SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Dibdin Jun"/1) | (@(roleclean,performerclean) "C Dibdin Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2329 matches on Performance Comments, 1571 matches on Event Comments, 1376 matches on Author, 229 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Double Disappointment

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Savoyards, as17471215

Performances

Mainpiece Title: Auction Of Pictures

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Comus

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Two Misers Author(s): Charles Dibdin

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Lottery

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lying Valet

Dance: I: L'Entree de Flore, as17481027; II: Scotch Dance, as17490118; III: A Harlequin Dance-Matthews, Anne Auretti; V: Louvre and Minuet-Cooke, Anne Auretti

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The King and Miller

Dance: As17490329

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The King and Miller

Dance: IV: Comic Dance-J. Granier, J. Granier's Sister

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: The Busy Body

Song: Master Mattocks

Ballet: TThe Savoyard Travellers. As17491110

Dance: End II: by desire a Hornpipe-Matthews

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Afterpiece Title: The Anatomist

Event Comment: DDaily Advertiser [see Woodward's mimicry of Foote, 22 Jan.]: We hear from Drury Lane that on Monday night Harry the Smuggler, who was tried and convicted last summer in the Haymarket, was found hanging in one of the cells of that prison: It seems he has long had a Design to make way with himself and at several times procured poison from Foppington, Harry Wildair, Tom Thimble, &c. but the Quantity, though it made him exceeding sick, not being sufficient to dispatch him, he at last tuck'd himself up in his own Tit for Tat. When he was cut down he look'd very ghastly, and great groanings were heard in the prison before, at, and after his committing the Fact....It is very remarkable that he had on the very coat, which, in Conjunction with one Abel Drugger, not yet taken, he stole from Sammy the Auctioneer; but from the diligent search made after Drugger, it is believed he will soon be brought to Justice. Receipts: #60 (Cross); #67 8s. (Treasurer's Book)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: A Duke and no Duke

Dance: SSwedish Gardeners, as17491219

Ballet: SSavoyard Travellers. As17500118, but Principal Savoyards-Miss Baker, Mrs _Addison

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Chaplet

Dance: II: Grand Scotch Dance, as17491031; End of Play: Swedish Gardeners, as17491219

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: Grandchamps, Mlle Auretti

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Dance: VVenetian Gardeners-Grandchamps, Mlle Auretti

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Intriguing Chambermaid

Dance: IV: Venetian Gardeners-Grandchamps, Mlle Auretti

Performances

Mainpiece Title: Romeo And Juliet