SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C Cibber Esq"/1) | (@(roleclean,performerclean) "C Cibber Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2807 matches on Performance Comments, 2743 matches on Author, 1917 matches on Event Comments, 121 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Afterpiece Title: The Purse

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Liar

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Afterpiece Title: The Flitch of Bacon

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq</i>., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Performances

Mainpiece Title: Don Quixote, Part Ii

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Performances

Mainpiece Title: Aurengzebe

Song:

Dance:

Event Comment: Written by Mr Rowe, Esq. Receipts: #50 15s. 6d

Performances

Mainpiece Title: Tamerlane

Song: As17150513

Dance: Spanish Entry, Scaramouch-Thurmond, lately arriv'd from Ireland

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

Event Comment: Written by the late $N. Rowe, Esq.

Performances

Mainpiece Title: The Ambitious Stepmother

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Performances

Mainpiece Title: Elfrid; Or, The Fair Inconstant

Event Comment: First Piece; [Author unknown. Apparently not published.] A New Farce of Two Acts. Second Piece: Written by Aaron Hill, Esq. Third Piece: The Words by Mr Motteux, and set to Musick by Mr Eccles

Performances

Mainpiece Title: It Should Have Come Sooner: Being The Historick, Tragic Comic Humours Of Exchange Alley

Afterpiece Title: The Walking Statue

Afterpiece Title: Acis and Galatea

Dance: Saraband-Miss Tenoe; Drunken Man-Harper

Music: As17230625

Event Comment: Second Piece: Written by $Aaron Hill, Esq.

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Walking Statue

Afterpiece Title: The Tricks of Harlequin

Dance: Two Farmers and Their Wives-Boval, Miss Tenoe, others

Song: Smug Upon Tuesday-Mrs Willis; A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar

Event Comment: At the particular Desire of several Ladies of Quality. Written by N. Rowe, Esq. late Poet Laureat

Performances

Mainpiece Title: The Fair Penitent

Song: As17251208

Event Comment: At the particular Desire of several Ladies of Qualiy&ty. Written by N. Rowe, Esq. late Poet-Laureat

Performances

Mainpiece Title: The Fair Penitent

Event Comment: Written by $Osborne Sidney Wandesford, Esq.

Performances

Mainpiece Title: Fatal Love; Or, The Degenerate Brother

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances