SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Capt Gullivers Company of Lilliputians"/1) | (@(roleclean,performerclean) "Capt Gullivers Company of Lilliputians")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1887 matches on Event Comments, 671 matches on Performance Comments, 89 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Country Captain

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Alchymist

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Spanish Curate

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Aglaura

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Pepys, Diary: And so home to Sir W. Pen, who with his children and my wife has been at a play to-day and saw D'Ambois, which I never saw

Performances

Mainpiece Title: Bussy D'ambois

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Merry Devil Of Edmonton

Event Comment: The Duke's Company. Evelyn, Diary: I saw acted the 2d? part of the Siege of Rhodes: In this acted the faire & famous Comoedian call'd Roxalana for that part she acted, & I think it was the last; then taken to be the E. of Oxfords Misse (as at this time they began to call lew'd women) it was in Recitativa Musique

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Philaster

Event Comment: Possibly this was acted by the King's Company, which had given it on 16 Nov. 1660 and 8 Jan. 1661. Evelyn, Diary: This Night was acted before his Majestie the Widow, a lewd play

Performances

Mainpiece Title: The Widow

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: The Jovial Crew

Event Comment: This play was seen at the red bull by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Seaton speculates that the play may be: (1) Rowley's A Shoemaker a Gentleman; (2) a droll made out of the Christopher Sly prologue of The Taming of the Shrew; (3) Tourneur's lost The Nobleman or Great Man. William VanLennep ("The new-made Nobleman," Times Literary Supplement, 20 June 1936, p. 523) thinks that it may be Beaumont and Fletcher's Noble Gentleman. Nicoll (Restoration Drama, pp. 309-10) believes that this was Jolly's Company acting at the red bull

Performances

Mainpiece Title: The New Made Nobleman

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). Jolly's company acted this play at Norwich

Performances

Mainpiece Title: A New Way To Pay Old Debts

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Duke's Company. This performance was attended by Jacques Thierry and Will Schellinks at the Duke's Theatre (Seaton, Literary Relationships, pp. 333, 335)

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The King's Company. Pepys, Diary [Sir W. Pen] and I and my wife to the Theatre...and there saw Rule a Wife and have a Wife very well done

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was presented by the King's Company on 15 Nov. 1660 and again on 30 Dec. 1661, it was probably given at Vere St.

Performances

Mainpiece Title: Love's Cruelty

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As this play was given as recently as 5 Feb. 1661@2 by the King's Company, it has been assigned to Vere St.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: This play was seen by Jacques Thierry and Will Schellinks (Seaton, Literary Relationships, pp. 333, 335). As the King's Company is the only one known to gave given it since the Restoration, it has been assigned to Vere St

Performances

Mainpiece Title: The Alchymist

Event Comment: This performance was attended by Jacques Thierry and Will Schellinks, who stated: Judged to be their best play (Seaton, Literary Relationships, pp. 334-36). This performance may have been the premiere. The Duke's Company. BM Add. Mss. 34217, in Hotson (Commonwealth and Restoration Stage, p. 247): @Then came the Knight agen with his Lawe@Against Lovers the worst that ever you sawe@In dressing of which he playnely did shew it@Hee was a far better Cooke then a Poet@And only he the Art of it had@Of two good Playes to make one bad.

Performances

Mainpiece Title: The Law Against Lovers

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: A King And No King