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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Carey"/1) | (@(roleclean,performerclean) "Carey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1057 results for: Keyword - Carey
We found 996 matches on Author, 78 matches on Event Comments, 24 matches on Roles/Actors, 16 matches on Performance Comments, and 14 matches on Performance Title.

1051
25 April 1783 @ Covent Garden

Event Comment: Benefit for Suett and Chapman. Public Advertiser, 22 Apr.: Tickets to be had of Suett, No. 24, King Street, Holbourn; of Chapman, No. 49, Carey Street, Lincoln's Inn Fields. Afterpiece: Not acted these 4 years. The Music by Barthelemon. Receipts: #160 15s. (39/5; 10/4; 0/4; tickets: 111/2) (charge: #108 18s. 8d.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Belphegor; or, The Wishes

Dance: End of Act III of mainpiece Hornpipe by Miss J. Stageldoir; End of Act IV The Butterfly by the Miss Stageldoirs

1052
12 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Wright and Chapman. Gazetteer, 10 May: Tickets to be had of Chapman, No. 49, Carey-street, Lincoln's-inn-fields [Wright not listed]. Receipts: #210 5s. (56/13; 1/19; tickets: 151/13) (charge: #115 10s.)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Junior

Song: End of mainpiece The new Highland lassie, as17840507; a new Hunting Song and Chorus (composed by Danby) by Chapman; Sweet Passion of Love by Miss George

1053
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

1054
05 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Chapman and Wright. Public Advertiser, 2 May: Tickets to be had of Chapman, No. 47, Carey-street, Lincoln's-inn-fields; of Wright, No. 21, Berner-street, Westminster. Receipts: #224 18s. 6d. (33/19/0; 10/11/0; 0/8/6; tickets: 180/0/0) (charge: #113 9s.)

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

1055
04 June 1791 @ Covent Garden

Event Comment: Benefit for Marshall, Miss Williams & Mrs Warrell. Oracle, 3 June: Tickets to be had of Marshall, No. 11, York-street, York-buildings; of Miss Williams, No. 14, Martlett-court, Bow-street, Covent-Garden; of Mrs Warrell, No. 48, Carey-street, Lincoln's-inn-fields. Receipts: #147 9s. 6d. (14.16.6; 4.1.0; tickets: 128.12.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Poor Soldier

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)

1056
22 April 1795 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

1057
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performance Comment: S. Carey=, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance). 1st appearance).