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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Moran"/1) | (@(roleclean,performerclean) "C Moran")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2107 results for: Keyword - C. Moran

We found 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

1876
19 January 1785 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Magic Cavern

1877
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

1878
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

1879
26 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Alchymist

1880
17 March 1785 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17850224, with The Cossack; End of Opera a new Heroic Ballet (1st time; composed by Lepicq) founded on Shakespeare's Historical Play of Macbeth by Lepicq, Angiolini, Nivelon, Mme Rossi, Slingsby, Frederic, Sga Angiolini, Mlle Dorival. The Vocal Parts by Tasca, Franchi, Bartolini; Sga Dorta, &c. The Ballet to conclude with The Caledonian Reel

1881
02 April 1785 @ Covent Garden

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

1882
25 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

1883
07 May 1785 @ Covent Garden

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson

1884
12 May 1785 @ Covent Garden

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

1885
19 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Rosina

Dance: End of Act IV of mainpiece Hornpipe by Mills

Song: End of Act II of mainpiece a new Hunting Duet (composed by J. Danby) by Dignum and [C.] Danby; End of Act III Tally Ho! by Miss Barnes

1886
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

1887
04 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

1888
24 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Dead Alive

1889
10 November 1785 @ Covent Garden

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

1890
26 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Quaker

1891
08 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: All the World's a Stage

1892
20 December 1785 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

1893
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1894
17 February 1786 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

1895
25 February 1786 @ King's Theatre

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218

1896
05 May 1786 @ Covent Garden

Performances

Mainpiece Title: Zenobi A

Afterpiece Title: The April Fool

Dance: End of Epilogue, as17860504

1897
25 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Deserter

Dance: As17860522

Song: End of Act in of mainpiece a Hunting Duett (composed by J. Danby) by Dignum and [C] Danby

1898
24 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Disbanded Officer; Or, The Baroness Of Bruchsal

Afterpiece Title: The Quaker

1899
23 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

1900
16 October 1786 @ Covent Garden

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp