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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2472 results for: Keyword - C. and G. Kearsley
We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.

1376
21 May 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: But, Lord! how it went against my heart to go away from the very door of the Duke's play-house, and my Lady Castlemayne's coach, and many great coaches there, to see The Siege of Rhodes. I was very near making a forfait, but I did command myself

Performances

Mainpiece Title: The Siege Of Rhodes

1377
15 August 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1378
21 August 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1379
28 August 1667 @ Whitehall or St. James's

Performances

Mainpiece Title: Volpone Or The Fox

1380
27 September 1667 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Sea Voyage

1381
04 October 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1382
07 October 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list adds: The king here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Poetess

1383
08 October 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

1384
15 October 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play in on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. It is possible that this is a delayed third performance and that the conjectured one for 7 Oct. did not occur. Pepys, Diary: My wife and I and Willet to the Duke of York's house, where, after long stay, the King and Duke of York come, and there saw The Coffee House, the most ridiculous, inspid play that ever I saw in my life, and glad we were that Betterton had no part in it

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

1385
22 October 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mustapha

1386
29 October 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344. Pepys, Diary: Thence Bruncker and I to be the King's House, thinking to have gone into a box above, for fear of being seen, the King being there, but the play being 3 acts done we would not give 4s., and so away

Performances

Mainpiece Title: The English Monsieur

1387
05 November 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1388
16 November 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company, This performance is on the L. C. lists 5@139, p. 129, and 5@12, p. 17. The latter states: The King here. See also Nicoll, Restoration Drama, p. 344. Elkanah Settle's Prologue to his revision of Philaster (1695): @The good old Play Philaster ne're can fail@But we Young Actors, how shall we prevail?@Philaster and Bellario, let me tell ye,@For these Bold Parts we have no Hart, no Nelly;@Those Darlings of the Stage, that charm'd you there.

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

1389
19 November 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Rivals

Performance Comment: For a previous cast, see Sept. 1664 and 2 Dec. 1664.

1390
21 November 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Goblins at ye Theatre. The latter adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Goblins

1391
23 November 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The former states: The Maydes Tragedie at ye Theatre. The second adds: The King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Maids Tragedy

1392
16 December 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Tu Quoque

1393
26 December 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. See Nicoll, Restoration Drama, p. 322, for an L. C. order concerning Mohun's not acting for some time past. Pepys, Diary: With my wife to the King's playhouse, and there saw The Surprizall; which did not please me to-day, the actors not pleasing me; and especially Nell's acting of a serious part, which she spoils

Performances

Mainpiece Title: The Surprizal

1394
28 December 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

1395
04 January 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The Mayden Queene at the Theatre. The second list adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

1396
08 January 1668 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1397
20 January 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. The second list states: King & Queene [present]. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Indian Emperour

1398
27 January 1668 @ Whitehall or St. James's

Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

1399
03 February 1668 @ Whitehall or St. James's

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

1400
04 February 1668 @ Whitehall or St. James's

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace