SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2807 matches on Performance Comments, 2743 matches on Author, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This day is publish'd written by Henry Fielding, Esq. the 4th edn. of An Old Man taught Wisdom; or the Virgin Unmask'd, a Farce, as it is now acting at Drury Lane. With the Music prefix'd to each song. Printed for I. Watts. Receipts: #170 (Cross); #171 12s. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Triumph of Peace

Event Comment: Benefit for Cooke. Charges #60. Deficiency to Cooke #25 10s., covered by #134 7s. from tickets. Tickets of Cooke at Mr Clark's, an Upholsterer in James St., Covent Garden, and at the Stage Door. Died Dennis Delane, Esq. universally regretted (Daily Advertiser, 3 April). Receipts: #34 10s

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Phebe

Dance: I: New Dance-Cooke, Miss Hillyard; II: Dutch Dance, as17500319 but -Cooke, Miss Hillyard; III: Grand Scotch Ballet, as17500201; End of Play: Louvre, Minuet-Cooke, Miss Hillyard

Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq</a> praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Anatomist

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: Benefit for the Author of the Prologue, Epilogue and Pastoral Dialogue. Mainpiece: Written by Mr Addison. A New Pastoral Dialogue for the benefit of ye Author of ye Dialogue, Cook ye Poet (Cross). [The Prologue was on comic poetry (spoken by Ryan); the Epilogue was on the Comic Characters of Women (spoken by Mrs Bland). See published version (London, 1753 "to which is prefixed an Ode to John Rich, Esq</a>:"--British Museum 11795 K 31).
Event Comment: By Desire and Consent of Frederic Handel, Esq. Afterpiece: Musick composed by his Majesty the King of Prussia. Pit half a Guinea. Gallery 5s. 6 p.m. At the Great Room, Dean St., Soho

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Charlottenburg Festegiante

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Mercury Harlequin

Dance: II: The Market, as17571126

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq</a> No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: [B$Barry's one-third of surplus came to #40 16s. 4d. The fourteen Renters who received payments on 23 Feb. were New Renters (i.e., they had purchased shares only since the beginning of the current season). The Hutchison Mure Esq</a> Account (See cg 1757 Estimate of Constant Expenses) lists forty shares outstanding for Old Renters at 2 shillings per night. Rich, during the next thirty days, sold new shares until by 27 March 1758 he had on his books forty-five New Renters in addition to the 40 old ones. Their names will appear as they bought in. On this night (25 Feb.) George Wolley purchased one share. This was an appropriate time to sell stock in the theatre since Rich could now show a favorable balance on his nightly Account Books of #620 3s. 9d. with all bills paid, including interest to Old Renters.] Receipts: #202 9s. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Related Works
Related Work: The Rival Queans Author(s): Colley Cibber

Afterpiece Title: A Lover His Own Rival

Dance: JJovial Coopers, as17571107

Event Comment: Receipts: #107 19s. [Additional Renters coming in at 1 share each were Frederick Hesse Esq</a> and James Mann.] Paid Mr Blackmore a Bill for Sundrys for Dioclesian #104 14s. Paid Mr Bingner (Wigmaker) in full of Bill #13 13s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq</a>, Thomas Repley (Account Book).

Performances

Mainpiece Title: The Prophetess

Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: This Week a Patent passed the Great Seal for the Establishment of a new Theatre, to Samuel Foote, Esq. only (Public Advertiser, London notes, p. 2, col. 3). Mr Barry and Mrs Dancer from Dublin are said to be engaged for this summer at the Theatre Royal in the Haymarket (Gazetteer and New Daily Advertiser, London notes, p. 2, col. 2, which corroborates the Foote patent)

Performances

Event Comment: Paid Blandford (tallow chandler) 4th bill #34 6s. 6d.; Paid Colthorpe on acct for half season #157 10s.; Paid John Palmer for Spermacetti candles #118 14s. 6d.; Paid Daniel Malthus Esq</a> one year's rent #30 7s. 6d.; Gave the Knight's Marshall men Xmas boxes 10s. 6d.; Duke of Cumberland's Footmen Xmas box, #2 2s.; Beadle and Watchmen Xmas Box 12s. 6d.; the Bricklayer man 2s. 6d.; Paid Roberts, shoemaker, on account #3 3s. (Treasurer's Book). Receipts: #139 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq</a> the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: By Command of their Majesties. Mr Ximenes...is a very spirited and very chaste performer (Theatrical Review, 13 March). This Day Publish'd (in Quarto, price 2s.) Sanitas, Daughter to Aesculapius, to David Garrick, Esq</a>, a Poem

Performances

Mainpiece Title: Judas Maccabaeus

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Event Comment: Being desired, for one night only under thr direction of Dr Arne at the Theatre Royal...will be performed the celebrated Catches and Glees, after which by Authority will be performed a new Burletta...alter'd and plann'd for Music from a favourite piece written by Henry Fielding, Esq</a>. Music entirely new composed by Dr Arne, with a new Irish and Scots Medley Overture. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Books of both performances to be had together at the Theatre at 1s. 6d

Performances

Mainpiece Title: Squire Badger

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Dance: After the Interlude: The Whim, as17730426

Event Comment: Mainpiece: By Particular Desire. Payments: Mr D. Garrick's 3 Nights for the Christmas Tale, 30 Dec., 4 & 11 Jan., #84 charges deducted each night--#371 14s. (Treasurer's Book). At Isleworth, James Lacy, Esq.: one of the patentees of Drury Lane Theatre died (Gentleman's Magazine, 44, p. 47). [For full account of Lacy, see Covent Garden Magazine (229-34).] Rec'd of Mr Burges, 1 yrs. rent to Xmas last (#4 4s. King's Tax deducted) #16 16s.; Paid Mr Cropley (linen draper) 2 Bills #66 10s. 6d.; Mr Scott (laceman) #66 1s.; Messrs Lowe & Co. (glaziers) #18 6s.; Mr Burges (bricklayer) #65 8s.; Mr Waller (hosier) #24 5s.; Messrs Barrow & Co., oil, #53 7s. 6d.; Messrs Hopkins & Co. (ironmongers) #30 11s.; Mrs Vaughan (haberdasher) 2 bills, #14 10s. 6d.; Mr Hatsell (mercer) 3 bills, #120 11s.; Mr J. French's draft to Mr Wise #5 10s.; Mr J. Johnston's Music Bill #24 5s. (Treasurer's Book). Receipts: #246 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar