SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Dibdin Jun"/1) | (@(roleclean,performerclean) "C Dibdin Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2329 matches on Performance Comments, 1571 matches on Event Comments, 1376 matches on Author, 229 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: The Humorists

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Performances

Mainpiece Title: The Amorous Prince; Or, The Curious Husband

Performances

Mainpiece Title: The Six Days' Adventure; Or, The New Utopia

Performances

Mainpiece Title: The Town-shifts; Or, The Suburb-justice

Performances

Mainpiece Title: Cambyses, King Of Persia

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Performances

Mainpiece Title: The Villain

Performances

Mainpiece Title: Pompey

Performances

Mainpiece Title: The Duchess Of Malfi

Performances

Mainpiece Title: The Guardian

Performances

Mainpiece Title: The Gentleman Dancing Master

Performances

Mainpiece Title: Wit A La Mode

Performances

Mainpiece Title: The Romantic Lady

Performances

Mainpiece Title: Pompey

Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Performances

Mainpiece Title: The Adventures Of Five Hours

Performances

Mainpiece Title: The History Of Charles The Eighth Of France