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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Clarke"/1) | (@(roleclean,performerclean) "C Clarke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3017 results for: Keyword - C. Clarke
We found 1728 matches on Performance Comments, 1404 matches on Event Comments, 117 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

1801
August 1675 @ Drury Lane Theatre

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Woossat Actor: Clarke

1802
February 1680 @ Drury Lane Theatre

Event Comment: During this month the dissident players from the King's Company--Goodman, Gray, and Clarke--returned from Edinburgh. For details, see Hotson, Commonwealth and Restoration Stage, pp. 262-63

Performances

1803
March 1680 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

1804
June 1696 @ Dorset Garden Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

1805
22 May 1725 @ Lincoln's Inn Fields

Event Comment: Benefit: Larfay, Sparling, Clarke, Rogers. Receitps: money #14 16s.; tickets #86 4s

Performances

Mainpiece Title: Julius Caesar

Dance: CChacone-Mrs Bullock; Myrtillo-Lally, Newhouse, Pelling, Mrs Laguerre, Mrs Wall, Mrs Ogden

1806
26 May 1726 @ Lincoln's Inn Fields

Event Comment: Benefit Wilcox, West, Clarke, Mrs Rice. Written by Mr Congreve. Receipts: money #12 12s. 6d.; tickets #129 18s

Performances

Mainpiece Title: The Old Batchelor

Dance: SSaraband-Lally, Mrs Wall; Spanish Entry-Young LeSac, Miss LaTour; Burgomaster and Wife-Newhouse, Mrs Ogden

1807
23 May 1728 @ Lincoln's Inn Fields

Event Comment: Benefit Gwinn, Mrs Clarke, Mrs Palin. Written by Shakespear. Receipts: money #5 10s.; tickets #145 17s. Probable attendance: boxes, 3 by money and 225 by tickets; stage, 5 by money; pit, 9 by money and 355 by tickets; first gallery, 4 by money and 355 by tickets; second gallery, 16 by money

Performances

Mainpiece Title: The Jew Of Venice

Song: new Song-Miss Fenton; The Cobler's Tragical End-Leveridge

Dance: SScottish Dance-Mrs Bullock; Wooden Shoe Dance-Nivelon; Grand Dance of Moors-Glover, Pelling, Newhouse, Lanyon, Mrs Ogden, Mrs Anderson, Miss LaTour

1808
20 May 1730 @ Lincoln's Inn Fields

Event Comment: Benefit Clarke, Willcocks, Mrs Hill. Receipts: money #21 9s. 6d.; tickets #117 10s

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Wedding

Dance: TTollet's Ground-Mrs Bullock, Mrs Ogden

1809
06 May 1742 @ Covent Garden

Event Comment: Benefit Stede, Thompson, Clarke, Mrs LeBrun

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Honest Yorkshireman

Dance: As17420505

Entertainment: CCries of London-Salway

1810
27 January 1743 @ Drury Lane Theatre

Event Comment: CClytus identified by Winston MS. as Clarke. Mainpiece not acted these 6 years

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Afterpiece Title: The Devil to Pay

Song: As17430120

Music: IV: Concerto on German Flute-Burk Thumoth

1811
17 March 1747 @ Drury Lane Theatre

Event Comment: Benefit Cooke. Tickets may be had at his Lodgings, at Mr Clarke's, an Upholsterer, James St., Covent Garden. At the particular Desire of several ladies of quality. Part of Pit rail'd into Boxes where servants will be allowed to keep Places

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Dragon of Wantley

Dance: Salomon, Cook, Sga Padouana, Muilment, Salomon's Son, the Mechels

1812
30 March 1749 @ Drury Lane Theatre

Event Comment: Benefit for Cooke. [The Devil to Pay was advertised in today's bill, but "Mrs Clive was taken ill, the Anatomist was Play'd" (Cross). Stage and Pit arranged as of 7 March.] Tickets and places to be had of Cooke at Mr Clarke's an Upholsterer in James St., Covent Garden. Receipts. #200 (Cross); charges, #60 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Anatomist

Dance: I: Pastoral Dance-Cooke, Anne Auretti; II: New Scotch Dance, as17490118; III: The Gondoliers-Cooke; V: Louvre and Minuet-Cooke, Anne Auretti

1813
10 December 1755 @ Covent Garden

Event Comment: ZZara is oblig'd to be deferr'd on account of the indisposition of Mr Clarke

Performances

Mainpiece Title: The Non Juror

Afterpiece Title: The Contrivances

Dance: As17551101

1814
21 April 1768 @ Covent Garden

Event Comment: KKing Lear and Amelia oblig'd to be deferr'd on account of indisposition of Clarke. Receipts: #75 9s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Harlequin Dr Faustus

1815
13 January 1774 @ Covent Garden

Event Comment: Cash advanc'd Clarke as per bond #400. Paid Richards (scene painter) as per Bill #190. Receipts. #230 6s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Sylphs

1816
17 October 1774 @ Covent Garden

Event Comment: Henry II oblig'd to be deferr'd on account of Clarke's Illness. [Bensley took his part in Alexander the Great.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Sylphs

1817
24 February 1775 @ Covent Garden

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

1818
07 January 1777 @ Covent Garden

Event Comment: [The playbill announces Caractacus and Harlequin's Frolicks, but "Clarke being suddenly taken extremely ill, Caractacus is obliged to be changed to The Busy Body. Marplot by Woodward. After which, Comus [with full cast listed]" (printed slip attached to BM playbill 937. b. 4).] Receipts: #151 0s. 6d. (149.8.0; 1.12.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Comus

Song: In afterpiece: Nor on Beds of fading Flowers-Mrs Farrell

1819
19 March 1782 @ Covent Garden

Event Comment: Benefit for Henderson. Mainpiece: Written by Congreve; and now carefully revised and corrected, by expunging the exceptionable passages. [The playbill assigns Lord Touchwood to Clarke, but on the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Afterpiece: Contracted into 3 acts. With a Grand Dance, and a Reinforcement of Bayes's Troops [for which, and for a list of the other parts, see DL, 13 Dec. 1777. In the Dancing Banti is announced as making his 5th appearance (see 25 Feb., 5 Mar.)]. Public Advertiser, 2 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. Receipts: #238 9s. 6d. (144/9/6; tickets: 94/0/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

1820
14 February 1785 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Clarke as Antonio, but on the Kemble playbill a MS annotation substitutes Hull.]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act in of mainpiece, as17840922; End of Act IV, as17840917

1821
18 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Performance Comment: In which several capital Catches and Glees, selected from the most Eminent Masters. The celebrated Anacreontic Song by Bannister. Two Imitative Songs by Bannister Jun. The principal Vocal Parts by Bannister, Dignum, Suett, Williames, Barrymore, Chapman, Master Clarke .

Afterpiece Title: The Winter's Tale

Afterpiece Title: An Author on the Wheel; or, A Piece cut in the Green-Room

Afterpiece Title: ROSINA

Song: In 2nd piece the Sheep-sbearing Song by Miss Phillips. imitations. In 3rd piece, by Bannister Jun

1822
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Performance Comment: Principal Vocal Parts by Bannister, Suett, Barrymore, Dignum, Chapman, Williames, Master Clarke .

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

1823
19 May 1787 @ Covent Garden

Event Comment: Tickets delivered for The Provok'd Wife will be admitted. Tickets delivered by Jackson, Pilfold, Roberts, Clarke, Painter, Atkins, Curteen, Grey, Orme, Bourrelier will be admitted (Account-Book). Receipts: #340 15s. 6d. (22.18.0; 2.7.6; tickets: 315.10.0)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Love in a Camp

Dance: End: The Waterman-; to conclude with a Double Hornpipe-Jackson, Mrs Ratchford

Song: a Roman Ovation-; Vocal Parts, as17861021, but Miss _Stevenson, Mrs Byrn

1824
29 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Regent

Performance Comment: Principal Characters by Kemble, Aickin, Barrymore, Packer, Bates, Wilson, Phillimore, Chaplin, Benson, Alfred, Spencer, WRoughton, Mrs Ward, Mrs Siddons. [Cast from text (J. Robson and W. Clarke, 1788): Manuel-Kemble; Solerno-Aickin; Ansaldo-Barrymore; Gerbin-Packer; Diego-Bates; Servant-Wilson; Banditti-Phillimore, Chaplin; Pedro-Benson; Gomez-Wroughton; Carlos-Master Gregson; Paula-Mrs Ward; Dianora-Mrs Siddons; Alfred, Spencer; Prologue-Wroughton; Epilogue-Mrs Siddons. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Miller of Mansfield

1825
31 May 1788 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Wm. Ansell, Mrs Ansell, Bonville, Miss Blower, Miss Clarke, Doe, Mrs Lampe, Mrs Linton, Mrs Masters, Shuter, Turtle will be admitted. Receipts: #162 10s. 6d. (46.5.0; 6.1.6; tickets: 110.4.0)

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Poor Soldier