Parts-_Owenson, Reinhold; Dance-Aldridge.
Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Woud and She Woud Not

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Little French Lawyer

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Marplot in Lisbon

Performances

Mainpiece Title: The Minor

Performance Comment: Mrs Cole-Foote; Sir Richard Wealthy-Aickin; Sir William Wealthy-Castle; The Minor-Davis; Loader-Palmer; Dick-M'George; Shift, Transfer, Squintum-Weston; Folly-Quick; Constables-Francis, Strutton; Smirk-Shuter; Lucy-a young Gentlewoman, first appearance on any stage.
Cast
Role: Sir William Wealthy Actor: Castle

Afterpiece Title: Miss in Her Teens

Entertainment: Dancing-

Related Works
Related Work: The Dancing Master Author(s): William Cavendish, Duke of Newcastle
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Cautherly; Poliphontes-Havard; Narbas-Packer; Euricles-Aickin; Erox-Burton; High Priest-Bransby; Ismene-Mrs Simson; Merope-Mrs Pritchard; With a Procession-; Sacrifice-.
Cast
Role: Narbas Actor: Packer

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-King; Others-Parsons, Dodd, Bransby, Moody, Baddeley, Burton, Weston, Hartry, J. Palmer, Ackman, Messink, Johnston, Strange, Castle, Fox, Mrs Johnston, Mrs Hippisley, Mrs Dorman, Mrs Smith, Mrs Bradshaw, Miss Matthews, Miss Pope; The Dances-Duquesney, Sg and Sga Giorgi, Miss Collett.

Performances

Mainpiece Title: The Wonder

Cast
Role: Frederick Actor: Packer

Afterpiece Title: The King and Miller of Mansfield

Performance Comment: King-Jefferson; Richard-Palmer; Lord Lurewell-Ackman; Other Lords-Strange, Wright; Joe (with song)-Fawcett; Keepers-Hartry, Fox, Clough, Castle; Miller-Moody; Kate-Mrs Simson; Peggy-Miss Platt; Margery-Mrs Bradshaw.
Cast
Role: Keepers Actor: Hartry, Fox, Clough, Castle

Dance: End: The Wake, as17680929

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Reddish; King-J. Aickin; Perez-Keen; Gonzales-Packer; Garcia-Palmer; Heli-Hurst; Selim-Fawcett; Alonzo-Ackman; Zara-Mrs Hopkins; Almeria-Miss Younge; Leonora-Mrs Johnston.
Cast
Role: Gonzales Actor: Packer

Afterpiece Title: Harlequins Invasion

Performance Comment: Harlequin-Wright; Mercury-Dodd; Snip-Parsons; Abram-Weston; Gasconade-Baddeley; Corporal Bounce-Bransby; Simon-Moody; Justice-Hartry; Joseph Harrow-Ackman; Bogg-Messink; Welchman-Waldron; Forge-Burton; Crib-Castle; Mrs Snip-Mrs Bradshaw; Sukey-Mrs Davies; Dolly Snip-Miss Pope.
Cast
Role: Crib Actor: Castle

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Aickin; Philotas-Reddish; Melanthon-Packer; Phocian-J. Aickin; Calippus-J. Bannister; Greek Officer-Davies; Dionysius-Palmer; Arcas-Hurst; Herald-Wright; Erixene-Miss Platt; Euphrasia-Mrs Barry.
Cast
Role: Melanthon Actor: Packer

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Bannister; Jerry Sneak-Weston; Bruin-Wright; Lint-Castle; Heel@Tap-Bransby; Sir Jacob Jollup-Waldron; Mrs Bruin-Miss Platt; Mrs Sneak-Miss Pope.
Cast
Role: Lint Actor: Castle

Performances

Mainpiece Title: The Committee

Performance Comment: As17740419 but Careless-Jefferson; Abel-Jones; Second Committeeman-Castle; Arabella-Miss Jarratt.
Cast
Role: Second Committeeman Actor: Castle

Afterpiece Title: The Ladies Frolick

Dance: III: Hornpipe-Walker; End: The Mountaineers, as17730930

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Alfred

Performance Comment: As17510223, but parts assigned for first time.

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Diversions of the Morning

Performance Comment: As17590514, but Caleb-_; Ald Pentweazle-_; Manly-_; Parts-_Burton; Crambo (the Poet)-Austin.
Cast
Role: Parts Actor: _Burton
Role: Carmine Actor: Mrs Packer

Entertainment: S+Specialty.II: An Ode in Honour of the Anti@Gallicans written by Mr Boyce-Beard

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Melanthon Actor: Packer

Afterpiece Title: The Pantheonites

Performance Comment: As17740326 but Parts-_Dimond, Mas. _Blanchard; Anna-_.
Cast
Role: Parts Actor: _Dimond, Mas. _Blanchard

Entertainment: End II: Imitations vocal and rhetorical-Bannister; End III: Hippisley's Drunken Man-Weston; End V: (For that night only) Judge Tycho's sentence-Weston riding on a rhinoceros

Dance: After Judge Tycho's Sentence: The Taylors, as17740428

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayors Day or A Flight from Lapland

Performance Comment: Cast not listed. [Cast from London Chronicle, 26 Nov.: Captain-Bannister; Sailor-Brett; Gobble-Wilson; Ballad Singer-Wewitzer; Serjeant-Davies; Barber-Mills; Glazier-Darley; Vintner-Booth; Hatter-Doyle; Clod-Edwin; Whalebone-Stevens; Lucretia-Mrs Wilson; Polly-Miss Morris; Aerial Spirit-Mrs Martyr. Larpent MS adds the following parts: Harlequin, O'Flannegan, Ulan, Man with Books, Doctors, Taylors, Servants, Mob; Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi. Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi.