SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cap Stevens and Wife Emelia Mrs Quan"/1) | (@(roleclean,performerclean) "Cap Stevens and Wife Emelia Mrs Quan")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 23452 matches on Performance Comments, 6461 matches on Performance Title, 4608 matches on Event Comments, 28 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Flora's Figarys appears in Herbert, Dramatic Records, p. 148, under this date. As Flora's Vagaries, it had been acted at Christ Church, Oxford, on 8 Jan. 1663. The play was not published before 1670, and the entry in Herbert's list has sometimes been regarded as the date of licensing, sometimes as the date of a performance in London. Nicoll, Restoration Drama, p. 427, assigned it to ca. January 1662@3 at Vere St, presumably because "Mr Bird" in the cast in the quarto of 1670 referred to Theophilus Bird, who died before 3 Nov. 1663. But the cast in the edition of 1670 is presumably that for 5 Oct. 1667, when Pepys saw the play and referred to Nell Gwyn and Mrs Knepp as acting in it; they, too, are listed in the quarto of 1670 but could hardly have played in it in 1663. If the cast in the 1670 edition is not that for 3 Nov. 1663 and if the "Mr Bird" is Theophilus Bird Jr, then the obstacles to consiuering 3 Nov. 1663 as the date of a performance rather than of licensing are less formidable. [I am indebted to professor John Harold Wilson for much of this argument.

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: The Duke's Company. William Hamon (or Hammond) saw a performance near the end of the period between Michaelmas 1663 and Lady Day 1664. The entry in his journal (which I owe to the courtesy of Dr. Giles Dawson) reads: Item spent in carrying Mrs & sistar to King Lear 00 09 06 (Folger MS. v. a. 422)

Performances

Mainpiece Title: King Lear

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I to the King's house, and saw The Silent Woman; but methought not so well done or so good a play as I formerly thought it to be, or else I am now-a-days out of humour. Before the play was done, it fell such a storm of hayle, that we in the middle of the pit were fain to rise; and all the house in a disorder

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys, Diary: I got her [Mrs Pepys] to rise and abroad with me by coach to Bartholomew Fayre, and our boy with us, and there shewed them and myself the dancing on the ropes, and several other the best shows

Performances

Mainpiece Title: Entertainments

Event Comment: Evelyn, Diary: Saw a fine Mask at court perform'd by 6 Gent: & 6 Ladys surprizing his Majestie, it being Candlemas day. Pepys, Diary, 3 Feb.: Then Mrs Pickering...did, at my Lady's command, tell me the manner of a masquerade before the King and Court the other day. Where six women (my Lady Castlemayne and Duchesse of Monmouth being two of them) and six men (the Duke of Monmouth and Lord Arran and Monsieur Blanfort, being three of them) in vizards, but most rich and antique dresses, did dance admirably and most gloriously. God give us cause to continue the mirthe!

Performances

Mainpiece Title: A Masque

Event Comment: Pepys, Diary: [Mrs Knipp] tells me how Smith, of the Duke's house, hath killed a man upon a quarrel in play; which makes every body sorry, he being a good actor, and, they say, a good man, however this happens. The ladies of the Court do much bemoan him, she says

Performances

Event Comment: The Duke's Company. This performance is listed in the L. C. records, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. See Pepys, Diary, for Mrs Pepys attendance at an unnamed play in the afternoon

Performances

Mainpiece Title: Macbeth

Event Comment: The King's Company. Pepys, Diary, 23 Jan.: Knipp made us stay in a box and see the dancing preparatory to to-morrow for The Goblins, a play of Suckling's, not acted these twenty-five years; which was pretty. Pepys, Diary, 24 Jan.: And, anon, at about seven or eight o'clock, comes Mr Harris, of the Duke's playhouse, and brings Mrs Pierce with him, and also one dressed like a country-mayde with a straw hat on; which, at first, I could not tell who it was, though I expected Knipp: but it was she coming off the stage just as she acted this day in "The Goblins"; a merry jade

Performances

Mainpiece Title: The Goblins

Event Comment: Pepys, Diary: [Mrs Knepp] tells me Harris is well again, having been very ill

Performances

Event Comment: Pepys, Diary: And had she [Mrs Pepys] not been ill...and that it were not Friday (on which in Lent there are no plays) I had carried her to a play

Performances

Event Comment: The King's Company. Pepys, Diary: We three [Mrs Pepys, Mercer, and Pepys] to the King's house, and saw the latter end of the Surprisall, wherein was no great matter,I thought, by what I saw there

Performances

Mainpiece Title: The Surprisal

Event Comment: For performances in Sept. 1667 preceding this date, see the season of Pepys, Diary: I fell in talk with Tom Killigrew about musick, and he tells me that he will bring me to the best musick in England (of which, indeed, he is master), and that is two Italians and Mrs Yates, who, he says, is come to sing the Italian manner as well as ever as he heard any: says that Knepp won't take pains enough, but that she understands her part so well upon the stage, that no man or woman in the House do the like!

Performances

Event Comment: Pepys, Diary: Mrs Pierce tells me the two Marshalls at the King's house are Stephen Marshall's, the great Presbyterian's daughters [an erroneous rumor]; and that Nelly Gwin? and Beck Marshall, falling out the other day, the latter called the other my Lord Buckhurst's whore, Nell answered them, "I was but one man's whore, though I was brought up in a bawdy-house to fill strong waters to the guests; and you are a whore to three or four, though a Presbyter's praying daughter!" which was very pretty

Performances

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I alone to the King's playhouse, and there saw a silly play and an old one, The Taming of a Shrew

Performances

Mainpiece Title: The Taming Of A Shrew

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: Pepys, Diary: I took them [Mrs Pepys and Deb.] to the Nursery, where none of us ever were before; where the house is better and the musique better than we looked for, and the acting not much worse, because I expected as bad as could be: and I was not much mistaken, for it was so. However, I was pleased well to see it once, it being worth a man's seeing to discover the different ability and understanding of people, and the different growth of people's abilities by practise. Their play was a bad one, called Jeronimo is Mad Again, a tragedy. Here was some good company by us, who did make mighty sport at the folly of their acting, which I could not neither refrain from sometimes, though I was sorry for it.... I was pretthly served this day at the playhouse-door, where, giving six shillings into the fellow's hand for us three, the fellow by legerdemain did convey one away, and with so much grace faced me down that I did give him but five, that, though I knew the contrary, yet I was overpowered by his so grave and serious demanding the other shilling, that I could not deny him, but was forced by myself to give it him

Performances

Mainpiece Title: Jeronimo Is Mad Again

Event Comment: The King's Company. Pepys, Diary: Took Mrs Turner out and carried her to the King's house, and saw The Indian Emperour

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw The Impertinents again, and with less pleasure than before, it being but a very contemptible play, though there are many little witty expressions in it; and the pit did generally say that of it. Thence, going out, Mrs Pierce called me from the gallery

Performances

Mainpiece Title: The Sullen Lovers

Event Comment: The Duke's Company. Pepys, Diary: I carried [Mercer and Mrs Turner] to the Duke of York's house, and there saw The Man's the Master, which proves, upon my seeing it again, a very good play

Performances

Mainpiece Title: The Man's The Master

Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Performances

Mainpiece Title: The Country Captain

Event Comment: The Duke's Company. Pepys, Diary: I hear that Mrs Davis is quite gone from the Duke of York's house, and Gosnell comes in her room, which I am glad of

Performances

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-ander, $Wilbraham">R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: The King's Company. Pepys, Diary: [Mrs Pepys] and I to the King's playhouse, and there saw The Island Princesse, the first time I ever saw it; and it is a pretty good play, many good things being in it, and a good scene of a town on fire. We sat in an upper box, and the jade Nell come and sat in the next box; a bold merry slut, who lay laughing there upon people; and with a comrade of hers of the Duke's house, that come in to see the play

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: Horace, with a farce and dances between every act, composed by Lacy and played by him and Nell, which takes (John Evelyn, Diary and Correspondence, ed. William Bray, IV, 14). See 19 Jan. 1668@9

Performances

Mainpiece Title: Horace

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress