SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Capt Gullivers Company of Lilliputians"/1) | (@(roleclean,performerclean) "Capt Gullivers Company of Lilliputians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1887 matches on Event Comments, 671 matches on Performance Comments, 89 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster; Or, Love Lies A Bleeding

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Rivalls. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Rivals

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Goblins at ye Theatre. The latter adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Goblins

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Maydes Tragedie at ye Theatre. The second adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. See The Lyar; or, the Mistaken Beauty, 1661. Pepys, Diary: I away to the King's playhouse, and there sat by my wife, and saw The Mistaken Beauty, which I never, I think, saw before, though an old play; and there is much in it that I like, though the name is but improper to it--at least, that name, it being also called The Lyer, which is proper enough

Performances

Mainpiece Title: The Mistaken Beauty

Event Comment: The Duke's Company. Pepys, Diary: I all alone to the Duke of York's house, and saw The Tempest, which, as often as I have seen it, I do like very well, and the house very full. But I could take little pleasure more than the play, for not being able to look about, for fear of being seen

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Tu Quoque

Event Comment: The King's Company. See Nicoll, Restoration Drama, p. 322, for an L. C. order concerning Mohun's not acting for some time past. Pepys, Diary: With my wife to the King's playhouse, and there saw The Surprizall; which did not please me to-day, the actors not pleasing me; and especially Nell's acting of a serious part, which she spoils

Performances

Mainpiece Title: The Surprizal

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The King's Company. Pepys, Diary: With my wife and girle to the King's house, and there saw The Mad Couple, which is but an ordinary play; but only Nell's and Hart's mad parts are most excellently done, but especially her's: which makes it a miracle to me to think how ill she do any serious part, as the other day [26 Dec.], just like a fool or changeling; and, in a mad part, do beyond all imitation almost. It pleased us mightily to see the natural affection of a poor woman, the mother of one of the children brought on the stage: the child crying, she by force got upon the stage, and took up her child and carried it away off of the stage from Hart. Many fine faces here today

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The Mayden Queene at the Theatre. The second list adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The Duke's Company. Pepys, Diary: [After looking in at the Nursery] and therefore to the other two playhouses into the pit, to gaze up and down, to look for them, and there did by this means, for nothing, see an act in The Schoole of Compliments at the Duke's house

Performances

Mainpiece Title: The School Of Compliments

Event Comment: The King's Company. Pepys, Diary: [After looking in at the Nursery and at lif] and Henry the Fourth at the King's house; but, not finding them, not liking either of the plays, I took my coach again

Performances

Mainpiece Title: Henry The Fourth

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: With my wife and Deb. to the King's houae, to see Aglaura, which hath been always mightily cried up and so I went with mighty expectation, but do find nothing extraordinary in it at all, and but hardly good in any degree

Performances

Mainpiece Title: Aglaura

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states: King & Queene [present]. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. Pepys, Diary: I to the King's playhouse, to fetch my wife, and there saw the best part of The Mayden Queene, which, the more I see, the more I love, and think one of the best plays I ever saw, and is certainly the best acted of any thing ever the House did, and particularly Becke Marshall, to admiration

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, to the play, The Tempest, which we have often seen, but yet I was pleased again, and shall be again to see it, it is so full of variety, and particularly this day I took pleasure to learn the tune of the seaman's dance, which I have much desired to be perfect in, and have made myself so

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. This performance is on the L. C. lists, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall