SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Rich"/1) | (@(roleclean,performerclean) "C Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1746 matches on Event Comments, 851 matches on Performance Comments, 670 matches on Author, 139 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Election Of The Managers

Afterpiece Title: The English Merchant

Performances

Mainpiece Title: Lord Russel

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Related Works
Related Work: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades Author(s): Richard Wilson

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: Deception

Related Works
Related Work: The Double Deception Author(s): Elizabeth Richardson

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard Estcourt

Dance: End of mainpiece The Belle of the Village, as17840917

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: The Carmelite

Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Ladies' Frolick

Dance: In Act I of afterpiece the celebrated Crutch Dance [performers not listed]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Alchymist

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Related Works
Related Work: Apollo and Daphne; or, Harlequin Mercury Author(s): Richard Jones

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson

Related Works
Related Work: The Union; or, St. Andrew's Day Author(s): Richard Wilson
Related Work: A Gazette Extraordinary; or The Illumination Author(s): Richard Wilson
Related Work: Seventeen Hundred and Eighty One; or, The Cartel at Philadelphia Author(s): Richard Wilson
Related Work: The Life and Death of Common Sense Author(s): Richard Wilson
Related Work: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades Author(s): Richard Wilson

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Rosina

Dance: End of Act IV of mainpiece Hornpipe by Mills

Song: End of Act II of mainpiece a new Hunting Duet (composed by J. Danby) by Dignum and [C.] Danby; End of Act III Tally Ho! by Miss Barnes

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: All the World's a Stage

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World