SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2807 matches on Performance Comments, 2743 matches on Author, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Performance Comment: Prologue by Cibber-Powell.
Cast
Role: Cibber Actor: Powell.
Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Tender Husband

Performance Comment: See17100105, but Biddy-Mrs Oldfield; With a new Mimical Prologue-; an Epilogue representing the Person of Nobody, by Mr Cibber-Mr Cibber.
Cast
Role: Mr Cibber Actor: Mr Cibber.
Event Comment: Benefit Cibber. By particular Desire. [Tickets at Cibber's House in Wild-Court, lif.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: See17370201, but Indiana-Mrs Cibber; Bevil Jr-Quin; Sealand-Milward; Tom-Cibber; Phillis-Mrs Clive; Sir John-Berry; Myrtle-W. Mills; Cimberton-Griffin; Lucinda-Miss Holiday.

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: See17370214, but King-Cibber; Miller-Miller.

Music: Select Pieces-; II: Solo on the Violin-Riggs

Dance: III: Harlequin-Denoyer's@Prentice; V: Russian Sailor-Denoyer

Event Comment: Benefit for Mrs Cibber. Tickets delivered for The Orphan will be taken. No building on stage. [Goldsmith, in his Bee (Vol. 1759, p. 56), commenting on Mad Clairon s' excellent preservation of character on stage, glances at Mrs Cibber, perhaps in this night's performance: 'I can never pardon a lady on the stage who, when she draws the admriation of the whole audience, turns about to make them a low courtesy for their applause. Such a figure no longer continues Belvidera , but at once drops into Mrs Cibber." See comment upon her deportment as Ophelia , 29 April 1763.

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Holland; Pierre-Garrick, 1st time for 15 years; Pruili-Havard; Renault-Burton; Bedamar-Blakes; Duke-Bransby; Belvidera-Mrs Cibber.

Afterpiece Title: High Life Below Stairs

Dance: TThe Cow Keepers, as17600313

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Related Works
Related Work: Hob; or, The Country Wake Author(s): Colley Cibber

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Performances

Mainpiece Title: Meraspe O L'olimpiade

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: Rosina

Dance: As17820927

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: Cross Purposes

Dance: As17820927

Performances

Mainpiece Title: Imitation; Or, The Female Fortune-hunters

Afterpiece Title: The Ladies' Frolick

Dance: After the Epilogue The Butterfly, as17830426; In Act I of afterpiece the Crutch Dance {performers not listed)

Song: In Act II of mainpiece song on the Knights of St. Patrick, &c. (singer not listed)

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal; or, The Tars of Old England

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

Performances

Mainpiece Title: The Impostors

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Cross Partners

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Farmer

Event Comment: Benefit Cibber. At the Desire of several Ladies of Quality. London in 1710 (p. 96): It was a fine piece, and on that account had a large audience

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Wilks; Iago-Cibber [Daily Courant, 20 June, only]; With a new Epilogue (intended to be Humorous) Writ-Mr Cibber[, upon all Mankind's being Actors on the Stage of the World., upon all Mankind's being Actors on the Stage of the World.
Event Comment: [By Sir Richard Steele.] With new Scenes, and all the Characters new drest. Daily Journal, 8 Nov.: Where a greater Concourse of People was never known to be assembled. [See also Cibber, Apology, II, 206; Dennis, Remarks on a Play call'd The Conscious Lovers; and British Journal, 10 Nov. and 8 Dec.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Edition of 1723 lists: Sir John Bevil-Mills; Sealand-Williams; Bevil Jr-Booth; Myrtle-Wilks; Cimberton-Griffin; Humphrey-Shepard; Tom-Cibber; Daniel-Theo. Cibber; Mrs Sealand-Mrs Moore; Isabella-Mrs Thurmond; Indiana-Mrs Oldfield; Lucinda-Mrs Booth; Phyllis-Mrs Younger; Prologue by Welsted-Wilks; Epilogue-Mrs Oldfield.
Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Performance Comment: Cast not listed in edition of 1723, but edition of 1724 lists: King Henry-Roberts; Prince Edward-Cibber Jr; Old Clifford-Boman; Young Clifford-Wilks Jr; York-Savage; Edward-Oates; George-Parlour; Richard-Wilson; Warwick-Bridgwater; Queen Margaret-Mrs Campbell; Lady Grey-Mrs Seal; Lady Elizabeth-Mrs Davison; Lady Anne-Mrs Brett; Prologue-Th. Cibber.
Event Comment: Mainpiece: [By Mrs Eliza Haywood.] By Reason of the Indisposition of an Actress, the Part of the Wife is to be perform'd by Mrs Haywood, the Author. Afterpiece (Daily Post, 10 Aug.): A new Dramatic Entertainment...design'd by Mr Theo. Cibber, with new Music compos'd and adapt'd by Mr Jones, which proper Judges allow to be the best of the kind now extant

Performances

Mainpiece Title: A Wife To Be Let

Performance Comment: Edition of 1735 lists: Fairman-Boman; Graspall-Evans; Sir Harry Beaumont-W. Wilks; Captain Gaylove-Bridgwater; Courtly-Oates; Toywell-Th. Cibber; Sneaksby-Parler; Shamble-Harper; Tim-Peplow; Widow Statley-Mrs Willis; Mrs Graspall-Mrs Haywood; Celemena-Mrs Tenoe; Marilla-Mrs Lindar; Amadea-Mrs Brett; Dogood-Mrs Davison; Prologue-Th. Cibber; Epilogue-Mrs Haywood.

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: Benefit Cibber Jr and Mrs Cibber. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17280316 but Basset-Cibber Jr; With the Romp's Song as usual-; new Ballad, called, The Fine Lady's Life-in the Character of Miss Jenny; And a New Epilogue adress'd to the Men of Pleasure-Miss Brett, being her first Performance in that Capacity.
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): Colley Cibber

Dance: End I: Harlequins-Young Master Lally, Miss Brett; In Masquerade Scene: Polonese-Rainton, Miss Robinson Sr; V: Coquette Shepherdess-Lally, Mrs Booth