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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Rich"/1) | (@(roleclean,performerclean) "C Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3187 results for: Keyword - C. Rich
We found 1746 matches on Event Comments, 851 matches on Performance Comments, 670 matches on Author, 139 matches on Performance Title, and 0 matches on Roles/Actors.

2926
25 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Dance: In Act I of mainpiece a Minuet by Lemercier and Miss Stageldoir. With a Masquerade Dance

Song: Mainpiece: With the Funeral Procession. Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c

2927
06 May 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Afterpiece Title: The Lawyer Nonsuited

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

2928
27 May 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

2929
28 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Dance: End of mainpiece The Merry Sailors by Langrish and others

2930
16 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

2931
17 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

2932
03 October 1782 @ Covent Garden

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Related Works
Related Work: The Wishes; or, Harlequin's Mouth Opened Author(s): Richard Bentley
Related Work: The Wishes Author(s): Richard Bentley

2933
18 November 1782 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Positive Man

Song: Mainpiece: Vocal Parts by Reinhold, Doyle, J. Wilson, Darley; Mrs Morton, Miss Morris, Mrs Davenett, Miss Stuart, Miss Willis, Miss Adcock, &c

2934
12 December 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

2935
14 December 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Performances

Mainpiece Title: Philodamus

Related Works
Related Work: Philodamus Author(s): Richard Bentley

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

2936
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Richard Tickell

2937
25 February 1783 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Quaker

2938
26 April 1783 @ Covent Garden

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Tristram Shandy

Dance: As17820927

2939
05 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: Principal Characters by Palmer, Parsons, Wewitzer, Usher, Williamson, Gardner, Davis, Baddeley, Massey, Pierce, Edwin; Mrs Inchbald, Mrs Wells, Miss Morris, Mrs Love, Mrs Bulkley. [Cast from European Magazine, July 1783, p. 67, and Public Advertiser, 7 July: Archley-Palmer; Sir Simon Howard-Parsons; Attorney-Wewitzer; Steward-Usher; Trustall-Williamson; Ragan-Baddeley; Citpup-Edwin; Emma Howard-Mrs Inchbald; Mrs Ragan-Mrs Wells; Fanny-Miss Morris; Lydia Howard-Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife.) A new Prologue [read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .
Cast
Role: Lydia Howard Actor: Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife. A new Prologue

Afterpiece Title: The Flitch of Bacon

2940
15 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Recruiting Serjeant

Afterpiece Title: The Receipt Tax

Song: End of Act III of mainpiece a favorite song by Miss George. vaudeville. In 2nd piece The Manual Exercise, with the Officer's Salute, &c, by Mrs Wells

2941
17 September 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Cheapside; Or, All In The City

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

2942
08 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Magic Picture

Afterpiece Title: The Poor Soldier

Song: In Act II of mainpiece a Grand Chorus [Crowned with conquest] by Bannister, Reinhold, Johnstone, Mattocks, Brett, Mahon, Doyle, Darley; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Kennedy. [For songs, see below.]

2943
02 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies' Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

2944
06 December 1783 @ Covent Garden

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: The Country Mad-Cap

2945
14 February 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

2946
08 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Performance Comment: Principal Characters by Parsons, Barrymore, Burton, Dodd; Mrs Wrighten, Mrs Hopkins, Miss Phillips. [Cast from text Q. Bell, 1784): Sir Richard Evergreen-Parsons; Lord Hartwell-Barrymore; Sam-Burton; Tinsel-Dodd; Rose-Mrs Wrighten; Miss Dorothy Evergreen-Mrs Hopkins; Emily-Miss Phillips.] hathi. hathi.
Cast
Role: : Sir Richard Evergreen Actor: Parsons

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

2947
17 April 1784 @ Covent Garden

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

2948
19 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Veil

Related Works
Related Work: Love in a Veil Author(s): Richard Savage

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks; or, The Credulous Man

Dance: End of mainpiece, as17840311athi

2949
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

2950
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])